skytomm

I can hardly add more to what has already been said about this amazing film, except to echo and amplify someone else's comment that "...the subtitles do not do it justice." As is the case with almost all instances of subtitling, much is lost either to screen space restrictions, tempo, or the acumen of those providing the translation.

This film - in particular - cries out to be heard and understood in its spoken language.

This one of the most touching films I have ever seen. (This from one who is seldom touched by film.) Perhaps I brought too much of my own father-son issues to it, but I think - rather - that superb artistry by writer, director, and players is responsible for striking so many resonant chords within me. The fast-tempoed delivery of humor - sometimes dark-black - juxtaposed with the dreadfully frightening imminence of the end of life and love(s) are exquisite.

As I said -- TEN!

This is a beautifully crafted and acted film that develops characters that I identified with all-too readily. We all know - and perhaps are - characters just like these in today's workaday, employee-as-cannon fodder world. So, what's so special about that? The story has the Faulkner-esquire quality of describing the large through the very small, microcosmic family portrayed here. Vincent's unwillingness to share his grief and his efforts to shield his family whom he loves dearly from his inner turmoil bespeaks a great strength that is plainly evident on the actor Aurélien Recoing's face. And his Muriel (Karin Viard) is just as wordlessly expressive and movingly credible.

This is not a happy film. This is not passive entertainment. L'employ du Temps is a terrific example of the filmmakers' and actors' art. See it, if you are serious about how film can stir your emotions.