tobias_lane

Noah Baumbach's Kicking and Screaming is one of those rare films that actually gets it right when it comes to understanding the angst of being a young adult right out of college. Baumbach's dialogue matches each of the feelings that newly graduated students go through, but doesn't stoop to the level of condescending. We all identify with the characters of Kicking and Screaming whether it is Skippy and his wanting to further his education because there might be something he missed out on or if Skippy doesn't subconsciously want to become his friends Max, Grover, or Otis. We might identify with Max who blatantly doesn't know what to do now. Max's only hellbent on not looking back on his college years, "I'm nostalgic for conversations I had yesterday. I've begun reminiscing events before they even occur. I'm reminiscing this right now. I can't go to the bar because I've already looked back on it in my memory... and I didn't have a good time." Kicking and Screaming is a film deserving to be recognize as a journey through the minds of graduates and self-discovery of oneself.

Gregg Araki's Doom Generation is a satirical look at a generation that has been played out in cookie cutter versions of Gen X films. Don't get me wrong, Doom Generation is a little more "visual" than let's say, "Reality Bites," but then so is "Nowhere." The graphic nature of the violence and language play into Araki's satire and even the subliminal messages throughout the film play into the hands of those who look upon the "Gen-X" films as hip because we all go to a coffee house. Capitalism is evident in these films because of all the product placement, but we are not supposed to give in to this commercialism. Giving into this wasteland of over-marketed products is what Gen-X'ers say that they will not do while wearing their $60 Tommy pants and sipping on a $6.00 latte. Araki does what any brilliant director would do in this situation: make THE DOOM GENERATION.