killercola
A rejoint le avr. 2021
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Avis126
Note de killercola
Okay, is this movie winning Oscars? No. Was it a fun watch? Well, yes. Yes it was. Daisy Ridley was solid in her role. I wish we had more Clive Owen. I think the movie would have been better if he played the role of Noah Santos. But overall, it was a fun action movie if you go in to it without high expectations which is what I did. They did give this movie a budget of $25 million which is quite impressive for a movie that wasn't a theater release. My only complaint, cheesy writing and situations that defied logic. But overall I had fun watching it. It kept my attention for almost two hours. If you're bored and can't find anything to watch, give this a go. Heck, it's better than most offerings on Netflix lol.
I'm seeing some reviews that can only be described as people who watched a masterpiece that was way above their intellectual paygrade.
Okay, "The Brutalist" is a cinematic masterpiece that defies easy categorization. This ambitious, 215-minute epic tells the story of László Tóth, a Hungarian-Jewish architect who survives the Holocaust and rebuilds his life in post-war America. Adrien Brody shines in the lead role, delivering a performance full of flinty anger and palpable melancholy. He brings depth and nuance to László's journey, portraying a complex character torn between artistic expression and commercial viability.
The film explores themes of immigration, addiction, Zionism, architecture, inequity, class, and violence, all set against the backdrop of mid-century America. Director Brady Corbet's bold vision is matched by Lol Crawley's stunning cinematography, which showcases the brutalist architecture that gives the film its title. The film's technical achievements are notable, particularly its use of VistaVision, a mid-century hi-res technology that lends an epic quality to the narrative.
Key strengths of the film:
Adrien Brody's performance: A tour-de-force that brings László's story to life
Cinematography: Stunning visuals that showcase the brutalist architecture
Themes: Thought-provoking exploration of identity, art, and commerce
Technical achievements: Innovative use of VistaVision technology
Simply put, The Brutalist is a remarkable film that demands attention and rewards patience. With its unique blend of drama, history, and cinematic innovation, it's a must-see for fans of epic storytelling.
Okay, "The Brutalist" is a cinematic masterpiece that defies easy categorization. This ambitious, 215-minute epic tells the story of László Tóth, a Hungarian-Jewish architect who survives the Holocaust and rebuilds his life in post-war America. Adrien Brody shines in the lead role, delivering a performance full of flinty anger and palpable melancholy. He brings depth and nuance to László's journey, portraying a complex character torn between artistic expression and commercial viability.
The film explores themes of immigration, addiction, Zionism, architecture, inequity, class, and violence, all set against the backdrop of mid-century America. Director Brady Corbet's bold vision is matched by Lol Crawley's stunning cinematography, which showcases the brutalist architecture that gives the film its title. The film's technical achievements are notable, particularly its use of VistaVision, a mid-century hi-res technology that lends an epic quality to the narrative.
Key strengths of the film:
Adrien Brody's performance: A tour-de-force that brings László's story to life
Cinematography: Stunning visuals that showcase the brutalist architecture
Themes: Thought-provoking exploration of identity, art, and commerce
Technical achievements: Innovative use of VistaVision technology
Simply put, The Brutalist is a remarkable film that demands attention and rewards patience. With its unique blend of drama, history, and cinematic innovation, it's a must-see for fans of epic storytelling.
Man, Netflix is just about useless anymore. Lovely as it is to see Cameron Diaz starring in her first film in a decade, it's equally dismaying that the film is "Back in Action."
As the title suggests, Diaz is indeed back. Her last movie was the 2014 re-do of "Annie," where she played Miss Hannigan. Here, she reteams with that film's Daddy Warbucks figure, Jamie Foxx, and it's not a good reunion. There's no point to the movie, just terrible CGI, which is unfortunately the standard these days, and snarky and cringy comments intended to be jokes. Nothing about this movie is recommended. Bad acting, bad writing, bad everything. Don't waste your time on this garbage. I might cancel my Netflix subscription after this one. They should be ashamed thst this is what they offer customers on the regular now.