evbaby

A man who loves words but can't speak them has to finally meet his on-line girlfriend.

That's a set-up for a full length rom-com, yet it takes care of business in just 12 minutes (as I wish most modern rom-coms would). It's a fine example of story-telling with maximum economy. This is what the best of Short Films do and "Stutterer" is one of the best, among this year's Oscar nominees at least (I'd put it a close second to "Day One").

Like a haiku or a sonnet, the short film can serve to distill a subject to it's essence. "Stutterer" is a fine example of the form. Bravo!

This film's set-up is so preposterous that it's a tribute to all involved that it works as well as it does. Leave it to Barbara Stanwyck to bring such overwrought material back down to earth. (Maybe Bette Davis could have done it but in, say, Joan Crawford's hands, the film would been entertaining in an entirely unintended way).

Yet maybe there's something about the source material that is impervious despite being so far-fetched. It was remade in France in 1983 as "I Married a Shadow" ("J'ai épousé une ombre") with the always luminous Nathalie Baye in the Stanwyck role and it held me throughout. Also worth seeing...

Do not watch this movie in real time. Rather, tape it or get the DVD so you can fast forward through every scene with just white people in it. That will leave you with about 15 minutes or so of performances by Louis Armstrong and his combo and Billie Holiday. Although heavily lip-synched, they are still worth watching at least for historical interest, especially the scenes with Billie and Louie performing together. Also, Louie's personality and joy of performance still shine through and are genuine pleasures.

The only other point of interest is Billie Holiday's 'performance' (to be generous) as an obsequious maid! It is the saddest spectacle ever offered up by American popular culture!!! True, many great black performers had to humble themselves to get into the movies but Billie didn't need the movies and she was otherwise quite vocal about being nobody's fool (except, tragically, her own). Watching her in these scenes, I couldn't help but think about her criticism of Louie Armstrong ("Louie 'Tom's from the heart"). Sad, sad, sad. I watched it as if it were a road-side accident...I felt guilty for gawking but I couldn't look away, either.

Everything else is just filler (much like 'Cuban Pete', a turgid little romantic comedy whose only excuse for existence is to showcase the hot, new (1946) Cuban sensation, Desi Arnaz and his Orchestra. For that reason, I recommend it highly with the same caveat...skip everything that isn't music).