ALostBaggage

Yes, that's a movie - and let's be honest, most gay people aren't as lucky as Naveen and Jay. But who cares? We need hopeful stories that allow us to dream of a better future. A Nice Indian Boy gives us exactly that. It's full of positivity and offers lessons for everyone - for parents of gay or lesbian children, and for LGBTQ+ individuals who may not yet recognize the value of being true to themselves and protecting real love.

I really enjoyed the mood of the film. The performances were impressive across the board. The direction is strong, and the costumes and set design are fantastic - I especially loved the use of color throughout the movie.

Sure, some might say the story is "too good to be true." But haven't we seen countless idealized heterosexual romances, from Meryl Streep to Anne Hathaway? If we can embrace those stories, why not A Nice Indian Boy?

Sometimes, movies are here to remind us of dreams - the ones that push us to build something real.

The main stars of modern horror movies are often the technical teams rather than the actors, as audiences' appetite for horror is now fed by ultra-realistic visuals. We are far removed from Hitchcock's era and firmly in the age of CGI. Final Destination is one such film, filled with intense and visually striking horror scenes. Yes, the technical crew deserves credit for their work. However, the film itself isn't scary. I have to admit-it's actually quite boring. Why? Because there's no strong story. And without a story, there's no movie. That's it. The plot is surprisingly weak. The storytelling borrows heavily from the Scream-style horror formula, with sharp twists and sudden scene changes. That's fine-but where's the narrative? I ended up watching the movie just to see the visual techniques. Was I thrilled? Definitely not.

This review marks my 50th contribution on IMDb, and I'm thrilled to celebrate this small milestone with a film that I return to time and again-each time feeling like I'm almost a part of it.

The film is based on an extraordinary story written by Lillian Hellman, a brilliant writer who found herself targeted during the infamous McCarthy era. She first shared this story in her remarkable book Pentimento, and it left a lasting impression on me.

Director Fred Zinnemann chose to adapt Hellman's story for the screen, and having both read the book and watched the movie, I can say his adaptation is exceptionally successful. His direction captures the emotional depth and complexity of the original narrative.

One small but notable moment in the film is the brief appearance of Meryl Streep. If I'm not mistaken, this was her debut in cinema-a quiet beginning to an extraordinary career.

Set against the backdrop of Nazi-dominated Europe, the movie does far more than just recount the horrors of war. At its heart, it is a deeply moving story of lifelong friendship between two women, as well as a glimpse into the artistic and intellectual life during wartime in both the U. S. and Europe. The film takes us through the beautiful streets of Paris and includes a historic train journey to Moscow.

There is also an element of suspense-a secret rescue mission hidden from the Nazis adds an emotional thrill to the plot. For me, the most unforgettable scene remains the opening: an elderly woman fishing at dawn, softly whispering words taken from the introduction of Hellman's Pentimento. It sets the tone perfectly for what follows.

I think I'm going to rewatch this film once again. I realize how much I've missed it.