director3
A rejoint le juil. 2002
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Avis4
Note de director3
It is great to finally get a film that doesn't run to the safety of digital video, computer special effects, and loud music.
"Highwaymen" finally gives us a thriller, that avoids all the crutches of the mainstream film-making that we have seen in the last few years. The stunts are all metal cars crashing into each other - no fancy effects (i.e. Nic Cage jumping a bridge in a digital mustang during the cheesy "Gone in 60 seconds" remake). Here we have car doors getting ripped off and then actually being replaced with second-hand parts by the characters in the film - a realistic car chase film. Finally.
The music, by Mark Isham, is very simple and very scary. It brings back memories of "Halloween" and "Nightmare on Elm Street" - when filmmakers knew how to use frequencies to build tension. There is no Brittany Spears or Metallica singles on the soundtrack, indicating that at least one filmmaker still can hold his own, and not fall to the popular vote when designing a film's soundtrack.
The acting is excellent - Jim Caviezel is great.
The cinematography is first class - and on film, which is refreshing when much of the movie takes place at night and many filmmakers get scared and run to video nowadays (Michael Mann "Collateral"). Great land scapes and long empty roads are brilliantly photographed by cinematographer Rene Ohashi.
By far the best are the sound effects. All the car engine sounds are greatly accurate - from the Barricuda's Hemi to El Dorado's big block - all sounds are accurately placed and brilliantly timed. This, and all the great car-talk within the dialogue makes for a true car film that anyone who loved the old car chase films of the late 60's to the late 70's, would greatly enjoy this one as well.
"Highwaymen" finally gives us a thriller, that avoids all the crutches of the mainstream film-making that we have seen in the last few years. The stunts are all metal cars crashing into each other - no fancy effects (i.e. Nic Cage jumping a bridge in a digital mustang during the cheesy "Gone in 60 seconds" remake). Here we have car doors getting ripped off and then actually being replaced with second-hand parts by the characters in the film - a realistic car chase film. Finally.
The music, by Mark Isham, is very simple and very scary. It brings back memories of "Halloween" and "Nightmare on Elm Street" - when filmmakers knew how to use frequencies to build tension. There is no Brittany Spears or Metallica singles on the soundtrack, indicating that at least one filmmaker still can hold his own, and not fall to the popular vote when designing a film's soundtrack.
The acting is excellent - Jim Caviezel is great.
The cinematography is first class - and on film, which is refreshing when much of the movie takes place at night and many filmmakers get scared and run to video nowadays (Michael Mann "Collateral"). Great land scapes and long empty roads are brilliantly photographed by cinematographer Rene Ohashi.
By far the best are the sound effects. All the car engine sounds are greatly accurate - from the Barricuda's Hemi to El Dorado's big block - all sounds are accurately placed and brilliantly timed. This, and all the great car-talk within the dialogue makes for a true car film that anyone who loved the old car chase films of the late 60's to the late 70's, would greatly enjoy this one as well.
It is great to finally get a film that doesn't run to the safety of digital video, computer special effects, and loud music.
"Highwaymen" finally gives us a thriller, that avoids all the crutches of the mainstream film-making that we have seen in the last few years. The stunts are all metal cars crashing into each other - no fancy effects (i.e. Nic Cage jumping a bridge in a digital mustang during the cheesy "Gone in 60 seconds" remake). Here we have car doors getting ripped off and then actually being replaced with second-hand parts by the characters in the film - a realistic car chase film. Finally.
The music, by Mark Isham, is very simple and very scary. It brings back memories of "Halloween" and "Nightmare on Elm Street" - when filmmakers knew how to use frequencies to build tension. There are no Brittany Spears or Metallica singles on the soundtrack, indicating that at least one filmmaker still can hold his own, and not fall to the popular vote when designing a film's soundtrack.
The acting is excellent - Jim Caviezel is great.
The cinematography is first class - and shot on film, which is refreshing when much of the movie takes place at night and many filmmakers get scared and run to video nowadays (Michael Mann "Collateral"). Great land scapes and long empty roads are brilliantly photographed by cinematographer Rene Ohashi.
By far the best are the sound effects. All the car engine sounds are greatly accurate - from the Barricuda's Hemi to El Dorado's big block - all sounds are accurately placed and brilliantly timed. This, and all the great car-talk within the dialogue makes for a true car film that anyone who loved the old car chase films of the late 60's to the late 70's, would greatly enjoy this one as well.
"Highwaymen" finally gives us a thriller, that avoids all the crutches of the mainstream film-making that we have seen in the last few years. The stunts are all metal cars crashing into each other - no fancy effects (i.e. Nic Cage jumping a bridge in a digital mustang during the cheesy "Gone in 60 seconds" remake). Here we have car doors getting ripped off and then actually being replaced with second-hand parts by the characters in the film - a realistic car chase film. Finally.
The music, by Mark Isham, is very simple and very scary. It brings back memories of "Halloween" and "Nightmare on Elm Street" - when filmmakers knew how to use frequencies to build tension. There are no Brittany Spears or Metallica singles on the soundtrack, indicating that at least one filmmaker still can hold his own, and not fall to the popular vote when designing a film's soundtrack.
The acting is excellent - Jim Caviezel is great.
The cinematography is first class - and shot on film, which is refreshing when much of the movie takes place at night and many filmmakers get scared and run to video nowadays (Michael Mann "Collateral"). Great land scapes and long empty roads are brilliantly photographed by cinematographer Rene Ohashi.
By far the best are the sound effects. All the car engine sounds are greatly accurate - from the Barricuda's Hemi to El Dorado's big block - all sounds are accurately placed and brilliantly timed. This, and all the great car-talk within the dialogue makes for a true car film that anyone who loved the old car chase films of the late 60's to the late 70's, would greatly enjoy this one as well.