masteroftheghouls

Sympathetic Tarantino

The 8 bastards is a very nice closed eight as long as we like the pleasurable dialogues of our dear Quentin, with his little reference to "The Thing" by John Carpenter (even in music!! And of course Kurt Russell) difficult to deny his pleasure.

The characters are all well done and this little game of cluedo offers its share of surprise while navigating in a kind of small synthesis of all its other films. The only criticism I can make to him is that he tells for once not much this time in terms of subject, except the tribute sum, quite obvious of all his cinema.

After it is undeniably a guilty pleasure, Quentin still having as much talent in these tasty dialogues punctuated by scenes still so enjoyable (the surprise poisoning what a diabolical foot coupled with a visual shock as funny as powerful), walking us easily in her new dog tank. In the end I remember a closed eight, very successful to spend a good evening, but which forgets to be a little more and does not tell in the end not much this time.

Here is a film that looks nothing, offers a beautiful evening, full of sincerity and missed opportunity. Very well played and an irreproachable aesthetic, hard not to be touched by this feeling, that we all knew one day.

The staging fits with the passing of time, we navigate in space as we navigate in our lives, our choices, our hopes and our regrets. There is something very poetic and somewhat tragic in all this and it was difficult for me not to be touched by its final which is as simple as successful.

A film that is as touching as it is just, offering a point of view on expatriation and the roots of feelings, while offering a nice surprise on the veracity of feelings through a life and the choices that result.

Like the characters, I didn't see the time pass...

House is an incredible experience, which any cinephile will have a hard time not loving. Incredibly modern, it pauses here and there all the basics of the slasher before Halloween and yet it is not one, well not completely, it touches Suspiria before Suspiria but it is rather an Evil Dead before Evil Dead? Nothing, I won't tell you anything about the story, you need to see House.

Inventive to the extreme, full of absolutely brilliant and very aesthetic staging process that amuses to deceive us with these trumpets the permanent eye that questions the reality of our reality, our desires and our fantasies, lined with a symbolism that mixes all ages and styles in a train launched at 100 per hour!

You must see House, so far ahead of his time, it is an absolutely fascinating theatre of all our modern influences in a spectacular horror comedy. So yes it's very Japanese too, and that you have to like. But if the answer is yes, you will have an amazing time and the final offers its share of whaaaat? OMG!! Yes, definitely, you need to see House.