drsoulwisdom
A rejoint le juil. 2022
Bienvenue sur nouveau profil
Nos mises à jour sont toujours en cours de développement. Bien que la version précédente de le profil ne soit plus accessible, nous travaillons activement à des améliorations, et certaines fonctionnalités manquantes seront bientôt de retour ! Restez à l'écoute de leur retour. En attendant, l’analyse des évaluations est toujours disponible sur nos applications iOS et Android, qui se trouvent sur la page de profil. Pour consulter la répartition de vos évaluations par année et par genre, veuillez consulter notre nouveau Guide d'aide.
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Note de drsoulwisdom
To understand History of India's relations with neighbour countries, It's a Good watch.
John Abraham & Every actor has done good job.
Diplomat, based on true story of Uzma Ahmed 2017 gives feel of 'Kerala Files'.
Even if some part of Movie is true, it's worth watching.
Esp. For young girls that don't fall in the trap of online love and ready to travel ghetto country.
Thanks to IFS JP Singh, due to your help, one of one of our sisters get to rescue.
John & Uzma both experience PTSD.
Lots of PTSD case are there in present society, we have to work a lot to create awareness.
Going to watch Ulajh next.
John Abraham & Every actor has done good job.
Diplomat, based on true story of Uzma Ahmed 2017 gives feel of 'Kerala Files'.
Even if some part of Movie is true, it's worth watching.
Esp. For young girls that don't fall in the trap of online love and ready to travel ghetto country.
Thanks to IFS JP Singh, due to your help, one of one of our sisters get to rescue.
John & Uzma both experience PTSD.
Lots of PTSD case are there in present society, we have to work a lot to create awareness.
Going to watch Ulajh next.
"Y. M. I. - Yeh Mera India" (2008) is a thought-provoking anthology film that delves into the complexities of modern Indian society. Directed by N. Chandra, the movie unfolds over the course of a single day in Mumbai, interweaving multiple narratives that reflect the diverse socio-economic, cultural, and religious fabric of the city. It presents a tapestry of human experiences, highlighting how lives, seemingly separate, are interconnected by shared struggles and emotions. There is little touch of mysticism as well.
The film explores the lives of a wide array of characters, ranging from affluent elites to marginalized individuals, each facing their own challenges. These characters include a real estate tycoon, a migrant laborer, a struggling actor, a disillusioned graduate, a devout Hindu, and a devout Muslim who read Gita for his bed-ridden school teacher. Through their stories, the film sheds light on prevalent social issues such as communal tensions, class divide, gender discrimination, corruption, and the aspirations of ordinary people striving for dignity and respect.
The central theme of the movie is the duality of India's identity-how progress and tradition coexist, often clashing and yet complementing each other. Mumbai, often called the city of dreams, serves as the perfect backdrop for this exploration. It is a city where skyscrapers shadow slums, and hope thrives alongside despair.
One of the film's strengths lies in its raw, unfiltered portrayal of the human condition. Each story is a microcosm of the larger Indian experience, offering insight into the moral dilemmas and societal contradictions that define urban life. The narrative is not afraid to confront uncomfortable truths, yet it also highlights moments of kindness, resilience, and humanity that transcend differences.
The characters' paths cross in unexpected ways, revealing the underlying message that humanity binds us despite our varied circumstances. While the film addresses heavy themes, it does so with nuance, avoiding overt preachiness. Instead, it encourages viewers to reflect on their own biases and actions in the context of a larger societal framework.
The performances in "Y. M. I. - Yeh Mera India" are powerful and heartfelt, with an ensemble cast bringing authenticity to their roles. Actors like Anupam Kher, Rajpal Yadav, Seema Biswas, and others contribute to the film's emotional depth. The dialogues are realistic, capturing the essence of Mumbai's vibrancy and chaos while exploring the characters' internal struggles.
The direction by N. Chandra is commendable for its ambition in weaving together multiple narratives without losing coherence. The cinematography captures the contrasting shades of Mumbai-its bustling streets, affluent neighborhoods, and struggling communities-effectively complementing the storytelling.
"Y. M. I. - Yeh Mera India" is more than just a film; it is a mirror held up to society. It compels the audience to question their prejudices and to see beyond stereotypes. The movie celebrates the spirit of India while acknowledging the challenges it faces as a nation striving for unity amidst diversity.
"Y. M. I. Is a compelling and insightful film that portrays the human drama of life in contemporary India. It is a poignant reminder of the interconnectedness of our lives and the importance of empathy in bridging divides. Without resorting to melodrama, it offers a heartfelt and realistic depiction of the joys, sorrows, and aspirations that make up the Indian experience.
The film explores the lives of a wide array of characters, ranging from affluent elites to marginalized individuals, each facing their own challenges. These characters include a real estate tycoon, a migrant laborer, a struggling actor, a disillusioned graduate, a devout Hindu, and a devout Muslim who read Gita for his bed-ridden school teacher. Through their stories, the film sheds light on prevalent social issues such as communal tensions, class divide, gender discrimination, corruption, and the aspirations of ordinary people striving for dignity and respect.
The central theme of the movie is the duality of India's identity-how progress and tradition coexist, often clashing and yet complementing each other. Mumbai, often called the city of dreams, serves as the perfect backdrop for this exploration. It is a city where skyscrapers shadow slums, and hope thrives alongside despair.
One of the film's strengths lies in its raw, unfiltered portrayal of the human condition. Each story is a microcosm of the larger Indian experience, offering insight into the moral dilemmas and societal contradictions that define urban life. The narrative is not afraid to confront uncomfortable truths, yet it also highlights moments of kindness, resilience, and humanity that transcend differences.
The characters' paths cross in unexpected ways, revealing the underlying message that humanity binds us despite our varied circumstances. While the film addresses heavy themes, it does so with nuance, avoiding overt preachiness. Instead, it encourages viewers to reflect on their own biases and actions in the context of a larger societal framework.
The performances in "Y. M. I. - Yeh Mera India" are powerful and heartfelt, with an ensemble cast bringing authenticity to their roles. Actors like Anupam Kher, Rajpal Yadav, Seema Biswas, and others contribute to the film's emotional depth. The dialogues are realistic, capturing the essence of Mumbai's vibrancy and chaos while exploring the characters' internal struggles.
The direction by N. Chandra is commendable for its ambition in weaving together multiple narratives without losing coherence. The cinematography captures the contrasting shades of Mumbai-its bustling streets, affluent neighborhoods, and struggling communities-effectively complementing the storytelling.
"Y. M. I. - Yeh Mera India" is more than just a film; it is a mirror held up to society. It compels the audience to question their prejudices and to see beyond stereotypes. The movie celebrates the spirit of India while acknowledging the challenges it faces as a nation striving for unity amidst diversity.
"Y. M. I. Is a compelling and insightful film that portrays the human drama of life in contemporary India. It is a poignant reminder of the interconnectedness of our lives and the importance of empathy in bridging divides. Without resorting to melodrama, it offers a heartfelt and realistic depiction of the joys, sorrows, and aspirations that make up the Indian experience.
Good, Open ended, Intriguing Movie. But, more was expected from Neeraj Pandey.. A Wednesday (2008) was Classic.
Yes, It keeps you guessing till end, Who is the main villain? How the heist has happened?
The film explores themes of ambition, morality, and the struggle for power within the backdrop of a rapidly changing society.
The film centers around the life of Sikandar, a young man from humble beginnings, whose aspirations drive him to navigate the complexities of life in pursuit of success.
From the outset, Sikandar is portrayed as a determined individual, eager to rise above his circumstances. His character embodies the struggles and dreams of many who aspire for a better life. The narrative delves into his relationships with family, friends, and adversaries, showcasing how these connections influence his journey. Each character plays a pivotal role in shaping Sikandar's decisions and the moral dilemmas he faces along the way.
As Sikandar's ambition grows, he encounters a series of challenges that test his values. The film intricately weaves a tale of ambition against the backdrop of ethical considerations, prompting viewers to reflect on the cost of success. Sikandar's pursuit of his dreams often leads him into morally ambiguous situations, forcing him to confront the consequences of his choices. This internal conflict is a central theme, highlighting the tension between personal ambition and ethical integrity.
Neeraj Pandey's direction is marked by a strong narrative and character development. The film captures the nuances of human emotions, portraying the highs and lows of Sikandar's journey with authenticity. The cinematography enhances the storytelling, with visually striking scenes that resonate with the protagonist's internal struggles. The pacing of the film keeps the audience engaged, building suspense as Sikandar navigates through various challenges.
The supporting cast adds depth to the narrative, with each character bringing their own motivations and conflicts to the story. The interactions between Sikandar and these characters create a rich tapestry of relationships that reflect the complexities of life. The film does an excellent job of illustrating how ambition can both unite and divide individuals, showcasing the multifaceted nature of human connections.
The soundtrack complements the emotional landscape of the film, elevating key moments and enhancing the overall viewing experience. The music resonates with the themes of the story, drawing viewers deeper into Sikandar's world and the emotional stakes involved in his journey.
As the film unfolds, viewers are invited to consider the broader implications of Sikandar's choices. The narrative encourages reflection on what it truly means to succeed and the impact of one's actions on the community. The film's conclusion leaves audiences with thought-provoking questions about ambition, integrity, and the sacrifices one must make in the pursuit of their dreams.
Baby, Special 26 (2013) of Neeraj Pandey was also Good.
Strong Movie. Can be watched with Family.
Heist Movie.
Yes, It keeps you guessing till end, Who is the main villain? How the heist has happened?
The film explores themes of ambition, morality, and the struggle for power within the backdrop of a rapidly changing society.
The film centers around the life of Sikandar, a young man from humble beginnings, whose aspirations drive him to navigate the complexities of life in pursuit of success.
From the outset, Sikandar is portrayed as a determined individual, eager to rise above his circumstances. His character embodies the struggles and dreams of many who aspire for a better life. The narrative delves into his relationships with family, friends, and adversaries, showcasing how these connections influence his journey. Each character plays a pivotal role in shaping Sikandar's decisions and the moral dilemmas he faces along the way.
As Sikandar's ambition grows, he encounters a series of challenges that test his values. The film intricately weaves a tale of ambition against the backdrop of ethical considerations, prompting viewers to reflect on the cost of success. Sikandar's pursuit of his dreams often leads him into morally ambiguous situations, forcing him to confront the consequences of his choices. This internal conflict is a central theme, highlighting the tension between personal ambition and ethical integrity.
Neeraj Pandey's direction is marked by a strong narrative and character development. The film captures the nuances of human emotions, portraying the highs and lows of Sikandar's journey with authenticity. The cinematography enhances the storytelling, with visually striking scenes that resonate with the protagonist's internal struggles. The pacing of the film keeps the audience engaged, building suspense as Sikandar navigates through various challenges.
The supporting cast adds depth to the narrative, with each character bringing their own motivations and conflicts to the story. The interactions between Sikandar and these characters create a rich tapestry of relationships that reflect the complexities of life. The film does an excellent job of illustrating how ambition can both unite and divide individuals, showcasing the multifaceted nature of human connections.
The soundtrack complements the emotional landscape of the film, elevating key moments and enhancing the overall viewing experience. The music resonates with the themes of the story, drawing viewers deeper into Sikandar's world and the emotional stakes involved in his journey.
As the film unfolds, viewers are invited to consider the broader implications of Sikandar's choices. The narrative encourages reflection on what it truly means to succeed and the impact of one's actions on the community. The film's conclusion leaves audiences with thought-provoking questions about ambition, integrity, and the sacrifices one must make in the pursuit of their dreams.
Baby, Special 26 (2013) of Neeraj Pandey was also Good.
Strong Movie. Can be watched with Family.
Heist Movie.
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