Mauri-3

Umberto D was made towards the end of the Neo-realist period in Italian cinema, following on from Roma Citta Aperta (1945),Riso Amaro (Bitter Rice 1946),Paisa (Paisan 1946) and Ladri di Biciclette (The Bicycle Thieves 1948). Many critics see Umberto D has the finest example of the genre and Vittorio de Sica, the director, himself considered it to be his best work. Set in post-war Italy, it is the story of a retired public worker, trying to survive on a meagre state pension and being threatened with eviction from his landlady. His only friends are his small dog 'Flick' and his landlady's young maid Maria who has just discovered she is pregnant. Filled with despair over his situation he finally contemplates suicide.

The film sticks firmly to the neorealist conventions; the lead actor is a non professional actor (a college Professor who agreed to play the role), the use of studio sets is kept to minimum and the everyday lives of people are examined in minute detail. One could say that for long parts of the film nothing much happens, for instance when we follow Maria's early morning routine of grinding some coffee, but from these detailed vignettes, we learn a great deal of the thoughts feelings and emotions of the characters. These sequences are why it is a great film. The acting is wonderful, the impossible situations of the old man and of the unmarried but pregnant Maria are really brought to life for the audience. Although a tragic tale it does include many moments of humour and the ending although non-committal is uplifting. All in all a classic.