mkiem
A rejoint le mai 1999
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Note de mkiem
Ichikawa supposedly made this movie "to see what cinema could do." He pulls out all the stops and the result is a masterpiece of visual splendor, wit and style that is stunning as well as very entertaining. The story of a man taking revenge against the people who killed his parents is an old cliched melodrama that was assigned to him. But he turns necessity into a virtue by glorifying the kitsch while at the same time keeping an ironic stance. (don't miss a great visual pun involving a gunshot and a crescent moon.)
He uses the widescreen to full effect in adopting the aesthetics of the Kabuki theater. The sheer visual inventiveness of the movie makes for the best kind of eye candy. There are bold splashes of primary colors and dramatic, very theatrical lighting. Some sets are intentionally artificial-looking while others are not. Somehow the two styles don't clash but instead portray the perfect intermingling of theater and cinema. Similarly, the use of jazz and lounge music(!) seems perfectly appropriate.
Hasegawa, the lead actor, played the same role in a previous version of the movie nearly 30 years earlier. A man who acts like a woman, seducing a woman young enough to be his daughter lends a touch of the bizarre which just makes things more interesting. The movie is graced by Ayako Wakao, at the height of her incredible beauty.
He uses the widescreen to full effect in adopting the aesthetics of the Kabuki theater. The sheer visual inventiveness of the movie makes for the best kind of eye candy. There are bold splashes of primary colors and dramatic, very theatrical lighting. Some sets are intentionally artificial-looking while others are not. Somehow the two styles don't clash but instead portray the perfect intermingling of theater and cinema. Similarly, the use of jazz and lounge music(!) seems perfectly appropriate.
Hasegawa, the lead actor, played the same role in a previous version of the movie nearly 30 years earlier. A man who acts like a woman, seducing a woman young enough to be his daughter lends a touch of the bizarre which just makes things more interesting. The movie is graced by Ayako Wakao, at the height of her incredible beauty.
Yong-Kyun Bae is an art professor at a university in Korea. "Dharma" was virtually a solo effort by him and it took ten years to complete. The movie has little plot to speak of, and consists of a series of images, a slide show of moving images about a man's path to Enlightenment. They are strikingly beautiful and force the viewer to contemplate one's own life and existence. On the surface, all of the images are serene but underneath them lie deep power and a palpable spiritual yearning. As one reviewer aptly put it, "This movie is not about Zen, it is Zen."
Bae has made a second movie which was released in 1997. It is also very contemplative but unfortunately is nearly incomprehensible.
Bae has made a second movie which was released in 1997. It is also very contemplative but unfortunately is nearly incomprehensible.