David-240

Simply the greatest movie of all time! What happens when Hollywood gives a visionary director carte blanche! Sheer genius! The pinnacle of silent film as an art form and the closest film has ever come to being poetry. Janet Gaynor sublime in an Oscar winning performance. George O'Brien incomparable - an inspired performance that deserved an Oscar! Cinematography and production design revolutionary. Makes you wonder what other cinematic masterpieces Murnau would have created had his life not been cut short. Every human should watch this song of two humans! Note: Czech version has sharper image but many unfortunately abrupt cuts. Best to watch the longer Movietone version.

This is a superb work of film forensics, creating a version of the film with the narrative cohesion that the original release sorely lacked. Cutting all the gratuitous porn plays a major part in giving the film that narrative cohesion and allows Gore Vidal's political themes to take centrestage. The performances truly shine, with original actors' vocal performances restored instead of the over-dubs used for some characters- especially good for Teresa Ann Savoy. Helen Mirren is given considerably more screentime, which is very welcome, and Malcolm McDowell's performance is revealed as the Oscar-worthy performance we deserved to see in 1980. The new music is also a huge improvement on the 'found' score of 1980.

However there are three exclusions that I didn't like. One was the death of Proculus, which gave some closure to the unforgettable marriage violation scene - and is an extraordinary scene in itself. I think it could have remained without the gratuitous bit with the naked ladies. The second was the scene with Ennia on the bed being 'serviced' by her male companions- it was not entirely clear what service they were providing! A re-edit could make this clearer without becoming porn. The most seriously disappointing ommission for me though was the conclusion of John Gielgud's performance - when Nerva and Caligula share a powerful moment. Given this edit's aim of enhancing the performances, it seems very strange to rob Gielgud of any screetime, given how brief his role is. Perhaps the restorers thought this moment made Caligula look too mad too early but I think it's a vital moment for both characters, and is reflected later in the aforementioned, also cut, Proculus scene. For an 'ultimate' cut I think this scene needs to go back.

In any case I think this is an amazing feat of restoration bringing this extraordinary film much closer to the one Tinto Brass and Gore Vidal intended it to be.