Johnny B
A rejoint le déc. 1999
Bienvenue sur nouveau profil
Nos mises à jour sont toujours en cours de développement. Bien que la version précédente de le profil ne soit plus accessible, nous travaillons activement à des améliorations, et certaines fonctionnalités manquantes seront bientôt de retour ! Restez à l'écoute de leur retour. En attendant, l’analyse des évaluations est toujours disponible sur nos applications iOS et Android, qui se trouvent sur la page de profil. Pour consulter la répartition de vos évaluations par année et par genre, veuillez consulter notre nouveau Guide d'aide.
Badges3
Pour savoir comment gagner des badges, rendez-vous sur page d'aide sur les badges.
Avis39
Note de Johnny B
It says it all. I would add to the title "an unsuccessful remake of the 'Jaws' saga where no one can act and where the sharks look like inflated balloons, literally". It's strange how movies like this tend to get made, and stranger still how people go to see them. This film is 100 percent predictable: shark attacks, shark gets caught, shark eats employee, shark escapes, shark eats some more people, shark gets killed. Ha ha ha.
Even though the ending is somehow predictable, this story about two girls who grew up as sisters, are separated and finally meet again is quite well directed and performed. The script is good as well, far better than the majority of the italian-french films of the epoch. It is very enjoyable, though not really a collector's item. However I wouldn't mind to have a copy of it. The parts played by the countess and Marianna are exceptional. If ever you get the chance, watch it!
Having seen all of Pasolini's medieval trilogy inspired from international literature classics, I cannot but admit that this is his least inspired contribution. I don't know exactly what's wrong with the film - maybe it's the majority of the acting, or else it's the script. Naturally, having read the book beforehand helps to tell which tale is being shown, but assuming that the majority of the viewers have not read Chaucer's masterpiece, I doubt how many managed to guess what the tales are about. Still the movie has Pasolini written all over it: shockingly explicit scenes, watersports, unisex nudity galore (even senseless), sickening graphics of people vomiting and devils shitting monks, sex all over the place etc... Only for Pasolini admirers or for people who like an "uncut" interpretation of ambiguous medieval classics.