bgilch
A rejoint le sept. 1999
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Note de bgilch
Perhaps it was the incredibly washed-out, virtually monochrome print. Perhaps it was the non-stop painful soundtrack of bird noises. Perhaps it was the overbearing, condescending ceaseless narration.
But mostly this supposed masterpiece reminded me of schoolroom educational films. The camera work is not particularly great; we learn little about actual (as opposed to staged) life in India; though closely immersed in local settings, there is virtually no geographic, historic or temporal overview to guide us; and the staged sequences come across as forced and distancing, most alarmingly with the monkey sequence at the end (it verges on flat out cruelty). Other sections have sudden and jarring outcomes that work entirely against the drawn-outness of the rest.
I can't think of a film that has aged less well than this basic documentary. Just because it's by a master doesn't make it a masterpiece. And yes, I watched it closely, understood its structure and themes and so forth. There are good sequences in the film (the elephant logging and dam building in particular evoke a clearly dichotomous relationship with nature) but it could have been well-trimmed, better contextualized, and shorn of its irritating narration.
What we have here is an outsider's, deastheticized, desaturated, scattershot, only slightly empathetic view of India. Let the images speak! And, most of all, let the Indians speak for themselves. It's taken 50 years to realize we should give them the cameras (Born into Brothels comes to mind.)
But mostly this supposed masterpiece reminded me of schoolroom educational films. The camera work is not particularly great; we learn little about actual (as opposed to staged) life in India; though closely immersed in local settings, there is virtually no geographic, historic or temporal overview to guide us; and the staged sequences come across as forced and distancing, most alarmingly with the monkey sequence at the end (it verges on flat out cruelty). Other sections have sudden and jarring outcomes that work entirely against the drawn-outness of the rest.
I can't think of a film that has aged less well than this basic documentary. Just because it's by a master doesn't make it a masterpiece. And yes, I watched it closely, understood its structure and themes and so forth. There are good sequences in the film (the elephant logging and dam building in particular evoke a clearly dichotomous relationship with nature) but it could have been well-trimmed, better contextualized, and shorn of its irritating narration.
What we have here is an outsider's, deastheticized, desaturated, scattershot, only slightly empathetic view of India. Let the images speak! And, most of all, let the Indians speak for themselves. It's taken 50 years to realize we should give them the cameras (Born into Brothels comes to mind.)
This is an extremely well made, often beautifully shot documentary about the incredible pressure of high-school baseball and team spirit in one public and one private Japanese school.
However, it seems to offer no criticism or external perspective on what is going on; in this way it is fetishistic of baseball pyjama uniforms and team pride and moreover seems to reinforce every stereotype about Japanese culture and team conformity (especially the weird transplantation of American school rituals, themselves insane to begin with).
The scene where the coach cries in tandem with his charge, asking to be a part of his future life is the one moment where the story is nicely humanized.
Perhaps it could be read a primer on how fascism works: Triumph of the High-School Basesball Team Will. And I mean this with respect to the quality of film-making at work.
However, it seems to offer no criticism or external perspective on what is going on; in this way it is fetishistic of baseball pyjama uniforms and team pride and moreover seems to reinforce every stereotype about Japanese culture and team conformity (especially the weird transplantation of American school rituals, themselves insane to begin with).
The scene where the coach cries in tandem with his charge, asking to be a part of his future life is the one moment where the story is nicely humanized.
Perhaps it could be read a primer on how fascism works: Triumph of the High-School Basesball Team Will. And I mean this with respect to the quality of film-making at work.
It says a lot for the ignorance of mainstream film culture that this Academy Award Winning Doc Short has generated only three user comments on IMDb and zero external comments. Has anybody seen this film?
It is also bothersome in a way that the film is in HBO distribution because of the context of exploitative fare HBO deals in---all the sex documentaries Sheila Nevins puts out. And then this, sandwiched in-between.
The imagery is beyond exploitative; it so far over the line and yet obviously true. You could find these birth defects almost everywhere in the world but only in isolation. Here, they are in terrible concentration and the kids are suffering in terrible conditions in terrible state hospitals, mental wards and orphanages. All you Ronald Reagan boosting Americans who think 'freedom' won the day, 'won' the Cold War, look at what you have reduced Russia and its sister states to, just look at this and think what massive Lies you grew up under in the 1970's and 1980's and what they have brought about and become.
The next Chernobyl might be caused by internal terrorism in the US, but it will likely be, as the film says, Chernobyl itself. 97% of the radiation is still concentrated there, says the film.
If I seem angry it is from watching the film, the fallout, pardon the ugly metaphor, from the film. Why this is not a full-length film I do not understand. Why are their no officials interviewed, why is there no government response and responsibility? Why is no one from the UN interviewed? Why is the scope so small? Because the film telescopes to discuss the living conditions and medical defects only, it is 40 minutes of nothing but suffering and the small attempts to curtail it, to fix one problem, the 'Chernobyl Heart' defect that seems so tiny a victory in its symbolism.
It is one of the hardest and most necessary pieces of film I've ever watched. But the content is far too important to be compressed into such a painful frame, so stripped of context.
Think of how much the world could change if all the major TV networks in the world agreed to show this in prime time, simultaneously, without commercials.
When I was growing up in the hippiefied 70's, all the grade seven kids in my school were made to watch "Do You Love This Planet?". (Somehow, I don't think it was on the curriculum.) The most lasting, and sensible, propaganda experiment of my childhood. It stuck. There is no reason for this film not be similarly shown.
It is also bothersome in a way that the film is in HBO distribution because of the context of exploitative fare HBO deals in---all the sex documentaries Sheila Nevins puts out. And then this, sandwiched in-between.
The imagery is beyond exploitative; it so far over the line and yet obviously true. You could find these birth defects almost everywhere in the world but only in isolation. Here, they are in terrible concentration and the kids are suffering in terrible conditions in terrible state hospitals, mental wards and orphanages. All you Ronald Reagan boosting Americans who think 'freedom' won the day, 'won' the Cold War, look at what you have reduced Russia and its sister states to, just look at this and think what massive Lies you grew up under in the 1970's and 1980's and what they have brought about and become.
The next Chernobyl might be caused by internal terrorism in the US, but it will likely be, as the film says, Chernobyl itself. 97% of the radiation is still concentrated there, says the film.
If I seem angry it is from watching the film, the fallout, pardon the ugly metaphor, from the film. Why this is not a full-length film I do not understand. Why are their no officials interviewed, why is there no government response and responsibility? Why is no one from the UN interviewed? Why is the scope so small? Because the film telescopes to discuss the living conditions and medical defects only, it is 40 minutes of nothing but suffering and the small attempts to curtail it, to fix one problem, the 'Chernobyl Heart' defect that seems so tiny a victory in its symbolism.
It is one of the hardest and most necessary pieces of film I've ever watched. But the content is far too important to be compressed into such a painful frame, so stripped of context.
Think of how much the world could change if all the major TV networks in the world agreed to show this in prime time, simultaneously, without commercials.
When I was growing up in the hippiefied 70's, all the grade seven kids in my school were made to watch "Do You Love This Planet?". (Somehow, I don't think it was on the curriculum.) The most lasting, and sensible, propaganda experiment of my childhood. It stuck. There is no reason for this film not be similarly shown.