ktmphd
A rejoint le août 2000
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Note de ktmphd
This is a really beautiful film. Billy Connelly is tops and Sharon Stone again shows she can play a role vs. being a role. And the two kid actors! Wow, where did they find them?
Stone is wonderfully over and under played as the woman who life has dissed and who has no control over herself. Connelly is more than wonderful as the Irish immigrant who comes to love her, understand her and save her (and her children) from herself.
Watch it and enjoy it!
Stone is wonderfully over and under played as the woman who life has dissed and who has no control over herself. Connelly is more than wonderful as the Irish immigrant who comes to love her, understand her and save her (and her children) from herself.
Watch it and enjoy it!
How could anyone say the characters were shallow in this movie? If the characters had any more depth, the viewer would drown in the emotions being displayed.
This film is the only one I have ever given a 10 to. It is filled with sturm and drang. There is more angst than one could imagine. The characters are drowning in their own stress and dysfunctionality. One reviewer said that Mastrontonio was shrill. She was not, but her character was and justifiably so. Can anyone view the argument (fight) between her and Bobby (Sizemore) and not feel how overwhelmed she is and how much she feels betrayed?
Everyone associated with this film has risen to the occasion and gives the performance of a lifetime. Kudos to the Director, Richard Pearce for so artfully staging the brilliant script written by Daniel Therriault. And, as for the actors, each performs brilliantly. Applause to Whitaker, Sadler, Shawn Hatosy (the son) and Skye McCole Bartusick (the daughter). In fact, as a psychologist, I wonder if Skye was slightly traumatized after the role was over, having to portray a 5 year old who has lost her ability to rely on the world and her family. She is fear personified.
Special hats off to Mastrontonio for a superb performance as the wife who stands by her man until he breaks the last straw.
Finally, what can be said about Sizemore's performance except it is MASTERFUL! His Bobby Bats makes Gandolfini's Tony Soprano look like an altar boy. Are he and Gandolfini secret twins, as it is hard now to look at one and not think of the other? The breadth of emotion portrayed by Sizemore show that here is a talent to notice. I thought he was good in The Florentine (see it), but this is superior by tenfold.
This is a giant of a film. Were it a commercially produced product versus one by HBO, I suspect it would have led to nominations for Best Actor and Actress, Best Suppporting Actor, Best Writer, Best Director and Best Film, that's how good this film is.
This film is the only one I have ever given a 10 to. It is filled with sturm and drang. There is more angst than one could imagine. The characters are drowning in their own stress and dysfunctionality. One reviewer said that Mastrontonio was shrill. She was not, but her character was and justifiably so. Can anyone view the argument (fight) between her and Bobby (Sizemore) and not feel how overwhelmed she is and how much she feels betrayed?
Everyone associated with this film has risen to the occasion and gives the performance of a lifetime. Kudos to the Director, Richard Pearce for so artfully staging the brilliant script written by Daniel Therriault. And, as for the actors, each performs brilliantly. Applause to Whitaker, Sadler, Shawn Hatosy (the son) and Skye McCole Bartusick (the daughter). In fact, as a psychologist, I wonder if Skye was slightly traumatized after the role was over, having to portray a 5 year old who has lost her ability to rely on the world and her family. She is fear personified.
Special hats off to Mastrontonio for a superb performance as the wife who stands by her man until he breaks the last straw.
Finally, what can be said about Sizemore's performance except it is MASTERFUL! His Bobby Bats makes Gandolfini's Tony Soprano look like an altar boy. Are he and Gandolfini secret twins, as it is hard now to look at one and not think of the other? The breadth of emotion portrayed by Sizemore show that here is a talent to notice. I thought he was good in The Florentine (see it), but this is superior by tenfold.
This is a giant of a film. Were it a commercially produced product versus one by HBO, I suspect it would have led to nominations for Best Actor and Actress, Best Suppporting Actor, Best Writer, Best Director and Best Film, that's how good this film is.
This character study/slice of life story is very well done. The cast is stellar and each of them portray their characters as real, the kinds of people we have all met at some time as we wander through life.
It is the first time I have seen the two Madsens together in a film hope to see them team up again. Sizemore, Halbrook, Penn et.al. all team up to serve a slice of life to the audience that shows real life to us, with it humor, tragedy, comedy, pathos, hopelessness and hopefulness.
This is well worth the cost of the rental.
It is the first time I have seen the two Madsens together in a film hope to see them team up again. Sizemore, Halbrook, Penn et.al. all team up to serve a slice of life to the audience that shows real life to us, with it humor, tragedy, comedy, pathos, hopelessness and hopefulness.
This is well worth the cost of the rental.