capitan_movie
A rejoint le juin 2000
Bienvenue sur nouveau profil
Nos mises à jour sont toujours en cours de développement. Bien que la version précédente de le profil ne soit plus accessible, nous travaillons activement à des améliorations, et certaines fonctionnalités manquantes seront bientôt de retour ! Restez à l'écoute de leur retour. En attendant, l’analyse des évaluations est toujours disponible sur nos applications iOS et Android, qui se trouvent sur la page de profil. Pour consulter la répartition de vos évaluations par année et par genre, veuillez consulter notre nouveau Guide d'aide.
Badges2
Pour savoir comment gagner des badges, rendez-vous sur page d'aide sur les badges.
Avis24
Note de capitan_movie
The plaudits given this piece of garbage are 100% politically motivitated. That Sevigny was NOMINATED for an Oscar is a total travesty. Swank's performance IS excellent, but the flaws of her felonious character are totally glossed over and the homophobic cliches are inserted for maximum impact. This is a political diatribe masquerading as a movie.
Taken on its own merits, absent of critical harangue and political implications, this is another breezy Garry Marshall serio-comedy which causes some self-examination along the way to many fine laughs. Rosie's fantasy to have her house painted is among the funniest things i've ever seen on film. I thought the contrast of the interplay between Mercurio and Delaney and between Ackroyd, O'Donnell and the crooks was expertly handled. I think Americans aren't used to the S&M subject being so cavalierly and matter-of-factly handled and objected to having it trivialized -- a shame, because most couples I know have enjoyed this comedy on its own merits.
The story of the first US president to be impeached gets the Hollywood treatment. It is superbly acted although glossed up quite a bit. Some of Johnson's flaws are exposed, but not nearly as many as are excused. Barrymore's Stevens is terrifyingly brilliant. This is an art that Hollywood used to excel at -- telling history in an interesting and mostly factual matter without the need to flaunt the director's abject cynicism.