dlahey
A rejoint le janv. 2000
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Note de dlahey
I still think of this, one of his first movies, as his best. Here Cantinflas' explodes with comic genius. He fully develops the under-educated but always noble, kind-hearted delinquent he is that speaks his mind, only to the confusion of even the most highly educated. The courtroom ending scene also establishes the formula for a bunch of "mistaken identity" plot movies that follow.
The "Bobby" scene at the beginning makes you howl with laughter. The portrayal of the absurdities and paranoia of the upper class let every working-class bloke bellow out loud as well.
The "Bobby" scene at the beginning makes you howl with laughter. The portrayal of the absurdities and paranoia of the upper class let every working-class bloke bellow out loud as well.
This movie has great early "Cantinfliando", that Cantinflas-speak where he doesn't complete a single sentence, not saying anything at all really, but you understand perfectly what he means. For us Cantinflas fans you get to see the early form of his art just before it is perfected.
It's also Golden Age Mexican cinema, with fast moving comical dialogue that keeps your ear cocked to catch every double entendre, and well developed characters based on cultural and historical stereotypes.
Here Cantinflas shares the stage with Mexican acting when it was legendary.
The macho sparring between Cantinflas and the "Procopio" character is superb comedy as well.
It's also Golden Age Mexican cinema, with fast moving comical dialogue that keeps your ear cocked to catch every double entendre, and well developed characters based on cultural and historical stereotypes.
Here Cantinflas shares the stage with Mexican acting when it was legendary.
The macho sparring between Cantinflas and the "Procopio" character is superb comedy as well.