The Missing

People go on about US drama but whilst some is very good some is utter dross.

That is how TV is you will never be satisfied with it all but as I type this the UK is waiting to see what happened to Alice (this is no spoiler) and the nation wants to know.

That is not only top drama but drama which will last the years.

In both series 1 & 2 the story stands alone and all the actors are on opt form but it is Julien Baptiste that becomes the moral and physical centre of the story. A man who knows the truth is never easy but is determined to bury his daemons.

I have no idea what will happen, I will just go with the flow and like series 1 the ending will be the talking point.

Somebody among the reviews said that the positive ones are paid for. Well, I'm not paid by anybody to review this show and I feel like giving it 10 stars because once I watched the pilot episode, I could not stop watching the rest of the show. Somebody might find the pace too slow, some others won't enjoy the acting, or the editing... whatever, I found it interesting, nicely done, realistic, dramatic, catching... I feel like recommending The Missing to anybody, although I respect the fact that it might not be for anybody. The whole show is characters' driven and it's about a couple losing their 5 year old child while on vacation in France. There's a lot of drama in it. If you're a parent you'll understand and "enjoy" the show even more, clearly. Again, it might not be your kind of entertainment, but I objectively think it's a well-done show worth to watch it. Can't wait for next season. PS: The show is 100% European, whether you like it.

This is a very slow, drawn out drama. I emphasise that because so many people give the thought provoking long drama negative reviews. Just not enough fast paced explosions for people. If that is what you like go to channel five or Hollywood. The BBC make gritty, real life dramas for the intelligent person who do not need fuel filled, jaw dropping moments to keep them interested. This programme is about people, relationships, how a moment can change your life forever. How people react so differently to situations and how it affects them. The actors take you on a journey, tony, so blinded by guilt and rage that at times you have no empathy for him whatsoever until you reflect on his loss and wonder how you yourself would react. I find the acting brilliant and i like the time skips, if at times, if you have blinked it gets a little confusing as to what era you are looking at particularly when the young french man goes to the UK. I was confused as to what era I was watching at one point. Besides that i am avidly waiting for the next episode, particularly after the 'jaw dropping' twist of the last episode with the boat incident (you see what i did there)?! Watch and enjoy and if you cannot sit still for a drawn out programme, go watch x factor!

THE MISSING is a timely intervention, as its plot has strong echoes of the disappearance of Madeleine McCann, the four-year-old who disappeared from a holiday apartment in Praia de Luz, a resort in the Algarve in 2007. Madeleine has still not been found, even after an extensive police search; but hitherto the search has led to speculation about the role of Madeleine"s parents in the affair, and whether or not they were involved in abducting her.

In Harry and Jack Williams' drama, set in France in 2006 and 2014, Tony and Emily Hughes (James Nesbitt, Frances O"Connor) are on holiday when their five-year-old son Oliver (Oliver Hunt) is mysteriously abducted on the night of the World Cup Final in 2006 between France and Brazil. No one appears to know where he is; and the incident goes cold until 2014, when Tony discovers new evidence in a Facebook photograph as to where Oliver might be. He enlists the help of retired detective Julien Baptiste (Tchéky Karyo), and embarks on a quest that is mostly frustrating, but sometimes enlightening.

Tom Shankland's production vividly communicates the experience of trying to deal with institutions such as the police and/or the justice system in a foreign country; in Tony's eyes at least, they seem inefficient and dedicated to obstructing rather than facilitating the task of finding Oliver. On the other hand, there are equally corrupt forces at work among the British community, most notably centering round the mysterious philanthropist Ian Garrett (Ken Stott). What seems like a routine disappearance of an infant turns into something much more sinister.

Filmed mostly in Belgium, the production makes great play of the contrast between the chocolate-box settings of the village (where Oliver disappears) and the nefarious goings-on taking place inside the buildings. The atmosphere is well summed up through an astute of symbols - a fly crawling up a net curtain suggesting corruption, a hand-held camera behind Emily's head indicating uncertainty.

Nesbitt offers a convincing portrayal of an outwardly ordinary British citizen with a questionable past, that leads the Inspector to suspect that Tony might not quite be the whiter-than-white victim he pretends to be.

The production unfolds slowly, with considerable emphasis placed on atmospherics, but each episode ends on a convincing cliff-hanger encouraging viewers to watch even more.

I enjoyed Season 1 a good deal, but this new season is off the hook. The suspense, the tension, the unknowns (the answers to which are doled out at an agonizingly wonderful pace), the twists, the dialog, the acting. All of it has me on the edge of my seat each episode. Tremendous.