Malignant
- 2021
- 12 avec avertissement
- 1h 51min
Madison est paralysée par des visions choquantes de meurtres macabres et son tourment s'aggrave lorsqu'elle découvre que ces rêves éveillés sont en fait des réalités terrifiantes.Madison est paralysée par des visions choquantes de meurtres macabres et son tourment s'aggrave lorsqu'elle découvre que ces rêves éveillés sont en fait des réalités terrifiantes.Madison est paralysée par des visions choquantes de meurtres macabres et son tourment s'aggrave lorsqu'elle découvre que ces rêves éveillés sont en fait des réalités terrifiantes.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 4 victoires et 19 nominations au total
Jean Louisa Kelly
- Jane Doe
- (as Jean Louise Kelly)
- …
Shaunte Lynette Johnson
- Beta
- (as Shaunte Johnson)
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I don't think anything can prepare you for what this is. I suspected there would be something wild afoot, but even that didn't prepare me. What happens is actually pretty insane and creative, but the execution of it is so ridiculous that you just can't take it seriously.
Given how cheesy this movie was at the start and knowing James Wan was the director, I figured they had to be in on it and doing it intentionally. But as the film progresses, you realize they're actually playing it completely straight and it's honestly just that bad. This movie really isn't scary either which was surprising.
The camerawork is big highlight and the over-the-top 80s music was pretty fun. You can tell Wan was trying to make a throwback here, but he forgot the self-awareness that's necessary for movies like this. I know some people are saying the camp is intentional, but even if it is, it could have been executed far better than this.
I will give Wan credit for creating a truly original horror film that actually surprised me. Whether you like it or not, we should applaud more filmmaking that takes chances and doesn't completely give away what a movie is about beforehand.
Given how cheesy this movie was at the start and knowing James Wan was the director, I figured they had to be in on it and doing it intentionally. But as the film progresses, you realize they're actually playing it completely straight and it's honestly just that bad. This movie really isn't scary either which was surprising.
The camerawork is big highlight and the over-the-top 80s music was pretty fun. You can tell Wan was trying to make a throwback here, but he forgot the self-awareness that's necessary for movies like this. I know some people are saying the camp is intentional, but even if it is, it could have been executed far better than this.
I will give Wan credit for creating a truly original horror film that actually surprised me. Whether you like it or not, we should applaud more filmmaking that takes chances and doesn't completely give away what a movie is about beforehand.
James Wan is one of the best horror film makers working today. It breaks my heart when he makes a film like 'Furious 7' or 'Aquaman' because it is such a waste of his talents. I have been excited for 'Malignant' for a very long time now due to the pandemic. I finally got to see it tonight, and I'm very disappointed to say it was a big let down.
This was a really bizarre viewing experience for me. It felt like Wan was intentionally trying to make a bad film at times. There are moments that are so shockingly campy and unnatural it ruins entire scenes of the movie. Also the theme music was utterly bizarre. It was so over-the-top and unsubtle and often played in moments that were completely not calling for it.
The movie tries to pull things together later on in the piece with some interesting reveals, but by then too much damage is already done. There is also a shocking scene near the end which feels like it was pulled straight out of 'The Matrix'. A character suddenly becomes superhuman in their ability to move and it makes no sense at all.
I just don't know what happened here. Was Wan so desperate to create something unique and original that he decided this was worth a try? Possibly. Even the best don't get it right every time. 5/10.
This was a really bizarre viewing experience for me. It felt like Wan was intentionally trying to make a bad film at times. There are moments that are so shockingly campy and unnatural it ruins entire scenes of the movie. Also the theme music was utterly bizarre. It was so over-the-top and unsubtle and often played in moments that were completely not calling for it.
The movie tries to pull things together later on in the piece with some interesting reveals, but by then too much damage is already done. There is also a shocking scene near the end which feels like it was pulled straight out of 'The Matrix'. A character suddenly becomes superhuman in their ability to move and it makes no sense at all.
I just don't know what happened here. Was Wan so desperate to create something unique and original that he decided this was worth a try? Possibly. Even the best don't get it right every time. 5/10.
This film is bonkers. I felt like I was watching a Giallo or 80s low budget B-movie if it were competently made and given a massive budget.
This is a horror movie the way they used to be. Unpredictable, insane, gross-out, freak out stuff. It's not a movie made by a committee, it's not the usual haunted doll or spooky house movie where the narrative grinds to a halt as you wait for the inevitable loud noise jump scare when someone looks into a mirror or closes a door.
And it's not the joyless, ugly torture porn that has plagued the genre in recent decades either. Nor is it a wink-wink self-referential Scream type parody either.
Malignant plays it relatively straight for much of its runtime, presenting a genuinely intriguing mystery and a scary, seemingly supernatural killer.
But when the third act happens (you'll know when it does), the film goes completely off the rails. In one of the most over the top sequences ever, Malignant embraces its silly concept and goes all out action gore-fest. I couldn't believe what I was seeing, and ended up laughing my butt off. The last time a movie completely flipped the script like this was From Dusk Till Dawn. Here the twist actually makes sense in terms of the narrative. The story - while stupid - is surprisingly coherent.
That's the secret sauce to many horror classics. Take a dumb, disgusting or bonkers concept, and fully commit to it. It may not please focus groups, but it's how you make a cult movie that remains memorable.
What a breath of fresh air. Thank you, James Wan. This was beautiful.
This is a horror movie the way they used to be. Unpredictable, insane, gross-out, freak out stuff. It's not a movie made by a committee, it's not the usual haunted doll or spooky house movie where the narrative grinds to a halt as you wait for the inevitable loud noise jump scare when someone looks into a mirror or closes a door.
And it's not the joyless, ugly torture porn that has plagued the genre in recent decades either. Nor is it a wink-wink self-referential Scream type parody either.
Malignant plays it relatively straight for much of its runtime, presenting a genuinely intriguing mystery and a scary, seemingly supernatural killer.
But when the third act happens (you'll know when it does), the film goes completely off the rails. In one of the most over the top sequences ever, Malignant embraces its silly concept and goes all out action gore-fest. I couldn't believe what I was seeing, and ended up laughing my butt off. The last time a movie completely flipped the script like this was From Dusk Till Dawn. Here the twist actually makes sense in terms of the narrative. The story - while stupid - is surprisingly coherent.
That's the secret sauce to many horror classics. Take a dumb, disgusting or bonkers concept, and fully commit to it. It may not please focus groups, but it's how you make a cult movie that remains memorable.
What a breath of fresh air. Thank you, James Wan. This was beautiful.
People are always whining that no one tries anything new in Hollywood, well here it is. Sure it borrows elements from other movies but it's a fresh take. Turn your brain off and just enjoy the ride. If you're a true horror fan, I mean one who devours all things horror, you'll love it.
Oh no, a positive review. I must be either a bot or a paid studio shill. Good lord, people are such drama queens these days.
James Wan's latest film is a fun and gory love letter to the Italian horror movies of the 1980's. With that, much like the Italian horror movies of the 80's, it is style over substance. It embraces it's outlandish premise, and totally revels in it's campiness, and delivers a stylish, over-the-top, gory romp with a totally bonkers 3rd act. If you don't enjoy movies with a high camp factor, look elsewhere. As for me, I had a damn good time at this thing.
James Wan's latest film is a fun and gory love letter to the Italian horror movies of the 1980's. With that, much like the Italian horror movies of the 80's, it is style over substance. It embraces it's outlandish premise, and totally revels in it's campiness, and delivers a stylish, over-the-top, gory romp with a totally bonkers 3rd act. If you don't enjoy movies with a high camp factor, look elsewhere. As for me, I had a damn good time at this thing.
Le saviez-vous
- AnecdotesThe Seattle Underground is a real tour open to the public.
- Gaffes(at around 8 mins) When Madison's husband hit her in the head, the wall has blood on it. After she stands up, there is no blood on the wall.
- ConnexionsFeatured in Half in the Bag: Malignant (2021)
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- How long is Malignant?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- Maligno
- Lieux de tournage
- Seattle, Washington, États-Unis(location)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 40 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 13 391 791 $US
- Week-end de sortie aux États-Unis et au Canada
- 5 434 620 $US
- 12 sept. 2021
- Montant brut mondial
- 34 891 791 $US
- Durée1 heure 51 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1
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