Dead Silence

If you have nightmares easily, I suggest staying away from this film: it's pure nightmare fuel. If you have an active imagination, you could have trouble sleeping with the film's imagery burned into the back of your eyeballs.

The story's intriguing enough. There just aren't enough horror films these days about menacing old ventriloquist ladies that are buried with their creepy dolls, who have come back from the dead to seek vengeance on the families that put her in the grave, by tearing out their tongues. The atmosphere is heavy, the creepy music is provided by SAW'S Charlie Clouser, the colors are washed out, and the sets are surreal.

Many will dismiss it as a formulaic, clichéd horror film. The SAW creators, who are huge horror fans, have fun making their own version of the American horror film by throwing in plenty of classic tropes such as the wise-cracking detective (Donnie Wahlberg) and the crazy old lady that knows more than she should.

I was pleased that the film didn't shy away from gore: it wasn't gratuitous, but it did enhance the horror. Most ghost stories tend to be separate from the gore flicks (I'm a fan of both), but I always enjoy seeing them combined. Another aspect that was interesting was the "silence" mode that signaled the presence of evil.

It's got plenty of horror elements to provide scares: aged film, folk tales, singing children, antique furniture, voice recordings fading out, flickering lights, dead loved ones beckoning from beyond the grave, photographs of dead families, cackling old women, wide-eyed dolls, billowing curtains, plenty of thunder and lightning, open caskets, dank crawlspaces, and a pervading sense of evil throughout.

Critics won't dig it, but I've shown it to two groups of friends and the majority were terrified and claimed it to be one of the scariest movies they'd seen. If you're a fan of atmospheric horror that aims to creep you to the bone, you should be more than pleased.

Dead Silence (2007) is a movie that I recently rewatched on Tubi. The storyline follows a woman who turns up dead in her hometown. The hometown has a history of a ventriloquist who was blamed for the murder of a little boy and killed by the local townspeople. Back in present time, when the husband of the murdered lady begins investigating the death of his wife, he finds the doll of the ventriloquist. Could the ventriloquist be back and why was his wife targeted?

This picture is directed by James Wan (Saw) and stars Ryan Kwanten (True Blood), Amber Valletta (Hitch), Donnie Wahlberg (Saw II), Michael Fairman (Mulholland Drive), Bob Gunton (Shawshank Redemption) and Julian Richings (Urban Legend).

This is a very well done movie. The storyline is fairly straightforward but fun to watch unfold. The opening kill and demise of the ventriloquist was a great way to set the tone for the picture. The cast is well selected and portray their characters to perfection. Donnie Wahlberg was perfect as the cop and his demise was tremendous. The twist at the end was clever and set itself up for a worthwhile sequel. I will say some of the CGI was better than others.

Overall, this is a tremendous addition to the horror genre with enough unique elements to make it an absolute must see. I would score this a 7.5/10 and strongly recommend it.

I thought the age of the horror movie was coming to an end. Occasionally there are a few gems (The Descent was excellent)but for the most part horror has been replaced by torture porn (saw, saw 2, saw 3, The Hills Have Eyes, and especially Hostel). Dead Silence has thankfully come to show us that Hollywood can still make a scary picture.

This movie is a throwback to the golden age of horror films. This is a Williams Castle sort of movie... a Vincent Price sort of movie. The filmmakers realized that all a horror movie actually has to do is be scary... and that is exactly what this movie is.

Atmosphere, jumps, startles, and eerie dolls. This movie is creepy as hell.

A little note though... don't go into this film with the attitude that it will suck... and don't pick it apart bit by bit. Just sit back and enjoy. The movie wants to to take you on a ride. You should just strap in and feel the terror that is Dead Silence.

After watching the first few Saw movies, I kept thinking to myself that doll was creepy enough to have a horror movie based on itself and a few years later I found this gem and I have been revisiting it over the years since. Its 2019, and I just rewatched it again a few nights back with a friend and it was an entertaining ride.

The movie itself isn't any kind of a masterpiece. The acting, writing and plot are all rather average but there is some effective horror atmosphere and effects packed in and while the plot is nothing original or fresh its played straight in way that will keep you interested. Its a breezy movie that you can watch and enjoy with a roommate late night.

After a villainous ventriloquist's dummy is delivered to the home of handsome Jamie Ashen (Ryan Kwanten), and his pretty wife Lisa (Laura Regen), this perfidious puppet very soon belies its inert demeanour, as 'Billy' utilizing murderous means most macabre dispatches Kwanten's pale Mia Farrow Lookalike wife in an especially jaw-droppingly diabolical manner! Thusly burdened with grief, our dishy widower high-tails it to his gloomily dilapidated Silent Hill-esque home-town in his ubiquitous Hollywood hero's muscle car in order to discover the possibility of there being some monstrous truth behind the childhood rhyme extolling the evil exploits of malevolent Mary Shaw and her supremely sinister 101 Dollnation had anything to do with his sinuous spouse's savage snuffing out! A goodly number of noughties 'horror' films are based on creepy urban legends, and James Wan's predictably jump-scare laden 'Dead Silence' rigorously maintains the zeitgeist. The sleekly fashioned fright-flick reeks of Hollywood artifice, from the screamingly obvious polystyrene tombs, plentiful usage of Fright Night fog, and delightfully hokey, hunchback-less Guignol theatre, wherein the grim-faced Mary Shaw's infamous legend was so menacingly born!

While the shocks are somewhat muted, perhaps in an attempt to avoid the boggle-eyed wrath of hissy missy Mary, the film's more endearing qualities are the delicious comedy stylings of a deadpan Donnie Wahlberg as the wryly disdainful cop Detective Lipton, his colourful performance increasing the faux-Gothic campery herein. For me, as a horror film-maker, Wan is a somewhat pallid practitioner, but the dude has legit comedy chops, to whit, the blackly funny, wickedly witty 'Tales From The Crypt' twist, and if all noughties horror titles were replete with a similarly cartoonish cynical cop like Donnie I'd be more of a fan! While 'Dead Silence' is about as scary as a mislaid till receipt, it proved to be all so fabulously absurd I couldn't help but dig it! Usually I relish the dire misfortune that descends so fatally upon the expensively coiffed heads of Hollywood's perfectly plastic protagonists, but in this rare instance I had enormous empathy for the dotty old dear gibbering benignly away in the mortician's cobwebbed cellar, this truly darling, whimsical white-haired octogenarian Marion Walker (Joan Heney), and dynamic cop Donnie got me rooting for 'em right till the final curtain, mayte! One of the more aesthetically pleasing aspects of 'Dead Silence' is the splendidly evocative chiaroscuro photography of talented DP John R. Lionetti, this gifted fellow also lensed the deliciously skewed, greatly underappreciated Lindsay Lohan oddity 'I Know Who Killed Me'.