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IMDbPro

Mountainhead

  • 2025
  • TV-MA
  • 1h 48min
NOTE IMDb
5,4/10
17 k
MA NOTE
POPULARITÉ
438
167
Jason Schwartzman, Steve Carell, Ramy Youssef, and Cory Michael Smith in Mountainhead (2025)
A group of billionaire friends get together against the backdrop of a rolling international crisis.
Lire trailer1:57
2 Videos
16 photos
Drame

Un groupe d'amis milliardaires se réunit sur fond de crise internationale.Un groupe d'amis milliardaires se réunit sur fond de crise internationale.Un groupe d'amis milliardaires se réunit sur fond de crise internationale.

  • Réalisation
    • Jesse Armstrong
  • Scénario
    • Jesse Armstrong
  • Casting principal
    • Steve Carell
    • Jason Schwartzman
    • Cory Michael Smith
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    5,4/10
    17 k
    MA NOTE
    POPULARITÉ
    438
    167
    • Réalisation
      • Jesse Armstrong
    • Scénario
      • Jesse Armstrong
    • Casting principal
      • Steve Carell
      • Jason Schwartzman
      • Cory Michael Smith
    • 185avis d'utilisateurs
    • 40avis des critiques
    • 66Métascore
  • Voir les informations de production sur IMDbPro
    • Nommé pour 1 Primetime Emmy
      • 2 nominations au total

    Vidéos2

    Official Trailer
    Trailer 1:57
    Official Trailer
    Official Teaser
    Trailer 1:24
    Official Teaser
    Official Teaser
    Trailer 1:24
    Official Teaser

    Photos15

    Voir l'affiche
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    Rôles principaux17

    Modifier
    Steve Carell
    Steve Carell
    • Randall
    Jason Schwartzman
    Jason Schwartzman
    • Souper…
    Cory Michael Smith
    Cory Michael Smith
    • Venis
    Ramy Youssef
    Ramy Youssef
    • Jeff
    Daniel Oreskes
    Daniel Oreskes
    • Dr. Phipps
    Hadley Robinson
    Hadley Robinson
    • Hester
    David Thompson
    David Thompson
    • Leo
    Ali Kinkade
    Ali Kinkade
    • Berry Oliphant
    Ava Kostia
    Ava Kostia
    • Paula
    Alex Peña
    Alex Peña
    • Argentinian Business Leader
    • (as Alex Pena)
    Amie MacKenzie
    Amie MacKenzie
    • Janine
    Larkin Bell
    Larkin Bell
    • Nanny
    Capri Eaton
    • Baby Sabre
    Emmi Eaton
    • Baby Sabre
    Jason Anthony
    Jason Anthony
    • British Newsreader
    • (non crédité)
    Ron Beth
    • Security
    • (non crédité)
    Andy Daly
    Andy Daly
    • Casper
    • (non crédité)
    • Réalisation
      • Jesse Armstrong
    • Scénario
      • Jesse Armstrong
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs185

    5,416.6K
    1
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    Avis à la une

    7luiscaceres-61802

    Not for Everyone - But Essential for the Right Audience

    Mountainhead isn't your typical popcorn movie - and that's precisely its strength. Many viewers might walk in expecting a comedy (perhaps misled by the marketing), but what they'll find is a cerebral, slow-burning exploration of AI, power, and the people shaping our future.

    This film is a must-watch for AI executives, tech enthusiasts, and anyone involved in the design or governance of digital systems. It offers a sobering reflection on the values of those leading technological development, and the real-world consequences of their choices. In a world inching toward techno-feudalism, where unelected tech moguls can steer the fate of entire nations, Mountainhead asks hard questions about who holds the power-and what they believe in.

    It's not always easy to digest. Some scenes feel abstract or overly intellectual, and casual viewers looking for laughs might leave confused or disappointed. But maybe that's part of the point. The people who "don't get it" may soon find their jobs-and their agency-at risk in an AI-driven world they didn't help design or understand.

    In the end, Mountainhead isn't a film for everyone. But for the right audience, it's a compelling and necessary piece of storytelling.
    6TNic19

    It's fine.

    I think people are being a bit harsh here. I laughed and winced a bit and enjoyed the performances somewhat. It doesn't reach the heights of Succession because it's not Succession. Yes it felt rushed and not of the standards set by his own crazy success, but it's an HBO movie satire that was shot in several weeks to hit on current hot topics. It's fine.

    The story got a bit tedious towards the end and the jump in pace two thirds in didn't quite work. However, this was Jesse Armstrong's directorial debut and I'll be interested to see where he goes from here after an ok start - whether he doubles down on crafting himself as film director or sticking to TV.

    If you can't think of something to watch and you want to laugh a bit at how awful the world is - and who runs it - give it a bash.
    7Anouska23

    Relevant to our time and very funny

    I don't understand the negative reviews - thought it was very funny, but also super relevant to the times we're living in where these billionaires really do have all the power. And where AI and social media can be extremely destructive to society and democracy. The cast was fantastic, the characters were super weird, but it's exactly how I imagine the Mark Zuckerbergs of the world to be. At times (mostly in the beginning) it was hard to follow, but that also made it kind of interesting. Like they had their own language that we mere mortals don't speak or understand. Very unique movie, one you should definitely watch.
    6MatthewInSydney

    Techbro mountain, miserable but timely

    They're all intentionally insufferable, and I was happy for it to be over. I laughed once ('suddenly'). And though some of their behaviour is outlandish, they're not all that far-fetched when you look at the behaviour of someone like Musk, which is depressing, But I appreciated that we got a critique of the new tech overlord mindset so quickly after their collaborative inauguration with Trump. It's the kind of fast responsive filmmaking that we got at the start of covid and lockdowns. We shouldn't only have a diet of movies that have been years in development and don't reflect the present day.
    5greatandimproving

    Narcissism is... glitchy

    Succession creator Jesse Armstrong directs this timely feature about how unchecked AI and deep fakes could lead real people in real countries to start real turmoil. The world reaches its breaking point just as four tech bros embark on a "no deals (= no business), no meals (= no staff) and no high heels (= no women)" retreat to Mountainhead, one of their luxury abodes in Utah, where they gaslight themselves into insouciance for having society's blood on their hands.

    All four narcissists arrive with personal demons. Ven (Cory Michael Smith) wants to go "post-human" to relieve the stress that plagues him as the richest man alive. Randall (Steve Carell) is terminally ill and wants to live forever. Soups (Jason Schwartzman) is an insecure centi-millionaire desperate to crack the billionaires' club. And Jeff (Ramy Youssef) is the young upstart whose conscience weighs him down, though it's unclear whether that's a pre-existing force in his life or just the result of the technology he sells (i.e., guardrails for AI). Regardless, Jeff is the voice of reason and the audience participates through his journey. Whatever happens to Jeff can be seen as happening to all of us.

    The Succession vibe is felt on every frame, surely by design. Armstrong brings back Nicholas Britell to provide the score, along with many of Succession's producers and crew in their respective roles. Since there's no way for a 100-minute film to replicate the nuances that made the show so popular over four full seasons, Mountainhead's cast attempts to re-create the same magic from scratch.

    On that front, the actors hold their own. Carell and Schwartzman are reliable as ever, but Smith and Youssef are the real standouts. They somehow land their lines without getting in each other's way. This is particularly important given the tech-speak that permeates the script: boss cock; surpasso; emotionally incontinent; AI dooming; hyper-scale data centers; deceleration alarmism; doom-looping; de minimis; 8K photo-real; the antidote to bad tech is good tech... I mean it's an endless stream of rapid-fire gobbledygook--- but you never feel trapped or disoriented as a viewer. I credit that to their preparation as individuals and chemistry as a unit.

    In terms of the point of the movie, I feel it could have been tightened up somewhat. In one hilarious sequence, a character is pressured by the others to acquiesce to *their plan for *his future: "Smile... show your teeth!" It's a brilliant, meaningful line that gets reiterated a few times, albeit too subtly for my taste. I think it could have been uttered at least once more to emphasize the idea of smiling for the camera while being forced against one's will, and thereby summarizing life under an oligarchy: we're merely pawns in somebody else's game.

    Another exchange I enjoyed which reflects the dialogue in the film:

    "I just feel if I could get us off this rock it would solve so much!" - Ven

    "Well you know, it's a solid starter planet but we've outgrown it, no doubt..." - Randall

    "I just want to get us transhuman! Life up on grid, Tron biking around, digital milkshakes-" - V

    "To actually be in Plato's Academy *with Plato!" - R

    "I just feel like the universe is taking a grip and tearing me apart. Like my torso's getting pulled apart with tremendous force and the emptiness of the galaxy is just rushing in." - V

    "Mmm, not good." - R

    -

    Whether Elon-Zuck-Bezos actually talk like this is besides the point. The film is fair in marking their priorities, in the same way that insiders believe the satire of Dr Strangelove could have easily happened in real life. To me, we can pursue life "up on grid" when we're dead- I'm sure there's plenty to discover out there lol! But to push into new galaxies at the expense of the world we've been blessed with is self-defeating. Mountainhead is clear about this, as well as the absurdity of rich people having the power to impose their will on the rest of us, plunder the earth and promote chaos in order to bankroll their next project, especially when none of the fruits will even be seen in our lifetimes-

    I think this is where they want me to show my teeth.

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    Histoire

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    Le saviez-vous

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    • Anecdotes
      Jesse Armstrong began researching the topic of billionaire crypto-fascist tech-bro culture after reviewing a book about Sam Bankman-Fried for the Times Literary Supplement in late 2023. He began writing the script after Donald Trump won the United States presidential election in November 2024. The film was finished six months later.
    • Citations

      Souper: [brandishing a golf club at Jeff] This is about AI dooming and decelerationist alarmism!

      Jeff: What the fuck? First principles! What are you trying to achieve?

      Randall: We are trying to kill you! Gas him, burn him, drown him!

      Jeff: Okay, your attack makes no logical sense!

      Randall: When we have started, we have to complete!

      Jeff: Sunk cost fallacy!

      Souper: No, we have to continue due to reprisals!

      Venis: We're completionists!

      Jeff: No, no, we're not, we're not! We fail, we move on, we fail, we move on, we succeed!

      Souper: Not necessarily!

      [swings golf club at Jeff]

    • Connexions
      Referenced in Film Junk Podcast: Episode 996: The Phoenician Scheme (2025)

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    Détails

    Modifier
    • Date de sortie
      • 1 juin 2025 (France)
    • Pays d’origine
      • États-Unis
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • На вершині
    • Lieux de tournage
      • Park City, Utah, États-Unis
    • Sociétés de production
      • HBO Films
      • Hot Seat Productions
      • Project Zeus
    • Voir plus de crédits d'entreprise sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      • 1h 48min(108 min)
    • Couleur
      • Color
    • Rapport de forme
      • 1.78 : 1

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