Les temps changent

My thoughts:

Entertaining and clever, mostly.

There are some weirdos, no doubt misogynists, out there reviewing films. They had one DeLorean, in one scene, for just a few seconds, as a subtle nod to Back to the Future and one idiot was like, 'They imitated Back to the Future the whole movie!' 😆

The bad reviews are red-tarded.

It's not the best movie in the history of cinema, but for the type of movie it is, '60s science geek couple travel 60 years into the future to find women's inequality has mostly disappeared, which tests their relationship,' it's actually pretty good.

Some of the nerds are tripping all over themselves to lament the lack of 'tech cool, CGI driven action' and totally missing the humor, social conflict and pathos that makes this film unique and interesting. I doubt some of them even know what a joke is.

It doesn't get the main theme quite right, as I don't see Hector, the male lead who praises the couple's love as an 'omnipresent force in the past and the future' shallowly abandoning the love of his life when he loses a few of the advantages of male entitlement. Any real scientist, especially an only child with no real ties to the past, would've been thrilled with the advances in science and technology and opted to stay in the future. He also would've seen the second class citizenship of women in the past as objectively wrong, adapted to the new, merit based, fairer world and looked for a way to fit in from the get go.

So it wasn't perfect, but well worth watching.

Lucero and Benny Ibarra are two familiar faces from national cinema, but this film is clearly their worst work and version to date. I saw it yesterday, and from the moment I started, I realized it was another TV soap opera turned into a movie.

Mexican cinema is going through its worst moment, and I think this type of film is proving it.

Repetitive plots, recycled characters, extreme feminism, bad scenes and, above all, bad acting make this film one of the worst I've seen this year.

The most complicated aspect was that they stole things from "Back to the Future," and I don't know why they made it seem so splendid or as if they were the greatest geniuses in this type of film. I think it could have been better, but they took the easy way out and went for the typical scenes of modern Mexican cinema.

Our Times starts with a refreshingly original sci fi concept set in 1960s Mexico. The story blends nostalgia, time travel, and a couple's scientific ambition into an engaging and emotional setup. It draws you in with warmth, humor, and a sense of wonder.

The film stands out for its visuals and tone. There is charm in the details, chemistry between the leads, and genuine interest in how the story will unfold.

However, as the plot develops, the movie shifts focus. What begins as a touching sci fi journey slowly turns into a strong social message. While some may welcome this feminist angle, others might find it feels out of place and too direct. The balance between story and message is not always smooth.

Instead of letting themes unfold naturally through the characters and plot, the film becomes more focused on making a point. This shift weakens the emotional impact and leaves the science fiction aspect underused.

This is a thought-provoking sci-fi romance that uses time travel and gender roles to highlight how the most impactful societal changes are not technological, but social. The film pushes some boundaries in this regard and encourages viewers to reflect on how the world has changed-and continues to change-and how those changes are experienced by different people.

Some viewers have pointed out plot holes, but this movie isn't meant to be taken too literally. While certain inconsistencies are hard to ignore, they don't significantly affect the narrative. For example, it's hardly essential to worry about how time travelers from the past managed to buy train tickets-we can simply assume they rode without one, if that's easier.

The acting is solid throughout and suits the characters well. These are scientists-not eccentric inventors like Doc Brown in Back to the Future-but more grounded portrayals of physicists. They're realistic people with personal lives beyond the lab, holding both liberal and conservative views in different areas. And yes, they have romantic relationships too.

Overall, I enjoyed this film. It never felt boring, and the story moved steadily forward, with twists that weren't exactly surprising, but felt inevitable in a satisfying way. Some viewers may feel uncomfortable, while others may feel seen-but in the end, the film delivers a powerful message and explores timely, relevant issues. It's hard to argue with the underlying truths, even when they're wrapped in fiction.

Yes there are huge plot holes in the Mexican film but it isn't a rigorous sci fi film. Instead it is a delightful story of gender inequality and how time changes us all. The time machine recalls HG Wells and the main characters are fun and very watchable.

Critics of the film have probably never been to Mexico and seen for themselves the gender divide there. I have witnessed the macho culture and it is like something from the 1960s. So if this film can shine a light then i applaud it. It will be popular amongst women who can probably relate to the main character and her efforts to keep everyone happy.

Well worth a watch.