NOTE IMDb
5,1/10
18 k
MA NOTE
Tessa Connover (Katherine Heigl) peine à accepter la fin de son mariage quand son ex se fiance dans le plus grand bonheur. Mais la jalousie de Tessa devient rapidement pathologique.Tessa Connover (Katherine Heigl) peine à accepter la fin de son mariage quand son ex se fiance dans le plus grand bonheur. Mais la jalousie de Tessa devient rapidement pathologique.Tessa Connover (Katherine Heigl) peine à accepter la fin de son mariage quand son ex se fiance dans le plus grand bonheur. Mais la jalousie de Tessa devient rapidement pathologique.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 2 nominations au total
Isabella Kai
- Lily Connover
- (as Isabella Kai Rice)
Robert Wisdom
- Detective Pope
- (as Robert Ray Wisdom)
Avis à la une
This is Fatal Attraction x 10. We have all seen this before. Begrudging and resentful ex/wife etc. cannot accept that her man has moved on. Playing the innocent victim while framing the new woman who has come in to his ex husband's life.
While this film is clearly a 6/10 at the most, I rated it a 7 due to the negativity revolving around it.
The movie is by no means a masterpiece or anything new that we have not seen before, yet it is a decent drama which kept me entertained.
Dawson and Heigl work well in their respective roles. Decent acting paired with average direction and obvious plot holes, Unforgettable should be watched at home as it is clearly note worth the ticket price at the cinema. Personally, I enjoyed it.
While this film is clearly a 6/10 at the most, I rated it a 7 due to the negativity revolving around it.
The movie is by no means a masterpiece or anything new that we have not seen before, yet it is a decent drama which kept me entertained.
Dawson and Heigl work well in their respective roles. Decent acting paired with average direction and obvious plot holes, Unforgettable should be watched at home as it is clearly note worth the ticket price at the cinema. Personally, I enjoyed it.
A curious note first of all: this is the first movie directed by Denise Di Novi. She's been a producer for years - I thought I had seen her name somewhere before, and then it clicked when Tim Burton came to mind (she's produced many of his best films) - but now, only now, does she step behind the camera. Why for this? Did the original director walk away or the producers couldn't find someone? It's not strange to see that this is a directorial debut, but it is odd to see that this is made by an industry professional, nay a veteran, and that it's so... bland. Unforgettable rests in an uncomfortable area: not fun enough to be a trashy/campy movie like a No Good Deed or Obsessed (perhaps Idris Elba is the x-factor?), or even like a made-for-TV Lifetime stalker thriller like Stalked by my Doctor (imagine Eric Roberts in the Katherine Heigl role!), and it's not unique or interesting enough to be good.
Actually, that's not wholly fair: Rosario Dawson, as the new lover (and soon to be fiancé) of the ex-husband of the jilted Heigl character, is quite good. It's hard for her to be anything else, and she takes a movie as middling as this as seriously as she would Sin City or Danny Boyle's Trance or whatever the case. She's here to work, while an actress like Heigl is here to be in her one quiet-but- crazy-B-word modus operondi, and Cheryl Ladd (yep, ex Charlies Angels Cheryl Ladd) is more apt for a Lifetime movie, albeit her profile is just right for this character of Heigl's mother.
We've seen this all before, even if we think the divorced angle makes it a little different (only barely, maybe), and as it involves people of mega privilege it feels distanced from a lot of our lives so the emotional immediacy will only be there for those who really stretch to feel it. It's a telegraphed story put upon a movie that somehow has the even stranger luck, speaking of people behind the camera, of being shot by Caleb Deschanel(!) Perhaps if you have less than zero things to do (or are a master at procrastination) and this pops up on a Sunday afternoon on TV it's passable. But in a theater? Well, let's just say you'll be 80% of the time dulled, maybe 19% of the time entertained in that trashy-campy way (which is not a great ratio)... and then the last 1% is a complete WTF last scene ending that made me curse the screen I was gazing.
Actually, that's not wholly fair: Rosario Dawson, as the new lover (and soon to be fiancé) of the ex-husband of the jilted Heigl character, is quite good. It's hard for her to be anything else, and she takes a movie as middling as this as seriously as she would Sin City or Danny Boyle's Trance or whatever the case. She's here to work, while an actress like Heigl is here to be in her one quiet-but- crazy-B-word modus operondi, and Cheryl Ladd (yep, ex Charlies Angels Cheryl Ladd) is more apt for a Lifetime movie, albeit her profile is just right for this character of Heigl's mother.
We've seen this all before, even if we think the divorced angle makes it a little different (only barely, maybe), and as it involves people of mega privilege it feels distanced from a lot of our lives so the emotional immediacy will only be there for those who really stretch to feel it. It's a telegraphed story put upon a movie that somehow has the even stranger luck, speaking of people behind the camera, of being shot by Caleb Deschanel(!) Perhaps if you have less than zero things to do (or are a master at procrastination) and this pops up on a Sunday afternoon on TV it's passable. But in a theater? Well, let's just say you'll be 80% of the time dulled, maybe 19% of the time entertained in that trashy-campy way (which is not a great ratio)... and then the last 1% is a complete WTF last scene ending that made me curse the screen I was gazing.
Obvious melodrama about a woman being harassed by her fiance's sociopathic ex-wife, and her own violent ex- boyfriend. Sleazy, depressing, and is pointlessly told through flashback (from six hyperbolic months earlier) for three quarters of its lazy story, before jumping ahead another six hyperbolic months for the ending.
Heigl is chilling in this, but everyone and everything else is laughable.
It was also a bit unclear when this story is taking place, as characters still have landline phones (along with cell phones) and still have the newspaper delivered to their front door.
The final " Oh, here we go again " end scene, with the grandmother, made me shout, " Oh, f*** off! " at the screen.
Heigl is chilling in this, but everyone and everything else is laughable.
It was also a bit unclear when this story is taking place, as characters still have landline phones (along with cell phones) and still have the newspaper delivered to their front door.
The final " Oh, here we go again " end scene, with the grandmother, made me shout, " Oh, f*** off! " at the screen.
Katherine Heigl have been one of my guilty pleasures ever since I saw her on "My Father the hero", hence she is basically the reason why I decided to give this movie a chance, after all she did performed well on other similar roles (home sweet hell) so hopes were high.
Unfortunately this movie fells down on so many clichés that just simply watching it gets painful. I am not the kind of spectator that keeps track of the movie mistakes but this movie makes it humanly impossible not to do so.
Summarizing, this movie is exactly the opposite....completely forgettable.
Unfortunately this movie fells down on so many clichés that just simply watching it gets painful. I am not the kind of spectator that keeps track of the movie mistakes but this movie makes it humanly impossible not to do so.
Summarizing, this movie is exactly the opposite....completely forgettable.
Le saviez-vous
- AnecdotesWhen Tessa is sitting at her computer looking at her and David's wedding photos, the photos are Katherine Heigl's actual wedding photos from her marriage to Josh Kelley. This is why the photos do not show the groom's face.
- GaffesWhen Rosario Dawson's company is throwing her a going away party. There is an Indian man sitting on the couch (in the center). When the camera flips back and forth from Rosario's face to Whitney's speech the Indian man disappears and then is back sitting on the couch.
- Citations
Tessa Connover: There. Now you're perfect. Just like Mommy.
- ConnexionsFeatured in The Bachelor: The Women Tell All (2017)
- Bandes originalesCloud
Written by Danielle Parente and Sage Atwood
Performed by Danielle Parente
Courtesy of Gravelpit Music
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- How long is Unforgettable?Alimenté par Alexa
Détails
Box-office
- Budget
- 12 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 11 368 012 $US
- Week-end de sortie aux États-Unis et au Canada
- 4 785 431 $US
- 23 avr. 2017
- Montant brut mondial
- 17 768 012 $US
- Durée1 heure 40 minutes
- Couleur
- Rapport de forme
- 1.85 : 1
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