Retreat

One might think this movie was inspired by the Covid-19 pandemic, until they notice it was made in 2011. Married couple Kate and Martin find themselves stranded on their island retreat with a man claiming a deadly virus is spreading across the world. Is he telling the truth? That's the mystery presented by this movie. Kate and Martin must decide whether to listen and bunker down with this stranger or try to leave and risk the dangers of a possible pandemic. The frustration with this movie is how dumb Kate and Martin are. They can't seem to do anything right. Is this bad news bearing stranger a dangerous liar? Or is he a survivor trying to get some cooperation out of this helpless couple? Needing the answers to these questions kept me engaged until the end.

Kate (Thandie Newton) and Martin (Cillian Murphy) go to the isolated Blackholme Island off Scotland to escape London. They were there back in happier times in 2002. They are struggling with marital problems about a miscarriage. The power goes out. Martin is injured while trying to fix the generator. They call Doug for help on the radio but they get no help. Then they find a bloodied unconscious man. The man claims to be Private Jack Corman (Jamie Bell) and that there is a deadly worldwide airborne flu. The couple is suspicious of the erratic Jack.

The trio try their best to make an intense psychological thriller. The main problem is that the movie has one tone and one gear. It's steady and unrelenting. Jack doesn't change. He starts off scary and stays there. It may be more compelling to start off sane and build to crazy. It's intense but it feels like a manufactured thing. It's not realistic that Martin believes anything Jack says. Jack is basically acting like a paranoid mental case. There is nothing to prove his case other than his word. The movie needs to give the audience the permission to believe in Jack but it never does.

"Retreat" started out as a tight, minimalistic indie thriller, maintained the well written characters, and then added in some intriguing mind games played out beneath the surface. And then it devolved into a blood-fest of science fiction diseases and government conspiracies. I was riveted for the first hour and twenty minutes and then sat agape in frustration for the last ten minutes.

Martin (Cillian Murphy) and Kate (Thandie Newton) are a married couple seeking an isolated retreat. A log house on a remote island which they have been to before but not since their marriage has deteriorated. Kate thinks it is irreparable; Martin thinks he just has to apologize one more time and everything will be perfect. Then an injured soldier arrives at their door and they proceed to take him in.

Before they know it, he has locked them inside the house. Not to kill them, but to save them, or so he says. We're pretty sure he's crazy, husband and wife are pretty sure he's crazy, until sleep-deprived Martin starts falling to his insane argument. Something about there being a disease outside and if you breathe the air around an infected person, you die. Well, you cough up blood and then you die. As I said, we're pretty sure he's crazy, and this is just the type of thing that crazy people say.

The fascinating parts of this film involve the soldier convincing Martin and Kate that the threats are real, Martin seeming to believe him, Kate getting angry, and then Martin just wanting to take care of his wife and save their marriage. The majority of this takes place inside the house with only three characters. Let the mind games begin as each character tries to figure out what they want, how to get it, how to do it alone or with somebody else.

When we approached the end, I was playing along with their game, trying to predict each twist and turn that would take us to the satisfying conclusion. I did not guess correctly as I was not predicting the many twists that each character would take with their final, almost final, maybe final, and then their final final dying breath. If that sounds ridiculous, wait until you hear what was really going on. The ending would suggest that "Retreat" was one of those stupid horror movies built for blood and laughs. This is extremely disappointing because the rest of the movie suggested that it was one of the best indie thrillers around.

"Retreat" is a three-hander, starring Thandie Newton, Cillian Murphy and Jamie Bell (although there is one other character with a brief speaking part). Kate (Newton) and Martin (Murphy) have gone off to an island retreat to regroup after Kate miscarries; they return to a solitary cottage on a remote island where they had been happy years earlier, thinking it might help their relationship. But Kate is withdrawn and Martin doesn't know what to do, and the whole thing might not have been a very good idea after all. One day, they stumble upon Jack (Bell), an injured military man to whom they are quick to offer shelter. Unfortunately, the generator in the cottage has shorted out, and the CB radio seems not to be working, so when Jack tells them that a fast-moving and lethal air-borne infection has been sweeping the world and the only way to protect themselves from it is to barricade themselves inside the cottage, they have no way of knowing whether he's telling the truth or not. But Jack's decisive (and bullying) behaviour convinces at least Martin that something is going on, and although Kate initially resists and suggests that they just leave the cottage to the "crazy" man, she too is more or less bullied into submission. And it is true that something is going on, but whether they can figure it out in time to save themselves is an open question....

This is writer/director Carl Tibbetts' debut film. I expected it to be a very tense psychological thriller, and to some extent it is, but there are flaws that perhaps a more experienced scriptwriter and director could have smoothed out. Largest among these is the simple fact that if Martin had listened to Kate right after Jack shows up, they wouldn't have gotten into this mess. It's hard to swallow disbelief when some plot points are so, well, silly. This is not to pan the film at all – it's sharp, has some beautiful cinematography (it was filmed in Gwynedd, Wales), and a lot of the twists and turns (especially at the end) are unexpectedly rich. But really the best reason to see this film is for the acting; our three leads are just outstanding, with Thandie Newton's performance serving as the focus that holds the whole film together. Definitely recommended.

As a debut writer/director, Carl Tibbetts' "Retreat" is a well made psychological thriller with steady increase in pacing that generates an atmosphere going from brooding to disturbing. Only accessible by ferry, the story unfolds on a little island off the coast of Scotland where a married but childless couple rents a rustic cottage. Soon after their arrival on the island, it is evident that Kate and Martin have seen happier times. A journalist, Kate is withdrawn but reveals through her writing that a previous miscarriage has caused a rift in their relationship. In an effort to rekindle their marriage, Martin tries to put the past behind, hoping happy memories of their previous stay on the island will seal their marital wounds once and for all. But as it seems, things get from bad to worse when their only contact with the mainland – a CB radio – malfunctions, and the cottage's power generator chokes out. Amongst all this, an injured soldier arrives on the island and amplifies their predicament, stating that an air-borne virus is rapidly sweeping across Europe. Claiming the outbreak to be extremely lethal, Jack proceeds to board-up the cottage from the inside, even as it dawns on Kate and Martin that their strange guest is becoming increasingly hostile.

Although widely comparable to the Nicole Kidman-Sam Neill thriller "Dead Calm", Tibbetts' work here is mostly captivating, relying heavily on portrayals from Thandie Newton and Cillian Murphy as the couple, and Jamie Bell as the antagonistic intruder. As such, acting is the pivotal structure steadily holding up the plot build-up. Bell is particularly impressive as an alpha male that goes on to challenge Martin's manhood right before his wife. As soon as Bell's character enters, we know the premise calls for psychological confrontation as two men try to outsmart each other. Add to that a fragile and hurting woman in between, and the stage is set for a tension built battle for survival. Tibbetts' screenplay also affords equal opportunity to Newton and Murphy as they each share moments of power in trying to outsmart Bell's Jack. This is evident that although there is a growing wedge in their relationship, previous problems diminish in size when faced with what they must now do to protect each other and their marriage.

With a good part of the plot carried out within the confines of the cottage, Tibbetts succeeds in holding on to the viewer's attention despite the fact that single locale films can become boring. Besides the aforementioned acting, what works for Tibbetts is the premise – a broken married couple alone on an island, faced with a life threatening situation where they are forced to reconcile their past, or die trying. With all the twists and turns in the second half, Tibbetts gives hope to the audience while simultaneously tightening the noose around Kate and Martin. This alone reduces viewer predictability while also giving the ending a disturbing albeit open-ended finish. Personally, I was hoping for a satisfying ending, but as it seems, Tibbetts may have had other things in mind like connecting the viewer with his characters and then brutally severing that connection; its like saying hope is as useful as a missed opportunity.

All things considered, this movie is a decent attempt for a film maker writing and directing his first movie. For a thriller, plot twisters keep gnawing at the nape of your neck, with some good acting swelling said plot with tense moments. Curiously, the ending may disappoint some viewers, especially those who are optimistic about feel-good endings.