Revolver Rani

Director Mr. Sai Kabir work is very good. He was not bothered about right or wrong about general perception of hit film but he was celerity of mind regarding this film. Very small characters are justified well. Story is new and different. Screenplay is very good. Dialogues support the film well. Credit goes to writer and Director Mr. Sai Kabir. Neither the promo nor the title of the film was indicating any emotional quotient but this film has that emotional touch and in a very good way. A shot justifies the title well where just keeping the gun behind her palm, makes her heart beating again. I just loved this scene and concept. This film deserves sequel and makers have clearly justified it. Even very fine things and emotions are taken care in good way through scene and shots. Humor is placed in very subtle but appropriate way. Goon uses his lower part of Kurta for blowing air is one of such example. Performance wise Kangana Ranaut is out standing. Vir Das is OK. Piyush Mishra is very good. Jakir Hussain is fine. Music is OK and it gives the required support in emotional scenes.

Revolver Rani. 2014 shall be remembered as Kangana Ranaut's year. One month back she was seen effortlessly playing a nice, lovely and innocent Rani in Queen and now turning everything upside down she plays a psychotic dacoit cum politician Alka Singh and again very effortlessly. She strikes a fine balance between madness and vulnerability but unfortunately unlike Queen, Revolver Rani fails as a movie. Apart from Vir Das playing the selfish toy boy of Alka and Piyush Mishra playing no barred king maker uncle of Alka, other actors and their characters fail to impress you. First one hour of movie fails to strike any chord. Second half succeeds somewhat making you laugh by the hilarious sequence of Vir Das going into a loop of marriages and Kangana taking the charge when she chooses love over hate. Director Sai Kabir seems to be overly inspired by the work of Quentin Tarantino so he tries to put so much style in his bad world but does it without any subtleness. Music is so badly done that makes you cringe and absence of a strong villain in front of Kangana hurts the drama. I am going with generous 6 out of 10 for Revolver Rani. It's something fresh for world of Bollywood but apart from Kangana's fearless performance nothing there is quite right.

am a big fan of Tarantino and have seen his masterpieces several times. At times continuously as if on a spool. So when someone pays homage to him and his style I do take notice and thus become more critical.

RR's venae cava is full of QT's nuances right from the nonsensical repetition of the triangular dialogues between the sanki villain brothers.

Started off in a slow pace and the time spent on the villains wasn't justified. But nevertheless the moment Alka appears she takes the screen and radiates on every inch of it. Everyone else pales in comparison specially VD. Wish there was some more meteoric element to the story to take it a bit more than the obvious and yes right till the end where Alka opens her eyes a la the bride in kill bill.

if 2013 was the year of DP, then 2014 seems to be the year of KR. And I fervently hope so.

The songs though nice comes in slightly as a requisite of a Bollywood film rather than as a fabric of the script. The character though etched for Alka, doesn't do justice to the other players on the stage. Is it because the director is fresh? We know a lot of care and passion goes behind making of a movie but sometimes it's good to see it from outside of the box and not just from the frame in the camera to see if one if is really paying the tribute in the rightful manner

Kangana Raunat has garnered accolades over the years thanks to power- packed performances in FASHION, LIFE IN A METRO and the recent QUEEN. Revolver Rani definitely rest on the shoulder of Kangana Raunat as there is nothing much to talk about the movie.

Revolver Rani is set against the backdrop of politics in Madhya Pradresh where there is no friends , no enemies only your heart to follow.

First time director Sai Kabir chooses the subject quite daring but seen ample times on Indian Screen. True he choose a female protagonist as the leader of opposition party and few scenes do tickle your funny bone but maximum time screenplay is crumbled into web of errors and insensible scenes. Cinematography is quite efficient capturing the essence of Gwalior. Art direction is pretty good. Editing is poor. Dialogues are punching. Songs are tuneless. Coming to the performance, Kangana Raunat is one of the finest actors of Indian Cinema. The actor is dreadful yet subtle, fiery yet humorous, emotional yet unforgiving. It is her versatility which makes the movie watchable. Vir Das is just about okay. Piyush Mishra and Zakir Hussain are brilliant.

Overall, Revolver Rani could have been better.It is the versatility of Kangana Raunat which makes the movie watchable. Average 2.5/5

This is my first review here and am compelled to write one because of a lot of shitty ones floating around. This movie is by far kangana's best work till date. Rarely dies one see such boldness and aggression in a bollywood actor, so much so that no past references come to mind. Kangana has completely broken the mould and come out with something innately local. The film itself has moved past many stereotypes like a woman playing the savior to her lover with such machismo. Piyush mishra, as the machiavellian balli mama is great too.

But the film truly belongs to Kangana. This girl, is leaps and bounds ahead of any other Indian actress in recent times