Life in a Metro
- 2007
- 2h 12min
NOTE IMDb
7,4/10
14 k
MA NOTE
Six histoires différentes, environ neuf personnes, chacune avec des questions et des problèmes différents.Six histoires différentes, environ neuf personnes, chacune avec des questions et des problèmes différents.Six histoires différentes, environ neuf personnes, chacune avec des questions et des problèmes différents.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 12 victoires et 24 nominations au total
Gautam Kapur
- Vishy K.
- (voix)
Shilpa Shetty Kundra
- Shikha R. Kapoor
- (as Shilpa Shetty)
Gautam Kapur
- Vishy K.
- (as Gautam Kapoor)
Rinku Patel
- Rucha R. Kapoor
- (as Rinku)
Avis à la une
With one movie, Anurag Basu rose quite high in my books as a director to look out for. Gangster was in many ways a complete movie for an Indian Movie audience and one of the best features of last year. Expectantly, Life in a... Metro was highly anticipated, especially with the movie repeating most of Basu cast & crew and a few more welcome actors. Basu sits right on top of the breed of Bhatt-nurtured directors who, if nothing else, have always made movies distinctly different from regular Bollywood fare.
Life in a... Metro is an amalgamation of six stories between nine characters from one suburb. These stories entwine and intersect at various points to portray personal lives for regular middle-class suburb dwellers. Passion, Sex, Loyalty, Romance, Lust, Stress and Love become the underlying themes woven into the fabric of the movie.
Basu is not in top form here, but this could be more due to constraints of mainstream Bollywood. Visibly a bigger and a more conformist producer like UTV (Ronnie Screwwala) is not as liberal as the Bhatts with Basu. Melodrama and formula somehow creep in and take over the final act of the movie in a complete departure of style from the rest of the movie. Apart from this major gripe, Basu deftly handles interspersing between stories and fleshing out his characters. Adultery becomes a major theme in most of the stories, but moral questions are not raised and neither ignored. Events are simply depicted "as is", letting the viewer judge for him/herself of their moral implications. That extra-marital affairs and sex-for-favors exist is taken as fact rather than implied, taboo'd or endorsed. Rather, the effect of it on individuals is depicted differently and quite aptly. Among the troupe of (mostly) wonderful actors, Kay Kay Menon thunders ahead portraying a selfish and chauvinistic husband and boss. Any scenes with him are the highlights of the movie proving again beyond doubt how wonderful an actor he is, regardless of the character he plays. Yet, for the genuinety of him you are left wanting to see more of him on screen than the limited screen time the director could afford. Complementing him in a parallel story is Irrfan, an equally gifted actor, playing a passionate and philosophical middle-age single guy looking for an ideal wife through matrimonial ads. Sprinkle around them a host of characters to support their stories, and you have a wonderful ensemble that is as true to the setup of the movie as any. Shiny Ahuja and Kanga Ranaut play easy parts but their talents are used only to a minimum. Dharmendra, Nafisa Ali, Sharman Joshi and Konkona Sen Sharma play regulars. Exception: Shilpa Shetty. Her character and performance are so out of this movie that you wonder if she walked into the wrong movie set with a different script. Shamelessly flaunting her star status and new-found celebrity, she proves yet again that being and "Actor" and a "Movie Star" are not mutually inclusive.
Basu's association with Pritam continues to produce some really good music. The movie's music is more of a soundtrack with a single musical theme in all the tracks. Basu also has the three-member band appear throughout the movie inbetween and during scenes. These band members are part of the crowd, or drifters singing the tracks that are sprinkled through the movie. A high-end concept for Indian Cinema, and one that works for me completely.
Although the climax reaches levels of extreme campyness, it is easy to forgive the director for the battle he fights with only a few others on his side against Bollywood conventionalism. Yet, after the powerful Gangster, Basu's latest is a step down. For his and our sake, I wish him back to the Bhatts.
My Rating --> 3.5 of 5
Life in a... Metro is an amalgamation of six stories between nine characters from one suburb. These stories entwine and intersect at various points to portray personal lives for regular middle-class suburb dwellers. Passion, Sex, Loyalty, Romance, Lust, Stress and Love become the underlying themes woven into the fabric of the movie.
Basu is not in top form here, but this could be more due to constraints of mainstream Bollywood. Visibly a bigger and a more conformist producer like UTV (Ronnie Screwwala) is not as liberal as the Bhatts with Basu. Melodrama and formula somehow creep in and take over the final act of the movie in a complete departure of style from the rest of the movie. Apart from this major gripe, Basu deftly handles interspersing between stories and fleshing out his characters. Adultery becomes a major theme in most of the stories, but moral questions are not raised and neither ignored. Events are simply depicted "as is", letting the viewer judge for him/herself of their moral implications. That extra-marital affairs and sex-for-favors exist is taken as fact rather than implied, taboo'd or endorsed. Rather, the effect of it on individuals is depicted differently and quite aptly. Among the troupe of (mostly) wonderful actors, Kay Kay Menon thunders ahead portraying a selfish and chauvinistic husband and boss. Any scenes with him are the highlights of the movie proving again beyond doubt how wonderful an actor he is, regardless of the character he plays. Yet, for the genuinety of him you are left wanting to see more of him on screen than the limited screen time the director could afford. Complementing him in a parallel story is Irrfan, an equally gifted actor, playing a passionate and philosophical middle-age single guy looking for an ideal wife through matrimonial ads. Sprinkle around them a host of characters to support their stories, and you have a wonderful ensemble that is as true to the setup of the movie as any. Shiny Ahuja and Kanga Ranaut play easy parts but their talents are used only to a minimum. Dharmendra, Nafisa Ali, Sharman Joshi and Konkona Sen Sharma play regulars. Exception: Shilpa Shetty. Her character and performance are so out of this movie that you wonder if she walked into the wrong movie set with a different script. Shamelessly flaunting her star status and new-found celebrity, she proves yet again that being and "Actor" and a "Movie Star" are not mutually inclusive.
Basu's association with Pritam continues to produce some really good music. The movie's music is more of a soundtrack with a single musical theme in all the tracks. Basu also has the three-member band appear throughout the movie inbetween and during scenes. These band members are part of the crowd, or drifters singing the tracks that are sprinkled through the movie. A high-end concept for Indian Cinema, and one that works for me completely.
Although the climax reaches levels of extreme campyness, it is easy to forgive the director for the battle he fights with only a few others on his side against Bollywood conventionalism. Yet, after the powerful Gangster, Basu's latest is a step down. For his and our sake, I wish him back to the Bhatts.
My Rating --> 3.5 of 5
I heard about this Indian movie's release in Amsterdam, and later knew that it was made by Anurag Basu. I like this Director who has made a decent mark with his earlier flicks - Murder and Gangster. Apart from that the cast included Shiny Ahuja, Irfan Khan, Kay Kay and Konkona Sen all of my favorite list of actors and actress.
The movie is about several people's lives in Bombay who are linked with each other in some way or the other. It includes a young couple 1) Kay Kay and Shilpa Shetty passing through a terrible marriage crisis, 2) an old couple Dharmendra and Nafisa Ali who after leading their separate lives meet each other after 30 years, 3) another man and woman Irfan and Konkana who are seeking life partners, 4) ambitious corporate executives boy and girl Sharman Joshi and Kangana Ranaut (Gangster fame) who wants to achieve materialistic success through whatever means they can, and finally 5) there is a lonely guy - Shiny Ahuja who meets Shilpa and they fall in love with each other.
The movies revolve around these peoples' lives - the key binding link among all of them is a rainbow of love, sex, romance and selfishness.
Anurag Basu has himself scripted and written the screenplay of the movie, and because of the tight script each character emerges as real. The whole movie is sprinkled with many moments of emotional range, laughter, smiles and cries. He has handled the characters very well and executed masterly.
All the actors have given brilliant performances, but in my preference of rating - Kay Kay, Irfan, Konkana and Shilpa rate the best. Sadly Shiny's role is not long enough to give him the scope for a great performance (the character did have the depth which the Director failed to exploit). A special mention needs to be made of Dharmendra, who pleases us after a long time with his charm and acting. The most light and best funny moments are given to the pair of Irfan and Konkana. This story line had such a big potential of even making a full length feature film like Chasme Baddoor.
There are about six songs in the movie and all of them are sung by male singers. They are composed in special Pritam styles with Sufi touch. I loved the songs and their placements in the movie.
I like the light and shades, color and tones used by Anurag Basu in all his movies and in this movie too he has used great camera angles to capture some beautiful shots of Bombay.
Overall a good movie experience.
(Stars 7.5 out of 10)
The movie is about several people's lives in Bombay who are linked with each other in some way or the other. It includes a young couple 1) Kay Kay and Shilpa Shetty passing through a terrible marriage crisis, 2) an old couple Dharmendra and Nafisa Ali who after leading their separate lives meet each other after 30 years, 3) another man and woman Irfan and Konkana who are seeking life partners, 4) ambitious corporate executives boy and girl Sharman Joshi and Kangana Ranaut (Gangster fame) who wants to achieve materialistic success through whatever means they can, and finally 5) there is a lonely guy - Shiny Ahuja who meets Shilpa and they fall in love with each other.
The movies revolve around these peoples' lives - the key binding link among all of them is a rainbow of love, sex, romance and selfishness.
Anurag Basu has himself scripted and written the screenplay of the movie, and because of the tight script each character emerges as real. The whole movie is sprinkled with many moments of emotional range, laughter, smiles and cries. He has handled the characters very well and executed masterly.
All the actors have given brilliant performances, but in my preference of rating - Kay Kay, Irfan, Konkana and Shilpa rate the best. Sadly Shiny's role is not long enough to give him the scope for a great performance (the character did have the depth which the Director failed to exploit). A special mention needs to be made of Dharmendra, who pleases us after a long time with his charm and acting. The most light and best funny moments are given to the pair of Irfan and Konkana. This story line had such a big potential of even making a full length feature film like Chasme Baddoor.
There are about six songs in the movie and all of them are sung by male singers. They are composed in special Pritam styles with Sufi touch. I loved the songs and their placements in the movie.
I like the light and shades, color and tones used by Anurag Basu in all his movies and in this movie too he has used great camera angles to capture some beautiful shots of Bombay.
Overall a good movie experience.
(Stars 7.5 out of 10)
I Really enjoyed this film, i think that it is better than the reviews it has been given, all the actors gave great performances , and the story line is superb,this film takes you on a journey of life,love and all its ups and downs that people can go through.
I really like how the director has shown the lives of all the characters, and at times he used split screen to do so. I think the film is wonderful how the music is played during the dramatic scenes,with an actual live trio guy band, i think they are famous , but I'm not sure since i am not that educated in Asian films,but i take it they are because they are great!!! the effect is just fantastic, it is a film that has shown much of a creative side that makes you more drawn as you watch.
A must see film
I really like how the director has shown the lives of all the characters, and at times he used split screen to do so. I think the film is wonderful how the music is played during the dramatic scenes,with an actual live trio guy band, i think they are famous , but I'm not sure since i am not that educated in Asian films,but i take it they are because they are great!!! the effect is just fantastic, it is a film that has shown much of a creative side that makes you more drawn as you watch.
A must see film
After long Hindi cinema has finally taken the jump and started dealing with more in depth emotional subjects. We get intelligent dialogue that looks and comes across naturally. Real issues faced by the modern Indians of today brought to life in this brilliant thought provoking films. that leaves you questioning several aspects of the movie. Shilpa's acting is the best I have seen out of all her movies. Konkona, Kangana, Irfan, Shiny, Kay Kay and Sharman have all acted brilliantly. the scenes between Shilpa and Shiny have been done brilliantly as have the scenes between Dharmendra and Shivani. The film starts of interestingly and engrosses you further, as the story unfolds. the soundtrack lends itself beautifully to the surroundings and you get a sense of a modern vibrant moving city with real people leading real lives (not your usual song and dance sequences around the world) This film portrays a deeper unexplored side of human nature that is very rarely addressed in Hindi films. Brilliantly shot and acted. A must see film.
They say all's well that ends well. And what if it starts well, runs well and ultimately ends well. Then it's something really good. That's the case with Anurag Basu's Life in a Metro.
The film has promising start, with 7-8 different characters being introduced, with Mumbai rains in backdrop. Then a rock band, as drenched as the city, appears from nowhere to churn out a fabulous opening song. You prepare yourself for a good cinematic experience during the song itself. And the best part is the promise is not broken till the end.
It's a story of different characters, interwoven together with some link. The narrative is tight and gripping. And that rock band keeps appearing in between, giving soul to the narration. Pritam has done a good job in music department. The film depicts how lives have become in today's fast living cities. People are always in top gear. Chase, rivalry, competition, dreams, compromises, sexual frustrations, exploitation, opportunism, disappointment, love, ecstasy you'll find all emotions in the movie. The film tells the story of people who in search of destination forgot to enjoy the journey, who listen their minds over their hearts. The story is very believable, very true to life. Don't be surprised if you find yourself in one of the characters.
Anurag Basu has assembled a line of best performing actors. Kay Kay is impeccable as ever. Shilpa Shetty looks as good as she acts; she's finally getting roles to show her acting prowess and not only those never ending legs. Irfan and Konkana are at equal élan with comedy as they are with intense roles. Sharman Joshi is one actor who seems to fit any bill. Kangna is improving, both her looks and dialog delivery. But best performer remains Anurag Basu. He has handled the script and actors wonderfully to give a very good cinema. A very good effort by the whole team.
The film has promising start, with 7-8 different characters being introduced, with Mumbai rains in backdrop. Then a rock band, as drenched as the city, appears from nowhere to churn out a fabulous opening song. You prepare yourself for a good cinematic experience during the song itself. And the best part is the promise is not broken till the end.
It's a story of different characters, interwoven together with some link. The narrative is tight and gripping. And that rock band keeps appearing in between, giving soul to the narration. Pritam has done a good job in music department. The film depicts how lives have become in today's fast living cities. People are always in top gear. Chase, rivalry, competition, dreams, compromises, sexual frustrations, exploitation, opportunism, disappointment, love, ecstasy you'll find all emotions in the movie. The film tells the story of people who in search of destination forgot to enjoy the journey, who listen their minds over their hearts. The story is very believable, very true to life. Don't be surprised if you find yourself in one of the characters.
Anurag Basu has assembled a line of best performing actors. Kay Kay is impeccable as ever. Shilpa Shetty looks as good as she acts; she's finally getting roles to show her acting prowess and not only those never ending legs. Irfan and Konkana are at equal élan with comedy as they are with intense roles. Sharman Joshi is one actor who seems to fit any bill. Kangna is improving, both her looks and dialog delivery. But best performer remains Anurag Basu. He has handled the script and actors wonderfully to give a very good cinema. A very good effort by the whole team.
Le saviez-vous
- AnecdotesOut of 4 short stories, the story of involving Sharman Joshi, Kangana Ranaut and Kay Kay Menon is inspired by the Billy Wilder's movie La garçonnière (1960). Kay Kay Menon plays the boss who utilizes Sharman Joshi's apartment to spend time with Kangana Ranaut. Sharman Joshi plays the same role as Jack Lemmon, while Kay Kay Menon plays a similar role as Fred MacMurray and Kangana Ranaut plays Shirley Maclaine.
- ConnexionsFeatured in 53rd Filmfare Awards (2008)
- Bandes originalesIn Dino
Written by Sayeed Qadri
Composed by Pritam Chakraborty
Performed by Soham Chakraborty
Courtesy of Sony Music India
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- How long is Life in a Metro?Alimenté par Alexa
Détails
Box-office
- Montant brut aux États-Unis et au Canada
- 150 212 $US
- Week-end de sortie aux États-Unis et au Canada
- 62 477 $US
- 13 mai 2007
- Montant brut mondial
- 6 316 418 $US
- Durée
- 2h 12min(132 min)
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1
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