Deux collègues de travail sont pris pour un couple par un meurtrier à San Francisco le jour de la Saint-Valentin. Obligés d'échapper au tueur, ils naviguent dans le paysage romantique de la ... Tout lireDeux collègues de travail sont pris pour un couple par un meurtrier à San Francisco le jour de la Saint-Valentin. Obligés d'échapper au tueur, ils naviguent dans le paysage romantique de la ville tout en travaillant ensemble pour survivre.Deux collègues de travail sont pris pour un couple par un meurtrier à San Francisco le jour de la Saint-Valentin. Obligés d'échapper au tueur, ils naviguent dans le paysage romantique de la ville tout en travaillant ensemble pour survivre.
- Réalisation
- Scénario
- Casting principal
- Reporter
- (as Amy Workman)
Résumé
Avis à la une
Then it ground to a halt and it became a really lame romantic comedy (without real comedy, just awkward smile cringe humour). This went on far too long and luckily just when I said out loud....."oh for Christ's sake! Enough of this soppy nonsense" the killer returned and we were off again with some great action. I wasn't really liking the characters yet so didn't care whether they lived or died. Was just wanting more of the killer without the cringe level attempts at comedy.
This film didn't know what it wanted ro be. A soppy romantic soft comedy or an all out slasher gorefest. I guess they thought they were being original trying tk blend the two but it didn't work for me.
The humour seemed out of place and silly and I was constantly thinking "I wish they had played this straight as the killer is really good.
The two cops "Hobbs and Shaw" *eyeroll moment and if it was a nod to something it was lost on me. Same writer ir director as the Staham/Rock film maybe? Otherwise it was just plain odd ??
The police station scenes were well ahem...executed but soon after the film Grinds to another halt to allow some more pointless romance !? Mid chase from a maniac slasher!?? Really!?
Luckily this is not as long as before and the killer takes out the stoners in epic fashion. Now that's more like it.
Ignoring the plenty of opportunities the killer has to end the couples life's yet doesn't the scene is good.
Then back to the soppy romantic slop. And I was almost ready to turn it off.
But then a very lazy twist and we have yet more opportunities to end the heroes but fail and end up toast.
Soppy ending with embarrassing phone call that was supposed to be amusing yet made my eyeballs roll so hard back I could see my brain.
It gets a 5 for the fantastic slasher character who if had been done better and play3d straight couldn't have been a new horror icon.
But wasted opportunity.
It's like a husband and wife team decided to make a film together with one another. One loving Slashers and the other Notting Hill.
The humour didn't land very well and it was ultimately a frustrating mess.
Do not expect Oscar worthy writing, acting or even costuming.
Do not expect to be scared, there wasn't any visual only mild suspense.
Do expect to cringe at some awkward meet-cute moments.
Do expect campy gore that isn't realistic in the slightest.
Do expect to laugh out loud because you just didn't expect something so predictable to be sort of refreshing.
I seriously guffawed at this well paced and goofy movie.
It was awkwardly cute. As if a Hallmark movie fell in love with a Jason Voorhees obsessed teenager and they wrote a movie about it. I think it only got an R rating because of the swearing and perhaps the visual of a sex toy. There wasn't any visual sex (but there is audible thrown in for gross factor) or nudity in this film.
As we were leaving the theater, I thought to myself "that was a fun movie!". It wasn't serious. There was not a lot of thinking involved. I just enjoyed being on a break from reality. I was simply entertained from the beginning until the credits.
Theatrical Releases You Can Stream or Rent
Theatrical Releases You Can Stream or Rent
Le saviez-vous
- AnecdotesThe mask designer for "Heart Eyes," special effects artist Tony Gardner, also created the killer masks for "Freaky," "Happy Death Day," and "Totally Killer."
- GaffesWhile palm trees are not unheard of in the Seattle area, there are far more in the film than would be in real life; thus revealing the New Zealand filming location.
- Citations
Monica: [On the phone with Ally] Hey, Ally? Ally, listen to me: you deserve to be happy. You deserve to have someone love you for the beautiful, neurotic mess that you are. I mean, you can be so clueless sometimes; it's one of the ten things I hate about you, honestly. You can't let Jay go off to his best friend's wedding and hook up with a bunch of bridesmaids and move to Notting Hill. No. This is love, momma. Some kind of... wonderful, crazy stupid love, actually.
- Crédits fousThere is an additional scene midway through the end credits.
- ConnexionsFeatures La dame du vendredi (1940)
- Bandes originalesAmazed
Written by Marv Green, Chris Lindsey and Aimee Mayo
Performed by Lonestar
Courtesy of RCA Records
By arrangement with Sony Music Entertainment
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Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langue
- Aussi connu sous le nom de
- Сердечні очі
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 18 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 30 415 738 $US
- Week-end de sortie aux États-Unis et au Canada
- 8 305 156 $US
- 9 févr. 2025
- Montant brut mondial
- 33 092 134 $US
- Durée1 heure 37 minutes
- Couleur
- Rapport de forme
- 2.39:1