Wiman Nam
- 2024
- 2h 11min
NOTE IMDb
7,6/10
1,3 k
MA NOTE
Un couple d'homosexuels pieux construit sa vie avec une maison et un verger, mais lorsque l'un des partenaires meurt dans un accident, l'absence de mariage légal fait que le survivant se bat... Tout lireUn couple d'homosexuels pieux construit sa vie avec une maison et un verger, mais lorsque l'un des partenaires meurt dans un accident, l'absence de mariage légal fait que le survivant se bat avec sa belle-mère au sujet des biens.Un couple d'homosexuels pieux construit sa vie avec une maison et un verger, mais lorsque l'un des partenaires meurt dans un accident, l'absence de mariage légal fait que le survivant se bat avec sa belle-mère au sujet des biens.
- Réalisation
- Scénario
- Casting principal
Avis à la une
In the lush setting of a remote durian orchard, "The Paradise of Thorns" presents a poignant narrative filled with love, loss, and legal battles. The story follows Thongkam and Sek, a gay couple whose lives are shattered by tragedy when Sek dies, leaving Thongkam to navigate grief and ownership of their shared space, all while facing the challenges of a lack of legal recognition for their relationship.
The film beautifully explores complex characters, including:
"Paradise of Thorns" extends beyond LGBTQ rights, reflecting on universal themes of love and loss. Against the backdrop of Mae Hong Son, it illustrates how these emotions resonate across cultures and landscapes. Ultimately, the film conveys that in life, we often find unexpected layers to our experiences, reminding us to embrace both joy and sorrow as part of the human journey.
The film beautifully explores complex characters, including:
- **Thongkam** (Jeff Satur), the resilient heart of the story, whose deep love for Sek echoes the enduring durian trees he tends.
- **Mo** (Engfa Waraha), who hides her scars beneath a tough exterior yet shows devotion to her partner Saeng.
- **Sek** (Toey Pongsakorn Mettarikanon), who embodies the struggle between desire and societal expectations, revealing both sweetness and bitterness.
- **Saeng** (Seeda Puapimon), whose hidden vulnerabilities emerge too late to save her love.
- **Jingna** (Keng Harit Buayoi), the film's moral compass, offers a wise perspective on the costs of pursuit.
"Paradise of Thorns" extends beyond LGBTQ rights, reflecting on universal themes of love and loss. Against the backdrop of Mae Hong Son, it illustrates how these emotions resonate across cultures and landscapes. Ultimately, the film conveys that in life, we often find unexpected layers to our experiences, reminding us to embrace both joy and sorrow as part of the human journey.
As a Thai citizen who identifies as LGBTQIA+, here is my review of The Paradise of Thorns: This film is engaging and captivating throughout, with a script that is excellently crafted. I truly enjoyed and loved this movie.
The performances by Jeff, Ingfa, and Keng are outstanding, resembling a theater production-big performances that are both fun and compelling. All three actors convey their emotions deeply, allowing the audience to feel involved in the story.
The film effectively satirizes issues such as poverty, welfare, and equal marriage laws. I admire the film's understanding of Thai society and its excellent research, which gives it profound meaning and reflects real societal problems.
However, while the movie is intense and entertaining throughout, the ending is disappointing and makes the audience feel that they wasted valuable time and money watching it. The conclusion fails to wrap up the story satisfactorily (even though the film suggests that the audience should think more about the ending, I found it to be incomplete).
The highlight of the film for me is the sound mixing and soundtrack, which are impeccably done, melodious, and wonderfully seamless. I believe this film has the potential to go further than expected, with its ability to evoke a wide range of emotions in the audience simultaneously.
The performances by Jeff, Ingfa, and Keng are outstanding, resembling a theater production-big performances that are both fun and compelling. All three actors convey their emotions deeply, allowing the audience to feel involved in the story.
The film effectively satirizes issues such as poverty, welfare, and equal marriage laws. I admire the film's understanding of Thai society and its excellent research, which gives it profound meaning and reflects real societal problems.
However, while the movie is intense and entertaining throughout, the ending is disappointing and makes the audience feel that they wasted valuable time and money watching it. The conclusion fails to wrap up the story satisfactorily (even though the film suggests that the audience should think more about the ending, I found it to be incomplete).
The highlight of the film for me is the sound mixing and soundtrack, which are impeccably done, melodious, and wonderfully seamless. I believe this film has the potential to go further than expected, with its ability to evoke a wide range of emotions in the audience simultaneously.
This movie is so incredible, the plot is very simple but the acting and the way they construct the narrative it's what gets you. I was on edge and furious through 90% of the movie, they showcase different types of injustice, helpless and pain that got me so hooked I felt completely immersed. The last few scenes are so intense and shocking I couldn't believe what my eyes were seeing.
Shout out to the actors that portrayed every emotion which such detail that makes you feel in your skin what they're feeling, the director, producers and the others involved in the screenplay, that gave so many layers to the plot and the different types of injustice different people can suffer from. This movie is one of the best I've seen in the last couple of years.
Shout out to the actors that portrayed every emotion which such detail that makes you feel in your skin what they're feeling, the director, producers and the others involved in the screenplay, that gave so many layers to the plot and the different types of injustice different people can suffer from. This movie is one of the best I've seen in the last couple of years.
In the lush embrace of a remote durian orchard, "The Paradise of Thorns" unfolds like a bittersweet fruit, its story as complex and layered as the Thai landscape it inhabits. This poignant Thai film weaves a tapestry of love, loss, and legal strife, centering on Thongkam and Sek, a gay couple whose shared life is abruptly severed by tragedy.
As the fragrant durian blossoms wither, so too does Thongkam's world when Sek passes away. The orchard, once a sanctuary of their love, becomes a battleground of grief and ownership. Thongkam must navigate the thorny path of reclaiming what he believes is rightfully his, while the absence of legal recognition for their union casts a long shadow over his fight.
The film's brilliance lies in its nuanced portrayal of five key characters, each a prism refracting different hues of love and loss:
Thongkam, portrayed with raw emotion by Jeff Satur, stands as the heart of the story. His endurance in the face of hardship is as steadfast as the durian trees he tends, his love for Sek rooted deeply in the soil of their shared dreams.
Mo, brought to life by Engfa Waraha, initially appears as thorny as the durian's husk. Yet, as the layers peel away, we see a woman equally scarred by love's cruel hand, her devotion to Saeng a testament to love's many forms.
Sek, played with complexity by Toey Pongsakorn Mettarikanon, embodies the conflict between desire and duty. Like a durian split open, his character reveals the sweet and the bitter - a man torn between his true self and societal expectations.
Saeng, masterfully portrayed by Seeda Puapimon, is like the roots of the durian trees - hidden yet vital. Her journey from seeming selfishness to revealed vulnerability mirrors the ripening of the fruit itself, her love emerging too late, but no less potent.
Jingna, brought to life by Keng Harit Buayoi, serves as the film's conscience. Like a bird's-eye view of the orchard, he sees all, his perspective offering a bittersweet wisdom on the cost of blind pursuit.
"Paradise of Thorns" transcends its initial premise of LGBTQ rights, blossoming into a universal meditation on love's many facets. It reminds us that in our struggle to claim what we believe we deserve, we may lose sight of what truly matters.
Set against the rustic beauty of Mae Hong Son, the film whispers that these tales of love and loss are as universal as the seasons. From Bangkok's bustling streets to the quiet durian groves of the north, human hearts beat to the same rhythm of joy and sorrow.
In the end, "Paradise of Thorns" leaves us with a profound truth: sometimes, in life's orchard, we open what we believe to be the sweetest fruit, only to find bitterness within. Yet it's in accepting this duality that we truly taste the richness of the human experience.
As the fragrant durian blossoms wither, so too does Thongkam's world when Sek passes away. The orchard, once a sanctuary of their love, becomes a battleground of grief and ownership. Thongkam must navigate the thorny path of reclaiming what he believes is rightfully his, while the absence of legal recognition for their union casts a long shadow over his fight.
The film's brilliance lies in its nuanced portrayal of five key characters, each a prism refracting different hues of love and loss:
Thongkam, portrayed with raw emotion by Jeff Satur, stands as the heart of the story. His endurance in the face of hardship is as steadfast as the durian trees he tends, his love for Sek rooted deeply in the soil of their shared dreams.
Mo, brought to life by Engfa Waraha, initially appears as thorny as the durian's husk. Yet, as the layers peel away, we see a woman equally scarred by love's cruel hand, her devotion to Saeng a testament to love's many forms.
Sek, played with complexity by Toey Pongsakorn Mettarikanon, embodies the conflict between desire and duty. Like a durian split open, his character reveals the sweet and the bitter - a man torn between his true self and societal expectations.
Saeng, masterfully portrayed by Seeda Puapimon, is like the roots of the durian trees - hidden yet vital. Her journey from seeming selfishness to revealed vulnerability mirrors the ripening of the fruit itself, her love emerging too late, but no less potent.
Jingna, brought to life by Keng Harit Buayoi, serves as the film's conscience. Like a bird's-eye view of the orchard, he sees all, his perspective offering a bittersweet wisdom on the cost of blind pursuit.
"Paradise of Thorns" transcends its initial premise of LGBTQ rights, blossoming into a universal meditation on love's many facets. It reminds us that in our struggle to claim what we believe we deserve, we may lose sight of what truly matters.
Set against the rustic beauty of Mae Hong Son, the film whispers that these tales of love and loss are as universal as the seasons. From Bangkok's bustling streets to the quiet durian groves of the north, human hearts beat to the same rhythm of joy and sorrow.
In the end, "Paradise of Thorns" leaves us with a profound truth: sometimes, in life's orchard, we open what we believe to be the sweetest fruit, only to find bitterness within. Yet it's in accepting this duality that we truly taste the richness of the human experience.
"The Paradise of Thorns" is a powerful depiction of Thai society's deep-seated issues, with a particular focus on marriage inequality. The film excels in its storytelling, blending intense drama with cultural commentary. The acting is superb, bringing the characters' struggles and emotions to life in a way that feels both genuine and compelling. Coupled with some of the best cinematography in recent Thai cinema, the film creates a visually stunning yet thought-provoking experience. It's an exceptional piece of filmmaking that resonates on multiple levels, making it the best Thai film for me. Lastly the ost is addictive, i can't stop listening to it.
Meilleurs choix
Connectez-vous pour évaluer et suivre la liste de favoris afin de recevoir des recommandations personnalisées
Détails
Box-office
- Montant brut mondial
- 155 338 $US
- Durée2 heures 11 minutes
- Couleur
- Mixage
- Rapport de forme
- 16:9 HD
Contribuer à cette page
Suggérer une modification ou ajouter du contenu manquant
Lacune principale
What is the Brazilian Portuguese language plot outline for Wiman Nam (2024)?
Répondre