Cinq ans après Jurassic World Dominion, une expédition traverse des régions équatoriales isolées pour extraire l'ADN de trois énormes créatures préhistoriques pour une avancée médicale révol... Tout lireCinq ans après Jurassic World Dominion, une expédition traverse des régions équatoriales isolées pour extraire l'ADN de trois énormes créatures préhistoriques pour une avancée médicale révolutionnaire.Cinq ans après Jurassic World Dominion, une expédition traverse des régions équatoriales isolées pour extraire l'ADN de trois énormes créatures préhistoriques pour une avancée médicale révolutionnaire.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 nomination au total
Dylan Bickel
- Brooklyn Pedestrian
- (non crédité)
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PROS:
-The Cinematography is Spectacular!!!
-The T-Rex sequence is TERRIFYING!!!
-Heavy "Jaws" influence during the Mosasaur sequence.
-The Dinosaur effects are great.
CONS: -I'm really tired of mutants/hybrids in my Dinosaur Movies.
-Script tries to undo the fallout of "Fallen Kingdom/Dominion".
-All the characters feel like caricatures.
-The inclusion of an annoying family and a baby dino.
This was a frustrating experience. For every positive in the film, there was a corresponding negative. Gareth Edwards is always on point with cinematography and shot composition. The fact that this was shot on film was noticeable in a positive way. The visuals looked bright during the day, avoiding that blue-tinted filter most blockbusters use these days.
The Mosasaur and T-Rex sequences are actually thrilling, with the T-Rex being legitimately terrifying for the first time since "The Lost World". The effects for the dinosaurs were great, though I do miss the use of practical effects. What I don't miss is the inclusion of mutants and hybrids. I go to these movies to see dinosaurs, not monsters. There are plenty of other franchises for that. The Mutadons and D-Rex serve the same narrative purpose as the raptors (who got completely sidelined here) and the T-Rex. If they had simply swapped them out for those two in the third act, I'd have been much happier.
Also not helping were the characters. The family subplot could-and should-have been removed entirely. They add nothing to the story and waste screentime. The expedition team are all stereotypes, but Mahershala Ali at least stands out. Honestly, I think he would've been fantastic as the lead here instead of Scarlett Johansson.
All that said, I went in with no expectations and still found myself mildly entertained. I can't help but smile when the John Williams "Jurassic Park" score plays and it made a few welcome appearances here. This is definitely a 'paint-by-numbers' Jurassic movie, but I wouldn't be upset if Gareth Edwards got another chance to direct one. 7/10.
-The T-Rex sequence is TERRIFYING!!!
-Heavy "Jaws" influence during the Mosasaur sequence.
-The Dinosaur effects are great.
CONS: -I'm really tired of mutants/hybrids in my Dinosaur Movies.
-Script tries to undo the fallout of "Fallen Kingdom/Dominion".
-All the characters feel like caricatures.
-The inclusion of an annoying family and a baby dino.
This was a frustrating experience. For every positive in the film, there was a corresponding negative. Gareth Edwards is always on point with cinematography and shot composition. The fact that this was shot on film was noticeable in a positive way. The visuals looked bright during the day, avoiding that blue-tinted filter most blockbusters use these days.
The Mosasaur and T-Rex sequences are actually thrilling, with the T-Rex being legitimately terrifying for the first time since "The Lost World". The effects for the dinosaurs were great, though I do miss the use of practical effects. What I don't miss is the inclusion of mutants and hybrids. I go to these movies to see dinosaurs, not monsters. There are plenty of other franchises for that. The Mutadons and D-Rex serve the same narrative purpose as the raptors (who got completely sidelined here) and the T-Rex. If they had simply swapped them out for those two in the third act, I'd have been much happier.
Also not helping were the characters. The family subplot could-and should-have been removed entirely. They add nothing to the story and waste screentime. The expedition team are all stereotypes, but Mahershala Ali at least stands out. Honestly, I think he would've been fantastic as the lead here instead of Scarlett Johansson.
All that said, I went in with no expectations and still found myself mildly entertained. I can't help but smile when the John Williams "Jurassic Park" score plays and it made a few welcome appearances here. This is definitely a 'paint-by-numbers' Jurassic movie, but I wouldn't be upset if Gareth Edwards got another chance to direct one. 7/10.
As a lifelong *Jurassic Park* fan, this one hurts.
**Jurassic World: Rebirth** is, without question, the weakest entry in the entire franchise. From a lifeless script to painfully hollow characters, it feels less like a sequel and more like a cheap cash grab riding the bones of a once-great legacy.
Even the addition of Scarlett Johansson (who deserves way better) couldn't inject life into this CGI-fueled mess. Her talent is completely wasted in a film that doesn't seem to know what story it wants to tell-or why it's telling it at all.
The dinosaurs look good, sure. But when you care more about a digital T-Rex than any human on screen, you know something's gone terribly wrong.
Final thought: if you're watching for nostalgia, rewatch *Jurassic Park (1993)*. This one is a fossil best left buried.
**Jurassic World: Rebirth** is, without question, the weakest entry in the entire franchise. From a lifeless script to painfully hollow characters, it feels less like a sequel and more like a cheap cash grab riding the bones of a once-great legacy.
Even the addition of Scarlett Johansson (who deserves way better) couldn't inject life into this CGI-fueled mess. Her talent is completely wasted in a film that doesn't seem to know what story it wants to tell-or why it's telling it at all.
The dinosaurs look good, sure. But when you care more about a digital T-Rex than any human on screen, you know something's gone terribly wrong.
Final thought: if you're watching for nostalgia, rewatch *Jurassic Park (1993)*. This one is a fossil best left buried.
Honestly, the first half felt all over the place - too much talking, too many introductions, and pacing that dragged. But once they hit the island, it got better: dinosaur action scenes were intense and visual effects impressive, especially that river chase and cliff sequence.
Scarlett Johansson and Jonathan Bailey were solid, with Bailey bringing unexpected charm despite some forced emotional lines. The movie leans heavily on spectacle and nostalgia, yet the human characters felt shallow and underwritten - I never truly cared about them.
It's entertaining as a summer blockbuster if you just want dinosaur chaos, but it lacks depth. Still, worth the watch for the action and visuals.
Scarlett Johansson and Jonathan Bailey were solid, with Bailey bringing unexpected charm despite some forced emotional lines. The movie leans heavily on spectacle and nostalgia, yet the human characters felt shallow and underwritten - I never truly cared about them.
It's entertaining as a summer blockbuster if you just want dinosaur chaos, but it lacks depth. Still, worth the watch for the action and visuals.
Holy cow! This is more abysmal than i thought would be. None of the actors give good performance. The plot is pathetic. No twists, surprise, addition of a 'family' as if we should care about a bunch of no-name actors with nothing to add to the plot. Hard to believe this is written by David koepp, a master in his own craft. The first flop of this franchise. Universal deserves every piece of criticism it is getting. Horrendous CGI is an added disaster for this slop. I had high expectations after the previous two garbage entries in this franchise but i never felt any excitement in the trailer so naturally the movie is even pathetic i thought it would be.
Five years after the mess that was Jurassic World: Dominion (2022), we're back in the land of toothy nostalgia. This time, an expedition heads into remote equatorial regions to extract DNA from three colossal prehistoric creatures in the name of a "groundbreaking medical breakthrough."
Chris Pratt and Bryce Dallas Howard are mercifully gone (finally), and in their place we get Scarlett Johansson, stepping in as the new face of the franchise for round seven of the Jurassic Park/World saga. Gareth Edwards takes the director's chair, and while he's always known how to stage a good spectacle, even his talents can't fully save this dino-soaked popcorn flick.
Let's talk visuals. There's certainly no shortage of giant set pieces and dinosaur mayhem-but when your dinosaurs look like glossy, overcooked cartoon rejects, all the action in the world can't make it feel real. Hollywood still hasn't learned that audiences are burnt out on soulless green-screen overloads, and the actors, forced to react to nothing, stumble through half-baked expressions of terror. You can practically see them wondering where the tennis ball on a stick went.
Character-wise, it's a wash. Most of them are either grating or entirely forgettable, spouting cringey, rapid-fire dialogue that exists solely to shuttle us from one set piece to the next. And while Rebirth does manage to attempt something new and different, it still feels like we're just circling the same prehistoric drain. It's entertaining, sure-but it just isn't that exciting.
That said, it's still a step up from Fallen Kingdom and Dominion, which isn't saying much, but at least it's something. At this point, though, it's time Universal grew a pair and gave us the R-rated, blood-splattered dinosaur horror epic we deserve-because the stakes never feel high when your carnivores are sanitized for mass consumption.
Here's hoping the next one finally evolves. But I'm not holding my breath. It's best to turn your brain off and enjoy this one for what it is.
6/10.
Chris Pratt and Bryce Dallas Howard are mercifully gone (finally), and in their place we get Scarlett Johansson, stepping in as the new face of the franchise for round seven of the Jurassic Park/World saga. Gareth Edwards takes the director's chair, and while he's always known how to stage a good spectacle, even his talents can't fully save this dino-soaked popcorn flick.
Let's talk visuals. There's certainly no shortage of giant set pieces and dinosaur mayhem-but when your dinosaurs look like glossy, overcooked cartoon rejects, all the action in the world can't make it feel real. Hollywood still hasn't learned that audiences are burnt out on soulless green-screen overloads, and the actors, forced to react to nothing, stumble through half-baked expressions of terror. You can practically see them wondering where the tennis ball on a stick went.
Character-wise, it's a wash. Most of them are either grating or entirely forgettable, spouting cringey, rapid-fire dialogue that exists solely to shuttle us from one set piece to the next. And while Rebirth does manage to attempt something new and different, it still feels like we're just circling the same prehistoric drain. It's entertaining, sure-but it just isn't that exciting.
That said, it's still a step up from Fallen Kingdom and Dominion, which isn't saying much, but at least it's something. At this point, though, it's time Universal grew a pair and gave us the R-rated, blood-splattered dinosaur horror epic we deserve-because the stakes never feel high when your carnivores are sanitized for mass consumption.
Here's hoping the next one finally evolves. But I'm not holding my breath. It's best to turn your brain off and enjoy this one for what it is.
6/10.
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Le saviez-vous
- AnecdotesScarlett Johansson has been a huge fan of the franchise ever since she was a child. She spent the last ten years before this film was announced trying to join the franchise, saying she would have been fine with appearing in one only to die in the first five minutes if it meant she could be part of it.
- GaffesThe massive Titanosaurs are somehow completely hidden in grass that is not even tall enough to cover the human characters.
- Citations
Dr. Henry Loomis: Survival is a long shot.
- ConnexionsFeatures Un million d'années avant J.C. (1966)
- Bandes originalesMovin' On Up
Written by Bobby Gillespie, Andrew Innes, Robert Young
Performed by Primal Scream
Courtesy of Reprise Records/Creation Records
Licensed by Warner Music Group Film & TV Licensing/Sony Music Entertainment UK Limited
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- What characters return from the previous films?
Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langues
- Aussi connu sous le nom de
- Jurassic World: El Renacer
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 180 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 286 125 575 $US
- Week-end de sortie aux États-Unis et au Canada
- 92 016 065 $US
- 6 juil. 2025
- Montant brut mondial
- 659 420 575 $US
- Durée2 heures 13 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1
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