Des survivants isolés découvrent l'horreur sur le continent : le virus de la rage a évolué, mutant infectés comme survivants. Une mission de routine révèle des secrets dévastateurs.Des survivants isolés découvrent l'horreur sur le continent : le virus de la rage a évolué, mutant infectés comme survivants. Une mission de routine révèle des secrets dévastateurs.Des survivants isolés découvrent l'horreur sur le continent : le virus de la rage a évolué, mutant infectés comme survivants. Une mission de routine révèle des secrets dévastateurs.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 3 victoires et 14 nominations au total
- Jimmy's Sister
- (as Darcie Summer Smith)
- Jimmy's Father
- (as Sandy Bachelor)
Avis à la une
As a horror junkie, I thought I had seen almost everything this genre has to offer, particularly within the zombie genre. However, as the film progressed, Danny Boyle and Alex Garland did things that surprised even me. To my delight, this film ended up being a breath of fresh air.
Just when I thought the film was going in a certain macabre and disturbing, but familiar way, it finds a beating heart and shows that humanity is present even in the face of death. It touched me in a way that few films of this nature have and for that I applaud the creators.
I refuse to elaborate on the story or anything of that sort, because I feel it just needs to be experienced fresh and new in the mind. I will say the cast and crew do an amazing job, the acting is phenomenonal and the cinematography felt inventive and raw. It helps drive home the story the creator's intended to tell.
Overall, a fantastic sequel. Far above what it could've been had they just stuck to the formula. As I said previous, I applaud Danny Boyle and Alex Garland for doing something daring and for keeping it original and authentic. This one will probably go down as the best horror film of the year. I will definitely be in the theater for the next installments to see where they can take this disturbing, but hopeful story.
4.5 skulls out of 5.
Should have guessed from the 15 certificate that it would lack the horror and the edge of the earlier films. I don't want to spoil the plot but there are 2 or 3 plot lines that really don't make sense. The ending I felt was particularly bad.
I get that the story is a very blunt metaphor for Brexit and the theme of rebirth (literally in one case) is very clear but just didn't gel or work as a story for me.
If you are looking for a continuance of the earlier, darker, scarier films I fear you may also leave the cinema disappointed.
The filmmaking on display is Boyle at his best. Filming on digital is often frowned upon by film purists. Leave it to Danny Boyle to showcase the strengths of digital cinematography. The frantic editing, the unnerving camera movements and zooms, the contrast rich lighting... All make for an unsettling experience. The night vision scenes, drenched in red lighting are particularly eerie.
Thankfully, the infamous "boots" poem which helped turn the teaser for 28 years later, into one of the single greatest trailers of all-time (no hyperbole), is incorporated in the film. It's the best scene in the film.
28 years later fits right as rain, into the world of the "Rage Virus". It tells a surprisingly touching story about survival, anger, fear and love. Nothing turns out as you'd expect and nobody is as they seem. I truly love this film. All the more reason, the last scene of the film legitimately baffled me... It features an event and characters that are at such odds with the rest of the film. Surely, on purpose. But the contrast was annoyingly jarring. What a weird film... But it's fantastic!
The performances in this movie were great, with my favorite being Ralph Fines. Ralph Fines delivers an amazing and moving performance, that captivated me the moment he showed up on screen.
Alfie Williams also really surprised with a solid and strong performance considering his young age. He is the lead of this movie and carried the movie seamlessly with a strong scene presence and pure talent. He brings a lot of the emotional scenes to life by himself, the more experienced actors in the movie giving him the room to carry his scenes by himself, acting more like supporting roles rather than co-leads.
New and Upcoming Sequels, Prequels, and Spin-Offs
New and Upcoming Sequels, Prequels, and Spin-Offs
Le saviez-vous
- AnecdotesThe trailer features a distinctive recording of the poem "Boots" by Rudyard Kipling, read by the actor Taylor Holmes in 1915. The poem's repetitive rhythm imagines the march of British soldiers during the Boer War, and this recording of the poem is used by the U.S. military to simulate the psychological distress of being held captive.
- GaffesSpike and Isla see the Angel of the North sculpture shortly after leaving Holy Island. The sculpture is over 60 miles away in Gateshead, much farther than they are shown to have traveled.
- Citations
Dr. Kelson: Spike, momento mori, what did it mean?
Spike: Remember we must die.
Dr. Kelson: And it's true. There are many kinds of death. Some are better than others. The best are peaceful where we leave each other in love. You love your mother?
Spike: I love her.
Dr. Kelson: And Isla you love Spike?
Isla: So much.
Dr. Kelson: Memento amorous. Remember you must love.
- ConnexionsFeatured in Midnight Screenings: 28 Years Later (2025)
Meilleurs choix
- How long is 28 Years Later?Alimenté par Alexa
- Is it necessary to watch "28 Days Later" and "28 Weeks Later" before watching this movie?
- Is there a post credits scene?
- How are there still infected after 28 years? Shouldn't they have starved to death?
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langues
- Aussi connu sous le nom de
- 28 Years Later
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 60 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 69 142 599 $US
- Week-end de sortie aux États-Unis et au Canada
- 30 002 966 $US
- 22 juin 2025
- Montant brut mondial
- 145 642 599 $US
- Durée1 heure 55 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.76 : 1