Pemandi Jenazah
- 2024
- 1h 47min
NOTE IMDb
6,2/10
1,3 k
MA NOTE
Lela, une employée des pompes funèbres, s'efforce de découvrir la vérité derrière les morts mystérieuses de sa mère, tout en étant hantée par des esprits et accablée par le poids de secrets ... Tout lireLela, une employée des pompes funèbres, s'efforce de découvrir la vérité derrière les morts mystérieuses de sa mère, tout en étant hantée par des esprits et accablée par le poids de secrets inavouables.Lela, une employée des pompes funèbres, s'efforce de découvrir la vérité derrière les morts mystérieuses de sa mère, tout en étant hantée par des esprits et accablée par le poids de secrets inavouables.
- Réalisation
- Scénario
- Casting principal
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The Corpse Washer follows familiar tropes and ideas but introduces some unique elements and social commentary. Lela, a young mortician, is unhappy with her life and the work she inherited from her family, especially since her mother insists on keeping it as a tradition. After her mother suddenly dies, Lela notices something odd about her body while washing it, unraveling secrets from the past with dire consequences.
The premise is simple yet intriguing, featuring some interesting elements. Lela and the other characters are mostly likable, and the actors deliver commendable performances. The acting is a bit uneven at times, especially from minor characters, but it's not too distracting.
The film heavily relies on jump scares and rarely takes the time to build a tense atmosphere. Instead, it bombards viewers with scary faces and loud noises. To its credit, the makeup and effects are well done, preventing it from feeling like a low-budget jumpscare fest. However, the movie doesn't fully reach its potential and could have been more engaging.
It's a decent watch, with a reasonable 107-minute runtime, so you won't feel like you've wasted over two hours if it doesn't fully click for you. If you enjoy Indonesian cinema, especially horror, you might want to give it a try, though it's unlikely to leave a lasting impression. [5,6/10]
The premise is simple yet intriguing, featuring some interesting elements. Lela and the other characters are mostly likable, and the actors deliver commendable performances. The acting is a bit uneven at times, especially from minor characters, but it's not too distracting.
The film heavily relies on jump scares and rarely takes the time to build a tense atmosphere. Instead, it bombards viewers with scary faces and loud noises. To its credit, the makeup and effects are well done, preventing it from feeling like a low-budget jumpscare fest. However, the movie doesn't fully reach its potential and could have been more engaging.
It's a decent watch, with a reasonable 107-minute runtime, so you won't feel like you've wasted over two hours if it doesn't fully click for you. If you enjoy Indonesian cinema, especially horror, you might want to give it a try, though it's unlikely to leave a lasting impression. [5,6/10]
Lela works with her mom Siti as corpse washer before the funeral. Lela is not happy to continue this family profession while her brother has taken up a different job. When a friend of Siti dies mysteriously, she is disturbed by it. This is followed by Siti's death which shook Lela and she realizes, these mysterious deaths were actually murders. As she decides to investigate, another lady dies and all of them belong to her mother's friend group. With families refusing for police interference, Lela takes it upon herself to gather the evident to prove these deaths as murders and to put an end to it. Will she be able to succeed in saving the village, forms rest of the story.
The film's core strenght lies in how it uses the women characters and the crucial moment in the film is the gossip spread by them which instantly elevated the story. Setting aside the supernatural angle, the narrative is kept grounded with occasional jump scares and keeping the police away looked deliberate. The performances were good enough and I wish there was more to these women. The flashback is only brief and we never get to fully know the story of Nur. Probably that would have made the film more generic with the good vs evil angle but atleast it would have answered the major question rather leaving it unanswered. The Corpse Washer makes for a decent watch aided by good performance by the lead actress.
The film's core strenght lies in how it uses the women characters and the crucial moment in the film is the gossip spread by them which instantly elevated the story. Setting aside the supernatural angle, the narrative is kept grounded with occasional jump scares and keeping the police away looked deliberate. The performances were good enough and I wish there was more to these women. The flashback is only brief and we never get to fully know the story of Nur. Probably that would have made the film more generic with the good vs evil angle but atleast it would have answered the major question rather leaving it unanswered. The Corpse Washer makes for a decent watch aided by good performance by the lead actress.
The problem with Indonesian and Hollywood horror is their over-dependence on ineffective, predictable jump scares. Atmospheric horror is something the Indonesian have always failed to execute, despite the country's rich cultural tradition and beautiful landscapes.
The lazy use of conventional camera angles is almost as disappointing as the wheat flour on the ghosts. It is almost as if the film-makers aren't horror fans at all.
Story-wise, from the get go it was a bit too obvious, with the nosey ladies bickering over widowhood. Lela being tasked with cleaning the corpse completely unaided also does not reflect the reality of a typical Southeast Asian village-what happened to fardhu kifayah and gotong-royong? There's always that one monosyllabic, antisocial guy/gal to inject a feeling of mystery, and I'm really really tired of seeing this.
The only fresh element is how the evil spirits were portrayed to seem unfazed by the quranic verses and loud chanting of the mourners; a trope more commonly seen in western horror films. I imagine this would create some form of controversy among the more conservative audiences in places like Malaysia.
At least Indonesia is moving away from softcore porno in their horror films.
Another disappointment, unfortunately.
The lazy use of conventional camera angles is almost as disappointing as the wheat flour on the ghosts. It is almost as if the film-makers aren't horror fans at all.
Story-wise, from the get go it was a bit too obvious, with the nosey ladies bickering over widowhood. Lela being tasked with cleaning the corpse completely unaided also does not reflect the reality of a typical Southeast Asian village-what happened to fardhu kifayah and gotong-royong? There's always that one monosyllabic, antisocial guy/gal to inject a feeling of mystery, and I'm really really tired of seeing this.
The only fresh element is how the evil spirits were portrayed to seem unfazed by the quranic verses and loud chanting of the mourners; a trope more commonly seen in western horror films. I imagine this would create some form of controversy among the more conservative audiences in places like Malaysia.
At least Indonesia is moving away from softcore porno in their horror films.
Another disappointment, unfortunately.
To be honest, I did not fear this movie at all and the story was also useless and I could not understand anything in the end. We can make a theory but it is a boring film. Only children of 5-9 years of age will dare to watch this film. So If you want, you can watch it and spend your money. Money is no big deal but it would not be a waste of our time. It is nothing very special but it seemed like a movie to me. I was useless, brother. If you look at it, it will be good and yes, some other scans in the background were good but also, if I felt like it was a low budget, I could have made them good but.
Watched this with a bunch of friends with no expectations coming into it, and it absolutely met those expectations. This film does nothing interesting to me and in times kinda drags on with the more yappy scenes. While I do appreciate it tries to add an aspect of mystery to the story it's attempts just ends up messing up the pacing of it a little and I do find it to be a bit out of nowhere at times. However, credit where credit's due I did enjoy the more graphic scenes towards the end as it was the least dull part about the horror of the film and, I do appreciate the message the film tries to send. Besides, I can't be too harsh on the film as I did find it to be decently watchable and not too bad in the end.
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Détails
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- Montant brut mondial
- 405 225 $US
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