Après une rupture, Jessica, la bourreau de travail new-yorkaise, s'installe à Londres avec l'intention d'être seule. Elle rencontre Felix qui la pousse à reconsidérer sa recherche de l'amour... Tout lireAprès une rupture, Jessica, la bourreau de travail new-yorkaise, s'installe à Londres avec l'intention d'être seule. Elle rencontre Felix qui la pousse à reconsidérer sa recherche de l'amour.Après une rupture, Jessica, la bourreau de travail new-yorkaise, s'installe à Londres avec l'intention d'être seule. Elle rencontre Felix qui la pousse à reconsidérer sa recherche de l'amour.
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The main character jokes around and makes looks so much that it's not even believable as a real person. Even when she's supposed to be heartbroken it is a farce. Cringy. I'd like some character with substance. No one in the world acts the way these characters do but the main character more so than others. No substance at all just one "joke" after the other.
I was waiting for this, hoping it would be as fresh as Girls used to be, but instead, it's surprisingly boring, dreadfully boring.
Surprisingly unfunny or trying too hard to be funny.
Those office characters-we've see them in every Netflix show that has an office.
There's nothing fresh about the show.
The Girls had such brilliant dialogue that if you missed any part of it, you were losing something; here, the conversations mean nothing to the viewer-they're empty, just private babble that makes you feel like you're wasting your time watching it.
Oh, and the main character feels like an extension of her character from Hacks - is that intentional?
Surprisingly unfunny or trying too hard to be funny.
Those office characters-we've see them in every Netflix show that has an office.
There's nothing fresh about the show.
The Girls had such brilliant dialogue that if you missed any part of it, you were losing something; here, the conversations mean nothing to the viewer-they're empty, just private babble that makes you feel like you're wasting your time watching it.
Oh, and the main character feels like an extension of her character from Hacks - is that intentional?
I really wanted to love this. I loved Girls. I really felt Lena Dunham was the voice of a generation and I wanted this to be every bit as good. But it wasn't. In fact it was bad, REALLY BAD. Like student film or GCSE drama devised piece bad.
Firstly, Dunham can't write British dialogue at all, or British characters. All the British characters lacked well, character, and they also lacked nuance, originality and believability. They were all tired tropes. Some of their dialogue was just awful. Especially in the work scenes. Poor Richard E Grant did his best with terrible dialogue but he had nothing to work with. None of the work team characters came across like any real British person or spoke like any real British person. You could see they knew the show was going to flop.
Add to that the two leads were just unlikeable (and I've never disliked Will Sharpe in anything but this loser musician character is just plain unlikeable and you could see Sharpe's heart wasn't;t really in it) and the female lead character is both unlikeable and irritating in the extreme. It was hard to care about them, their romance or anything really. They also had zero chemistry which didn't help.
The show is also unbelievably slow and devoid of any plot. So no character, no plot, no originality and absolutely no Com in the Rom. I didn't laugh once. Didn't even crack a smile.
The whole thing felt off, like a mish mash of Baby Reindeer, Notting Hill and wanting to be but totally failing to be the brilliant Shrill. But Shrill had charm, nuance, actual comedy and pulled the heart strings. And a lead actress who was incredibly watchable. This does nothing. Didn't make me feel anything except infuriated about wasting my time watching it!
I'm sure off the back of the success of Girls Netflix just said off you go Lena, make whatever you want to make and never gave a single note. They must be regretting that now.
Netflix have had a string of British hits lately but this sadly is not one of them.
Firstly, Dunham can't write British dialogue at all, or British characters. All the British characters lacked well, character, and they also lacked nuance, originality and believability. They were all tired tropes. Some of their dialogue was just awful. Especially in the work scenes. Poor Richard E Grant did his best with terrible dialogue but he had nothing to work with. None of the work team characters came across like any real British person or spoke like any real British person. You could see they knew the show was going to flop.
Add to that the two leads were just unlikeable (and I've never disliked Will Sharpe in anything but this loser musician character is just plain unlikeable and you could see Sharpe's heart wasn't;t really in it) and the female lead character is both unlikeable and irritating in the extreme. It was hard to care about them, their romance or anything really. They also had zero chemistry which didn't help.
The show is also unbelievably slow and devoid of any plot. So no character, no plot, no originality and absolutely no Com in the Rom. I didn't laugh once. Didn't even crack a smile.
The whole thing felt off, like a mish mash of Baby Reindeer, Notting Hill and wanting to be but totally failing to be the brilliant Shrill. But Shrill had charm, nuance, actual comedy and pulled the heart strings. And a lead actress who was incredibly watchable. This does nothing. Didn't make me feel anything except infuriated about wasting my time watching it!
I'm sure off the back of the success of Girls Netflix just said off you go Lena, make whatever you want to make and never gave a single note. They must be regretting that now.
Netflix have had a string of British hits lately but this sadly is not one of them.
After watching the entire series, I realized it felt like a social commentary on our individualistic and narcissistic culture. It made me sad, and I think it was supposed to make me laugh. It felt like everybody was so egotistical in this series there was not one redeeming character, including the protagonist. I wanted to like her a little more, but I just couldn't. She just kept sabotaging herself. Also, this series felt like it lacked a really good, strong plot sometimes it felt quite boring and like they were stretching the series for more episodes. I gave it a higher score because I loved all of the actors performances. It was nice to see Lena again, and I know she created this. I would say this had a beautiful moments and very disturbing moments, but I'm not going to be recommending it overall.
The biggest issue for me was the main character. She comes across as incredibly over-the-top and grating. It's frustrating that the "big girl" trope still leans so heavily on being loud, overly dramatic, and supposedly funny, while also trying to present her as someone the audience should root for romantically. Her personality was exhausting, and it had nothing to do with her appearance (though the heavy rouge didn't help).
Felix, on the other hand, was a standout. He was kind, grounded, and genuinely likable. Frankly, she didn't treat him well, and he deserved better. I really wanted to enjoy this show because I was a fan of Girls but the writing just didn't land for me this time.
Felix, on the other hand, was a standout. He was kind, grounded, and genuinely likable. Frankly, she didn't treat him well, and he deserved better. I really wanted to enjoy this show because I was a fan of Girls but the writing just didn't land for me this time.
Le saviez-vous
- AnecdotesDunham confirmed that "Too Much" was inspired in part by her own relationship with Felber, whom she met and married in the U.K. in 2021.
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