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One Eyed Girl

  • 2013
  • 1h 42min
NOTE IMDb
5,9/10
5 k
MA NOTE
One Eyed Girl (2013)
Trailer for One Eyed Girl
Lire trailer2:04
1 Video
20 photos
DrameThriller

Ajouter une intrigue dans votre langueA young psychiatrist is haunted by the suicide of a patient and hovers on the verge of a breakdown. He meets an attractive representative of a secret church that promises salvation to its me... Tout lireA young psychiatrist is haunted by the suicide of a patient and hovers on the verge of a breakdown. He meets an attractive representative of a secret church that promises salvation to its members.A young psychiatrist is haunted by the suicide of a patient and hovers on the verge of a breakdown. He meets an attractive representative of a secret church that promises salvation to its members.

  • Réalisation
    • Nick Remy Matthews
  • Scénario
    • Craig Behenna
    • Nick Remy Matthews
  • Casting principal
    • Tilda Cobham-Hervey
    • Mark Leonard Winter
    • Steve Le Marquand
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    5,9/10
    5 k
    MA NOTE
    • Réalisation
      • Nick Remy Matthews
    • Scénario
      • Craig Behenna
      • Nick Remy Matthews
    • Casting principal
      • Tilda Cobham-Hervey
      • Mark Leonard Winter
      • Steve Le Marquand
    • 19avis d'utilisateurs
    • 19avis des critiques
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 2 victoires et 1 nomination au total

    Vidéos1

    One Eyed Girl
    Trailer 2:04
    One Eyed Girl

    Photos20

    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
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    + 15
    Voir l'affiche

    Rôles principaux19

    Modifier
    Tilda Cobham-Hervey
    Tilda Cobham-Hervey
    • Grace
    Mark Leonard Winter
    Mark Leonard Winter
    • Travis
    Steve Le Marquand
    Steve Le Marquand
    • Father Jay
    Sara West
    Sara West
    • Sarah
    Nic English
    Nic English
    • Toby
    Elena Carapetis
    Elena Carapetis
    • Kate
    Matt Crook
    Matt Crook
    • Marcus
    Craig Behenna
    • Tom
    Tess O'Flaherty
    Tess O'Flaherty
    • Farm Community Member
    Kate Cheel
    • Rachel
    • (as Katy Cheel)
    Sebastian Freeman
    • Ben
    Lachlan Wilson
    • Andy
    Adom Carter
    • Train Commuter
    • (as Adom Kartor)
    Guy O'Grady
    • Hipster
    Gem O'Flaherty
    • Farm Community Member
    Wietske Erica Bradley
    • Farm Community Member
    Adrian Gruszka
    • Commuter
    • (non crédité)
    Emily McMahon
    • Commuter
    • (non crédité)
    • Réalisation
      • Nick Remy Matthews
    • Scénario
      • Craig Behenna
      • Nick Remy Matthews
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs19

    5,94.9K
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    Avis à la une

    9punishable-by-death

    "We do dark. Dark is us"

    The obvious theme behind this stylishly executed film is there in its tagline, 'what would you do for salvation?'. Or maybe, what could you do if in such a situation? Is it possible to make positive judgements when you are so depressed? Psychiatrist Travis (Mark Leanord Winter) isn't well. Living a city life with a city job, the world of his that we are introduced to is cold and emotionless, captured nicely with aerial views of the city. This is of course in contrast to his patients, who are filled with emotion. But Travis isn't well, and is barely listening to these patients. He wants to help them, but is unable to and in reality needs help himself. But being a psychiatrist, he can't talk to anyone about it, and starts the movie as an unlikeable person, someone who gets annoyed at people who offer him a pamphlet on a bus, a person who doesn't seem to care about his own patients.

    Apart from the oft-ignored concept of 'debriefing', who are psychiatrist's psychiatrists? This is an interesting rumination as such a concept doesn't really exist, creating a main character who is immediately unlikable, but whose heart is good and transforms as the film progresses. His dwindling state of mental health is clearly the reason for his disinterest in his current patients, but it is made clear that this current state of health is due to the actions of a past patient. Unable to shake these memories from his head, he is essentially rendered useless and unable to do anything. Upon seeing the girl who tried to hand him a pamphlet earlier, this time he eagerly takes it. He attends one of their meetings, but nothing changes as memories of patients past continue to haunt him. Seeing no way out, he tries to take his life, but contacts the number on the pamphlet in a moment of panic. He wakes up in a rural community, and quickly learns what it is all about.

    Travis is openly hostile when he first arrives, but his opinion begins to waver as the power of the community combined with his own desperation affects him. I have personally been in a very similar position and I must commend the filmmakers for the realistic depiction of these places and the people who reside there. The way the characters all honestly believe they are doing good, the emotionally heavy initiation scenarios… Some research has obviously been done to depict such circumstances with such reality, and crucially, with believable characters, as the farm's community offers up quite the spectrum. Standing out clearly is ex-Iraq War veteran Father Jay (Steve Le Marquand), whose persuasive demeanor and military past make him the perfect enigmatic leader of a cult. While at times fearsome and almost always sly, he can also be kind and empathetic. He is a distorted mirror image of Travis – a broken man who believes he is helping people, but in reality is hurting them.

    Travis' entrance to the community and his exceptions to some of their actions brings forward characters like Grace (Tilda Cobham-Hervey) and Tom (co-writer Craig Behenna) who each have their own moral line in the sand. These characters are in contrast to Jay's devoted disciples, who seem willing to do anything for him. To be saved. This contrast between characters, and what some of them will do for their beliefs, is what kick starts the third and thrilling act that falls down only in the execution of the final scene. This hardly ruins an amazing film though.

    I find it hard to believe that there aren't any other Travis' in the world. What does a shrink do when they need help with their mental health? Talk to a colleague? This is a concept that is rarely explored in life, let alone in cinema. Congratulations must go to the team for writing about such a rarely touched on subject with such realism. Cults aren't such a rare subject for cinema, and most films exploring cults in a tasteful way will be probably be good by default. This film though takes it a step further with its deceitful, misguided characters and again its jagged realism that puts you in the farm as a viewer. The situation within the cult can be interpreted in different ways though. The pitfalls of co-dependent relationships, the power of suggestion, misguided attempts to help others, exploiting one's psychological pain for their own benefit are just a few ways of looking at it off the top of my head.

    This a film that not only has a strong narrative, but one that can also say so much more, depending on the person watching it. I can't say that about many other films.

    www.epilepticmoondancer.net
    8bilalfaiz-01575

    Good movie

    Beautiful Sorrow is a deeply emotional film that lingers in your heart long after the credits roll. It tells the story of love, loss, and the resilience of the human spirit, capturing the raw essence of grief in a way that feels profoundly real.

    The film's lead actor delivers a breathtaking performance, portraying the protagonist's pain and longing with such authenticity that it's impossible not to feel their anguish. The cinematography is equally stunning, using muted colors and lingering shots to emphasize the weight of the emotions. The soundtrack-soft, melancholic piano melodies-only amplifies the film's heartbreaking atmosphere.

    While A Beautiful Sorrow is undeniably heavy, it never feels manipulative. Instead, it allows the audience to sit with the sadness, to reflect on their own experiences with loss, and to appreciate the fleeting beauty of life. It's a film that doesn't just make you cry; it makes you feel.

    If you're looking for a deeply moving experience, this film is a must-watch. Just be sure to have a box of tissues nearby.
    2bob_meg

    It's been done before and much better than this

    I have to agree with one of the other reviewers that there isn't much, if anything, to recommend this by-the-books cult drama.

    We have a chemically-dependent, terminally depressed young shrink (played convincingly enough by Mark Leonard Winter) whose young patient's suicide drives him over the edge, leading him into a cult-like EST-ish back-to-nature group led by Father Jay (Steve le Marquand).

    Father Jay's group is all about getting "clear" (sound familiar?) and uses various punishing physical and mental techniques to supposedly "heal the soul".

    So... is there anything you've heard so far that leads you to believe this is unlike any other cult you've heard about before?

    Nope, didn't think so. And there isn't. I guess this might be shocking material for those who've never heard of brainwashing or even Charlie Manson, but it's snooze-inducing for those of us who have.

    It's a pity because this isn't a poorly made film. The acting is decent. It just revolves around a non-story that's ordinary and non-compelling, to be kind. It's only 103 minutes, but it feels like a century. What a complete waste of everyone's time, including ours.
    Vonep-2

    It is heavy

    One Eyed Girl is not an easy film to watch. It is heavy, uncomfortable, and at times distressingly real in its portrayal of trauma and emotional manipulation. But it is also a film of great sensitivity, psychological depth, and moral complexity. It asks hard questions about mental health, belief systems, and the longing for redemption in a fractured world.

    While it won't appeal to audiences looking for action or traditional horror, those interested in psychological character studies and understated cult dramas will find a lot to appreciate. It's a film that lingers long after the credits roll, not because of any shocking twist, but because it dares to sit in the quiet, painful spaces most stories avoid.
    9JoDelp

    Moving, powerful, beautiful

    I saw this movie last year at the ECU film festival in Paris and still to this day, I think about it often. I am not familiar with Australian movies but I am so grateful the organizers of the festival have selected this movie. The concept of healing the soul was really disturbing to me and very powerful. It made me change the way I view negative past experience. The idea I had of Australia was beaches, surf and ice cream but the decor is more like a Scandinavian thriller movie. The music has great beauty and makes the movie really haunting. This is a deep analysis of a man's life into the darkest places in his head. The cast was really well chosen and their performances shows so much courage and intelligence. This is the first movie for this director and I am impatient to see more of his work.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      The use of The Humming chorus from Madame Butterfly by Giacomo Puccini is a reference to Jennifer 8 that utilized the same track. The 90s Bruce Robinson thriller is a favorite of co-writers Nick Remy Matthews and Craig Behenna.
    • Citations

      Grace: In the land of the blind the one eyed girl is queen.

    • Bandes originales
      Pretty Little Girl Of Mine
      Written by The Yearlings

      Performed by Chris Parkinson, Robyn Chalklin, Michael Darren, Naomi Tillett, Michael Green

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    Détails

    Modifier
    • Date de sortie
      • 2 avril 2015 (Australie)
    • Pays d’origine
      • Australie
    • Sites officiels
      • Official Facebook
      • Official Site
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • Одноглазая
    • Lieux de tournage
      • Adelaide Hills, South Australia, Australie
    • Société de production
      • Projector Films
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Budget
      • 1 100 000 $AU (estimé)
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      1 heure 42 minutes
    • Couleur
      • Color
    • Rapport de forme
      • 2.35 : 1

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