Le Comte de Monte-Cristo

The episodes with Ali Pasha should have been added to the series. One of the most important contributions to Edmond's character development in the book and the most important points was the period of slavery. In addition, there are not many fictional events in the series, and everything has been done to stay true to the book. The actors have adapted very well to the characters. The actor who played the character Edmond, in particular, portrayed his coldness, insensitivity and style of speaking very well when he returned for revenge, as in the book. Despite this, I can say that the series was the best adaptation of the book so far. It was both a visual feast and a pleasure to watch.

I've seen many adaptations of this particular book by Alexandre Dumas. And in my opinion this one is by far the best. I read the book and loved it a lot. This is captivating story and an epic revange tale. And this tv mini series did the book justice. The way Count placed his ponds and stroke when his enemies least expected - pure genius. And this adaptation perfectly sees it through. Sam Claflin did amazing job as Edmond / the count. There are some differences from the book, or characters missing, but nothing major. And to be fully honest, I think I like this enging better than the one in the book. Will I watch it again? For sure. If you ever find yourself in a need of a revange - do it Montecristo style.

By far the best adaptation of Monte C and closest to the book. Compared to French version this one is superior. Almost 90% is true to the book, the rest is light modifications, some good, some not very smart... Lacks the intensity of the stories in the book. Maybe one or two more episodes would give time develop all characters correctly!

Everything was covered, a lot of details, good cinematography, but a lot is left unsaid... Few characters were merged, and used poorly, but I gave it a high rating, because other adaptations did not even try to follow the book.

Solid adaptation of a great book!

This series is outstanding in every respect. Certainly, one of the best adaptations of Dumas' book that I have seen in my 61 years. The fact that it's an 8-part miniseries gives the production time to properly flesh out the characters and various plot strands.

Sam Claflin leads a top-notch cast (special mention for Michele Riondino, as Jacopo, and Blake Ritson, who is wonderfully evil in everything!), and the script is excellent.

Some wonderful locations and beautiful cinematography, along with excellent original music, by Volker. Bertelmann) complete what is an epic production.

I only hope it goes on to be seen by a wide audience, as it truly deserves to be seen!

In a landscape filled with adaptations that often only capture a shadow of their source material, "The Count of Monte Cristo" miniseries arrives as a resounding triumph-a television event that not only honors but elevates its origins. This isn't just another version of Alexandre Dumas's story; it is, without a doubt, the definitive adaptation for our generation and one of the best I have ever had the pleasure of watching. A flawless masterpiece that deserves every second of your attention and the highest possible rating.

At the heart of this magnificent production lies the performance of a lifetime from Sam Claflin, who delivers an unforgettable Edmond Dantès/Count of Monte Cristo. His portrayal is, without exaggeration, hypnotic and masterful. We watch with bated breath as he transitions from the naive young sailor, his eyes brimming with hope, to the cold, calculating, and relentless Count, whose pain and thirst for revenge burn behind a facade of charisma and absolute control. The camera masterfully captures every micro-expression, revealing the layers of a man remade by tragedy and knowledge.

The brilliantly crafted screenplay achieves the rare feat of being extremely faithful to the soul of the book. The eight-episode miniseries format was the perfect choice, allowing the complex plot to unfold with the necessary pace and depth. Essential characters like Maximilien Morrel, Valentine de Villefort, and even the bandit Luigi Vampa-so often cut from other versions-are given their due prominence here, enriching the narrative and showing a profound respect for Dumas's work. The few changes made only serve to enhance the story's cohesion, making it even more believable and impactful on screen.

Visually, the series is a cinematic spectacle. Every scene is a painting, with stunning cinematography, authentic costumes, and spectacular locations that transport us directly to 19th-century France. From the desolation of the Château d'If to the opulence of Parisian salons, every detail is meticulously crafted, creating an immersive experience and a true feast for the eyes. The original score perfectly complements the atmosphere, intensifying every moment of tension and drama.

The supporting cast is equally brilliant. Jeremy Irons delivers a wise and captivating Abbé Faria, and his chemistry with Claflin makes their time in prison one of the series' high points. The villains are magnificently portrayed, with a palpable evil that makes the Count's revenge all the more satisfying. Characters like Jacopo and the series' version of Caderousse bring humor and humanity, balancing the story's tone.

"The Count of Monte Cristo" is television at its finest. It is a series that captivates from the first second to the last-an epic journey of betrayal, redemption, and one of the most well-orchestrated vengeances in literature. In the end, the feeling is not just one of satisfaction, but of gratitude for the creation of such a powerful and respectful adaptation. For fans of the book and newcomers alike, this is a must-watch experience and the perfect justification for a 10/10 rating. Simply marvelous.