Les Trois Mousquetaires: Milady
Titre original : Les trois mousquetaires: Milady
- 2023
- Tous publics
- 1h 55min
D'Artagnan est contraint de s'allier à Milady pour sauver Constance, enlevée sous ses yeux. Mais alors que la guerre est déclarée et qu'Athos, Porthos et Aramis ont déjà rejoint le front, un... Tout lireD'Artagnan est contraint de s'allier à Milady pour sauver Constance, enlevée sous ses yeux. Mais alors que la guerre est déclarée et qu'Athos, Porthos et Aramis ont déjà rejoint le front, un secret du passé brise les anciennes alliances.D'Artagnan est contraint de s'allier à Milady pour sauver Constance, enlevée sous ses yeux. Mais alors que la guerre est déclarée et qu'Athos, Porthos et Aramis ont déjà rejoint le front, un secret du passé brise les anciennes alliances.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 victoire et 8 nominations au total
Julien Frison
- Gaston de France
- (as Julien Frison de la Comédie Française)
Avis à la une
I love Eva she is amazing and sensual in this movie that i liked more than the. First one because she appears than the previous one and that's actually make the movie better only because of her and her beautiful voice and face, love that girl to be honest, overall very forgettable and kinda of a mess, I suppose there is going to be a third part my guys, and that's fine I guess let's wait two years for that and i hope Eva is in that movie too, she is the love of my life and i desire her, she is just fantastic actress and she knows it, she is the boss. Love her very much and i would do anything for her.
Once again a tremendous spectacle, served with a bunch of very fine actors ("la fine fleur" of French actors) in all their glory, who make most of the scenes of the movie a tasty delight to savour... In particular the highly charismatic Eva Green and François Civil, who both have this magnetic presence that makes you wanna follow each of their adventures (each of the moments they share are captivating)...
The staging and overall design of the movie is as majestically pleasing as in the First Part (both movies were shot at the same time) with very gorgeous framings and lightings (wonderfully mastered)... The action and stunts do the job (in spite of this recurring shaky camera), with a few cool bits (hats off to the final confrontation).
Of course the stakes -even if already pretty high at some point in the First Part- are even higher here... Numerous events in this Second Part mirror events recounted in the First Part ; the situation is pretty tight for the main players, and the whole -mysterious- intrigue gets thicker and tastier as it evolves... With Milady playing a pivotal role in everything ; even when she is not here, her shadow never is very far... But things, during the entire movie, don't really go as expected, twists after twists...
In the end, this two-parter story definitely is a pretty gem in the long history of French Cinema, because it shows the nice will to produce a pleasing cinematic piece, à la française ; but in a fashion that uses some of the welcome contempory/modern tools.
A fine and tasty adventure to watch, and potentially a Third Part to come (?)
The staging and overall design of the movie is as majestically pleasing as in the First Part (both movies were shot at the same time) with very gorgeous framings and lightings (wonderfully mastered)... The action and stunts do the job (in spite of this recurring shaky camera), with a few cool bits (hats off to the final confrontation).
Of course the stakes -even if already pretty high at some point in the First Part- are even higher here... Numerous events in this Second Part mirror events recounted in the First Part ; the situation is pretty tight for the main players, and the whole -mysterious- intrigue gets thicker and tastier as it evolves... With Milady playing a pivotal role in everything ; even when she is not here, her shadow never is very far... But things, during the entire movie, don't really go as expected, twists after twists...
In the end, this two-parter story definitely is a pretty gem in the long history of French Cinema, because it shows the nice will to produce a pleasing cinematic piece, à la française ; but in a fashion that uses some of the welcome contempory/modern tools.
A fine and tasty adventure to watch, and potentially a Third Part to come (?)
It's good to return to the big screen, connect again with the magic of the dark room and much better to do it with a film that captivates you from beginning to end.
The second part of the great project led by Martin Bourboulon is much more vibrant, fast-paced and entertaining, with a narrative rhythm that does not falter at any time, but does not leave plot gaps either. The dramatic arc of the characters is much more solid and clear, Vincent Cassel as always does not need many minutes to demonstrate his stage presence, François Civil finishes shaping a rising D'Artagnan, but who steals the screen every time he appears is Eva Green, who from start to finish makes a truly impeccable hero-villain game.
A real pleasure to enjoy an epic film project far from the great arms of Hollywood.
The second part of the great project led by Martin Bourboulon is much more vibrant, fast-paced and entertaining, with a narrative rhythm that does not falter at any time, but does not leave plot gaps either. The dramatic arc of the characters is much more solid and clear, Vincent Cassel as always does not need many minutes to demonstrate his stage presence, François Civil finishes shaping a rising D'Artagnan, but who steals the screen every time he appears is Eva Green, who from start to finish makes a truly impeccable hero-villain game.
A real pleasure to enjoy an epic film project far from the great arms of Hollywood.
I can't say that I enjoyed this as much as the first outing for this new breed of musketeers, but it's still an enjoyable and authentic looking adaptation of these timeless and honourable Dumas characters. We know that "Constance" (Lyna Khoudri) has been kidnapped and that the enamoured "D'Artagnan" (François Civil) is determined to get her back - but how? Well the almost fatal attack on the king (Louis Garrel) has galvanised everyone - friend and foe, and the musketeers determine that they must get to the ringleader of that plot before it is eventually accomplished and the kingdom is plunged into chaotic warfare. Now everyone suspects the malevolent Cardinal Richelieu (Eric Ruf) but surely it's not in his interests to kill Louis XIII? The Queen (Vicky Krieps) and her not-so-secret English lover Buckingham (Jacob Fortune-Lloyd) might be in the mix, or maybe just a disgruntled nobleman? "D'Artagnan" is first with a clue after he inadvertently rescues "Milady" (Eva Green) from a prison (after she fell off a cliff!) armed with a secret, coded letter. What does it mean? Can it help find his love and save the kingdom? Meantime, we start to learn a little more about this enigmatic "MIlady" and of her relationship with "Athos" (Vincent Cassel) whilst his two pals "Aramis" (Romain Duris) and the affable "Porthos" (Pio Marmaï) do their bit for the story and the country too. It looks great - the settings, the costumes, the combat scenes all smack of effort having been spent on making the scenarios ring true. I'm still no great fan of Eva Green, but here she starts to exude just the tiniest hint of menace as the story builds to the conclusion of this search for love and traitors. It's a wee bit more earnest, this time around - there's less humour and I missed that. I don't mean laugh out loud stuff, but here we rarely see all the musketeers together; their camaraderie isn't so obvious. This is essentially Civil v Green and that doesn't always work so well. Still, it's a solid and quickly paced adventure story that I found passed two hours effortlessly.
Part 2 of the current film adaptation is by no means a bad film, thanks to the actors, budget and, of course, the literary source material. Nevertheless, it falls well short of its predecessor, not least because of the high expectations following the first film. What's missing this time? A certain freshness, the haunting presence of the protagonists, their actually indispensable interaction, memorable climaxes. Content now rules here, almost too much for the running time, instead of fun.
Eva Green gives an outstanding performance in her parade role as the femme fatale, this time making the important and correct decision that less is often more.
Eva Green gives an outstanding performance in her parade role as the femme fatale, this time making the important and correct decision that less is often more.
Le saviez-vous
- AnecdotesThe film was shot back to back with its prequel Les Trois Mousquetaires : D'Artagnan (2023) for a total shoot of 150 days that started on August 16, 2021 and wrapped on June 3, 2022.
- GaffesAt different moments both movies feature firearms. These are incorrect. Actually, they are 150 years ahead, given the action is supposed to take place in 1627. The hand-weapons and riffles are revolutionary/Napoleonic era. Under Louis XIII's reign, firearms were much more rudimentary.
- ConnexionsFollows Les Trois Mousquetaires : D'Artagnan (2023)
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Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langues
- Aussi connu sous le nom de
- The Three Musketeers - Part II: Milady
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 36 000 000 € (estimé)
- Montant brut mondial
- 15 439 299 $US
- Durée1 heure 55 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.41 : 1
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What was the official certification given to Les Trois Mousquetaires: Milady (2023) in the United States?
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