Une beauté fatale retourne dans sa petite ville de l'Australie rurale. Avec sa machine à coudre et son amour de la haute couture, elle transforme les femmes et exerce une douce vengeance sur... Tout lireUne beauté fatale retourne dans sa petite ville de l'Australie rurale. Avec sa machine à coudre et son amour de la haute couture, elle transforme les femmes et exerce une douce vengeance sur ceux qui lui ont causé du tort.Une beauté fatale retourne dans sa petite ville de l'Australie rurale. Avec sa machine à coudre et son amour de la haute couture, elle transforme les femmes et exerce une douce vengeance sur ceux qui lui ont causé du tort.
- Récompenses
- 15 victoires et 41 nominations au total
Commentaire à la une
Well, that has to be the most conflicting movie experience I've ever known. I was invited to the premiere of The Dressmaker last night and I'm unsure whether I can say I loved it, hated it, thought it was hilarious, found it terribly sad, was frustrated because it was so weird or enjoyed it because some of the characters were so endearing - this movie caused all of these emotions and more. It's certainly entertaining - just so many roller-coaster sensations within the space of only a few minutes. A viewer will fluctuate continually between laughing raucously one minute only to find themselves experiencing deep sadness, anger, confusion or just plain asking yourself 'Why did they include this?' with the next breath. And they're a mix of the most quirky / weird / unlikeable / endearing / heartwarming characters I've ever seen / met. There was one character I didn't like at all, even though at some stages I still found myself laughing at some of their antics. I'm sure many readers will either disagree with me or think I'm referring to someone else - but that's okay, that's what makes us all different. The Dressmaker is definitely worth a look but not something I'd pay to see again - mainly because of the inclusion of that one character already referred to. This movie is very very dark in places and the ending is definitely not what you expect! The dialogue flurries and stubborn, though endearing, rapport constantly firing between Kate Winslet and Judy Davies are exceptional and certainly to be applauded. A very big hats off to Kate for a wonderful portrayal of an Aussie accent - you would swear she is a true blue Aussie. I have never heard anyone who wasn't born here to pull off an Aussie accent with such authenticity as she showed in this. Proves her calibre as an actress and the exceptional talent of Victoria Mielewska, her dialogue coach. Added to all of this, the budget must have been huge as every single person involved was easily recognisable from another movie or TV series - and most of them big Aussie names. So don't bother asking me whether you should go and see it - you'll just have to go along and see for yourself - but I can almost guarantee it's definitely not at all what you'll be expecting. And interestingly, other ladies in two book clubs I am connected to said they felt exactly the same with both the book and the film.
- jsrobinson132
- 21 oct. 2015
- Permalien
Histoire
Le saviez-vous
- AnecdotesKate Winslet learned to sew for her part. Following this, she assisted Margot Wilson in creating the costumes for her character. Wilson was exclusively hired to create the outfits for Tilly.
- GaffesWhen Tilly bribes Sgt. Farrat with the feather boa in front of the petrol bowser, it can be clearly seen to read "cents per gallon". In 1951 dollars and cents were still 15 years in the future. It should have read shillings and pence per gallon.
- Citations
Myrtle 'Tilly' Dunnage: Take your clothes off
Molly Dunnage: A murderer... and a lesbian...
- Crédits fousWindmill squeak is heard at the end of the credits.
- Bandes originalesMeet Me with Your Black Dress On
Written by Jimmy Nelson (as Nelson) and Jules Bihari (as Bihari)
Produced & Recorded by Shane O'Mara featuring Chris Wilson
Meilleurs choix
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- How long is The Dressmaker?Alimenté par Alexa
Détails
Box-office
- Budget
- 17 000 000 $AU (estimé)
- Montant brut aux États-Unis et au Canada
- 2 022 115 $US
- Week-end de sortie aux États-Unis et au Canada
- 185 165 $US
- 25 sept. 2016
- Montant brut mondial
- 23 846 928 $US
- Durée1 heure 59 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1
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