Ammonite
- 2020
- Tous publics
- 1h 57min
Angleterre, 1840. Mary Anning, paléontologue peu reconnue par ses pairs, exhume des fossiles des plages de Lyme. Un jour, un confrère lui confie la garde de sa femme convalescente. Au fil du... Tout lireAngleterre, 1840. Mary Anning, paléontologue peu reconnue par ses pairs, exhume des fossiles des plages de Lyme. Un jour, un confrère lui confie la garde de sa femme convalescente. Au fil du temps, une relation forte se noue entre elles.Angleterre, 1840. Mary Anning, paléontologue peu reconnue par ses pairs, exhume des fossiles des plages de Lyme. Un jour, un confrère lui confie la garde de sa femme convalescente. Au fil du temps, une relation forte se noue entre elles.
- Réalisation
- Scénario
- Casting principal
- Nomination aux 1 BAFTA Award
- 3 victoires et 32 nominations au total
Victoria Elliott
- Three Cups' Maid
- (as Victoria Elliot)
Robert Purdy
- Party Guest
- (as Robert J. Purdy)
Avis à la une
Ammonite excavates the depths of intense lesbian romance. Strong acting would be an understatement. There are a few twists and turns along the way, some of them even predictable but Winslet's authentic performance as her meticulous, passionate character along with the performance of Ronan, keeps us rapt. The film has a captivating cinematography with stark physical beauty and colour palette of the beaches, sets and constumes. However, despite the plot being quite stretched out, Director doesn't fails to deliver a heartwarming and memorable experience.
Ferociously slow and meandering, lacking the passion and emotion of its contemporaries and a little too long for what it bestows, which is a rather bleak and salty tale of two lost and lonely women, one of which has had her flint removed and couldn't catch light if you dosed her in kerosene and dropped her into the sun. There's always, at least, a little optimism and expectation, hope perhaps, even in the most forlorn of our turbulent times, but seemingly not here.
This movie isn't for everyone, that much is clear from the mixed reviews. Some people enjoy it, others think it's an absolute bore. I fall into the first category. The movie isn't flawless but I found myself involved and captivated throughout. Personally, for me it was never too slow, but I can understand that people might feel differently. You should prepare yourself for a slow-paced, two hour long dramatic period piece.
The acting from everyone in the film is fantastic but of course in particular from the two leading ladies. Kate Winslet and Saoirse Ronan are absolutely terrific. The chemistry between them felt genuine and well-done to me, which is crucial in a romantic movie.
Only two very skilled actors could pull off the type of non-verbal communication that is often present in this move. It's nice that they don't have to share their life stories to each other in front of the camera. Their connection is deeper than basic communication. So much can be said with a glance, smile, and subtle body language. It's refreshing and surprisingly intense. Actions speak louder than words, after all.
The soundtrack is lovely and subtle, but gets intense at the exact right moments.
The cinematography fits the film perfectly.
Finally, I was intrigued by the unique concept of the movie. Ammonites, a love story between two women from very different backgrounds, the struggles of a lower class woman living with her terminally ill mother, the inequality between men and women during that time... and all of that (loosely) based on the life of a real person. Multiple interesting concepts coming together in one movie.
If you're hoping for a queer love story between two women that is happy and not a little depressing, you might want to adjust your expectations. This movie can be a bit dreary and sad. I have to admit I'm a bit tired of all the gloomy, unhappy WLW movies that exist, and still longing for a relatively happy queer movie, like a 'Love Simon' for women.
All in all, however, I did enjoy it and would probably watch it again in a few years.
The acting from everyone in the film is fantastic but of course in particular from the two leading ladies. Kate Winslet and Saoirse Ronan are absolutely terrific. The chemistry between them felt genuine and well-done to me, which is crucial in a romantic movie.
Only two very skilled actors could pull off the type of non-verbal communication that is often present in this move. It's nice that they don't have to share their life stories to each other in front of the camera. Their connection is deeper than basic communication. So much can be said with a glance, smile, and subtle body language. It's refreshing and surprisingly intense. Actions speak louder than words, after all.
The soundtrack is lovely and subtle, but gets intense at the exact right moments.
The cinematography fits the film perfectly.
Finally, I was intrigued by the unique concept of the movie. Ammonites, a love story between two women from very different backgrounds, the struggles of a lower class woman living with her terminally ill mother, the inequality between men and women during that time... and all of that (loosely) based on the life of a real person. Multiple interesting concepts coming together in one movie.
If you're hoping for a queer love story between two women that is happy and not a little depressing, you might want to adjust your expectations. This movie can be a bit dreary and sad. I have to admit I'm a bit tired of all the gloomy, unhappy WLW movies that exist, and still longing for a relatively happy queer movie, like a 'Love Simon' for women.
All in all, however, I did enjoy it and would probably watch it again in a few years.
I rather enjoyed this movie. It is about a subject and person foreign to me, a self-made female paleontologist in the 19th century England. Because she was female she had no real chance for recognition until long after her death.
Kate Winslet is one of my favorites over the years, here she is Mary Anning with a love of the seashore and fossils and little time for people and small talk. She gets a visit from a fellow paleontologist who leaves his young wife there to get healthy, to me she seemed unhappy from depression, not an organic sickness. This role is played well by another of my favorites, Saoirse Ronan as Charlotte Murchison. At first both are reluctant but they eventually form a bond.
It was speculated that Anning was a lesbian and although not substantiated that is the arc of her character here. All in all a very well made movie combining historical facts and fictional projections. Filmed in the SW England coastal region where Anning lived and discovered her fossils.
At home on DVD from my public library. My wife skipped, she was on a golfing trip.
Kate Winslet is one of my favorites over the years, here she is Mary Anning with a love of the seashore and fossils and little time for people and small talk. She gets a visit from a fellow paleontologist who leaves his young wife there to get healthy, to me she seemed unhappy from depression, not an organic sickness. This role is played well by another of my favorites, Saoirse Ronan as Charlotte Murchison. At first both are reluctant but they eventually form a bond.
It was speculated that Anning was a lesbian and although not substantiated that is the arc of her character here. All in all a very well made movie combining historical facts and fictional projections. Filmed in the SW England coastal region where Anning lived and discovered her fossils.
At home on DVD from my public library. My wife skipped, she was on a golfing trip.
Kate Winslet plays Mary Anning, a famous fossil hunter / palaeontologist with exhibits in the British Museum, who must now sell ammonites to tourists etc just to keep her and her mother, Gemma Jones, going. Into her life comes convalescing, well off Saoirse Ronan who stays with Winslet until she has recovered. A deepening relationship begins.
Remarkably touching, beautifully acted - especially by Winslet - and nicely lean love story set against the backdrop of a drab, miserable 19th century Lyme Regis. The 2 leads make a completely believable couple and the affection is bought forward slowly and ultimately quite explicitly. It is a quiet gentle film with no obvious romance or great outpourings of emotion or melodrama and all the better for that. I loved the ending.
Remarkably touching, beautifully acted - especially by Winslet - and nicely lean love story set against the backdrop of a drab, miserable 19th century Lyme Regis. The 2 leads make a completely believable couple and the affection is bought forward slowly and ultimately quite explicitly. It is a quiet gentle film with no obvious romance or great outpourings of emotion or melodrama and all the better for that. I loved the ending.
Le saviez-vous
- AnecdotesSaoirse Ronan's favourite film growing up was Titanic (1997), so she was overjoyed to not only act in a film with Kate Winslet, but to also play her lover. Ronan said to Winslet when filming: "Who would have thought, when I was eight years old, that I'd be kissing Rose one day!"
- GaffesCharlotte is portrayed as younger than Mary, with Kate Winslet being almost twenty years older than Saoirse Ronan. In reality, Charlotte was a decade older than Mary.
- ConnexionsFeatured in Projector @ LFF: Ammonite (2020)
- Bandes originalesGesellschafts - Walzer, Op. 5
Composed by Johann Strauss Sr. (as Johann Strauss Snr.)
Arranged by John Mortimer
Performed by David Juritz, Ben Hancox and James Boyd
Meilleurs choix
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Détails
Box-office
- Budget
- 10 000 000 £GB (estimé)
- Montant brut aux États-Unis et au Canada
- 160 930 $US
- Week-end de sortie aux États-Unis et au Canada
- 87 552 $US
- 15 nov. 2020
- Montant brut mondial
- 1 109 287 $US
- Durée1 heure 57 minutes
- Couleur
- Rapport de forme
- 1.85 : 1
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