La Nuit d'Orion

This Netflix production, scripted by Kaufman is formulaic but manages to work. If the animation is nothing special, the script is better than what drives most animated movies aimed at a young audience. It is a sweet-natured little tale, indebted to Monsters Inc and the whole Pixar canon but saved from being predictable through different borrowings, as well as its various metafictional levels of storytelling. It's nicely personal as his spin on a Pixar film, but the downside is that he can't help imitating too many of them at once - which makes it equal parts sweet and hectic, and not a little overambitious.

My Rating : 6.3/10.

DreamWorks Animation's most recent release follows Orion, a boy with an active imagination who faces his fears on a journey through the night with some new friends. Written by Charlie Kaufman, the mind behind "Eternal Sunshine of the Spotless Mind" and "Being John Malkovich" I was intrigued to view his first animated film. Sadly, I will admit that this was kind of a letdown in the aspect of it not feeling original whatsoever. It did however illustrate kids struggling with fear and anxiety, and ways to face such fears. An ensemble of talented actors such as Jacob Tremblay, Angela Bassett, and Paul Walter Hauser would bring much attention to any film, however they couldn't do much to save this from just being an average film. Overall, this was nowhere near DreamWorks Animation's best work but was not there worst either.

This was a nice movie and it started of great but about 20 minutes into the movie it changed with the appearance of a new character that from that point kept jumping in.

Every part where she appeared the story came to a grinding halt in my opinion and it started jumping everywhere.

The end tied it together quite nicely but it didn't make up for the jumping up until then. And the appearance of the new character spoiled the rest of the movie. If that character and setting had been introduced from the beginning I would have felt differently about it.

So all in all. It is a nice movie with a great story and great potential about facing your fears but it could have been soooo much better.

Honestly, I didn't know what to expect with this movie since it is made by Dreamworks but also written by Charlie Kaufman who has made some of my favorite films of all time. With an interesting concept, the movie surprisingly was pretty ambitious and interesting then the typical Dreamworks Animation movie.

I do appreciate the writing where it creates interesting themes and ideas together which worked pretty well. I found the narrative, while having some faults with certain aspects, remaining strong with some good dialogue, themes, and tone. The voice performances were pretty solid with some good deliveries and style. The animation is pretty solid with some good colors and models. Although it does feel a bit cheap then the usual Dreamworks Animation movie which is understandable due to the low budget.

The characters are interesting but I felt as the side characters were a little messy on certain aspects of development. Including the third act to be a little rushed. Here, Kaufman's writing isn't his best work but he still provides some interesting ideas and I do applaud him and Dreamworks on taking some unusual directions and shifts here. But I won't be surprised if Dreamworks had done studio interfere with his script.

Overall, not the best but nice to see Kaufman doing more stories.

Orion and the Dark is a surprisingly heavy and layered animated film until you see who has a screenplay credit and then it all makes sense. What starts off as a film about how every aspect of life can be scary quickly morphs into something that celebrates the unpredictability of it whilst exploring how balance is essential.

Jacob Tremblay is almost too good at portraying Orion's fear of everything early on but that actually makes his newfound love of adventure all the more enjoyable. Paul Walter Hauser makes Dark so loveable, turning a concept that's scary to so many into a gentle giant with his own fears and doubts.

Sean Charmatz's direction keeps things moving and manages to find an animation style that feels fairly original and more importantly, really nice to look at. In a perfectly fitting fashion, its greatest moments of visual beauty come from the scenes at night, which is essentially the majority of the film.