Daaku Maharaaj

The first half of the movie delivers while the second half is a bit dragged. The portrayal of balayya is new and the director added the style and flavour of lokesh kanagaraj movies.

Balayya came out of his comfort to take such risk of making a movie that could have ended a disaster if not for Bobby koli. The acting is nice and music is good.

This movie proves that balayya is never in his peak but he is his peak. The movie did not miss the commercial elements. But urvashi rautela's role was shortened and it was good that way, otherwise it would have spoiled the work. Though it may feel overdramatic sometimes it is perfect for the sankranti season to have mass movie like this.

A good movie if you can enjoy keeping the logics and all other things behind. It was better than most balayya's movies in the past ten years.

I don't understand why people are so obsessed with other movies this sankranti because people were ready to see all the things balayya use to do back then but does not want to watch him in a role where he has the scope to act good which he did.

The movie is a surprise to me. Don't listen to the negative reviews and watch it with a blank mind.

But the balayya in the first half is fire. Want more like this from balayya.

Go and enjoy the movie.

I actually wanted to give a 6.5, since it's not possible, I gave it a 7. In first half, Protagonist does etc things like protecting, fighting, etc but doesn't give a proper reason. It captivates our curious minds. Second half gives a proper flashback and answers all our questions in the first half. In last 20 minutes of the movie, the plot comes to present time. Protagonist kills antagonist hence the movie ends 🤷. Just like the lead actor's N Balakrishna previous movies, he gets all that unnecessary hype like his entrances with sandstorm, earthquakes, etc. Despite these similarities, these movie's inner plot is interesting and has a strong sense of justice. Also there's no boring clips in the whole length. That's what actually makes it watchable despite it's repetitive plot.

I don't know if it's too much to ask a basic, decent movie, with bare minimum emotional touch, watching big hero movie from Telugu is frustrating

Balakrishna does everything in his usual style, albeit with the loudness toned down. Urvashi's Butts has got more screentime than her face, Pragya does nothing, Shraddha Srinath surprisingly has got a decent role and did well. Bobby Deol except for fighting cigarettes does nothing.

Technically, movie is super slick with solid cinematography by Vijay Karthik, rousing score by Thaman, fair work by editor Ruben, production values are fine for a Balayya film.

Coming to writer-director Bobby Kolli, don't know how he keeps churning out such half baked movies on a consistent basis, might do commercially well, but they are far from satisfactory.

BOTTOMLINE : It's neither VIKRAM nor JAILER.

IDaaku Maharaaj is a new Telugu language movie directed by Bobby Kolli and it stars Balakrishna, Pragya Jaiswal, Shradha Srinath and Bobby Deol with a cameo appearance by Urvashi Rautela. This movie tracks well with Balakrishna template where he is introduced as nobody but has a flashback where was a savior of people and he unleashes that fierceness in the climax. No surprises there. This movie was as predictable as sunrise and sunset.

While there is nothing wrong with formulaic commercial mass movies, the way this particular movie is written is an insult to the audience. The makers planned a "high elevation" scene every 10 minutes where we see Balakrishna uttering a senseless "punch dialogue" to cater to the "masses" followed by equally senseless songs with disgusting lyrics disguised as "mass numbers" all the while aided by S. Thaman's raucous background score that he lifted from Anirudh's Jailer theme "Alapara" and Hans Zimmer's Dune desert bass. Fortunately, this movie was not as loud as his other recent works so that's a concession, I guess.

While the movie shows so many objectionable scenes, especially involving little girls and women, the audience have to come accept that these form the core of a "Balakrishna Template". This is an unfortunate development where the audience make this kind of low effort scrap a commercial success. I cringed a little every time Balakrishna spanks the female lead in the movie. If that is not enough, the director Bobby Kolli made a little girl, probably a 6 year old, spank the female lead for Balakrishna in the name of "mass". Not stopping there, the liberal use of double entendres which leave no room for imagination is low even for Balakrishna's standards. The screenplay leaves no element of surprise by providing you exactly what you'd expect to happen exactly at the time you'd expect to happen.

What felt fresh, again for a Balakrishna template, was the cinematography. They were more subdued than a typical Balakrishna movie. However, the color grading was all over the place. There are scenes where excessive grunge effect was applied turning blood into a black colored liquid, again, presumably, to appease to the masses I guess.

Bottomline: This movie was a low effort scrap that caters to very specific set of audience.

Bobby seems to have picked up where he left his villainous role in animal movie.

These type of movies need a ruthless villain and Bobby delivers, your all familiar with Balakrishna style, larger than life character.

The movie is a good weekend entertainer, with a recycled storyline of good vs evil.

The director's of south have found a winning formula of cramming 2 stories into one movie, although highly entertaining and your getting more movie for your buck. Not every movie can pull this off and this is where daaku maharaj leaves you yearning for more.

This movie would have been a solid 10 but, storyline seems rather rushed.