Almost Cops

From the very first scene, *Almost Cops* sets the tone with laugh-out-loud moments, offbeat charm, and a duo you can't help but root for. This buddy comedy captures what happens when two well-meaning slackers end up impersonating police officers-and somehow find themselves stumbling into real crime-fighting.

💥 The chemistry between the leads is magnetic. Their timing, banter, and chaotic improvisation turn every scene into comic gold. Whether they're trying to talk their way out of a traffic stop or accidentally solving a case, you're in for a wild, unpredictable ride.

The film cleverly mixes physical comedy with satire, poking fun at authority while celebrating friendship, loyalty, and accidental heroism. It's fast-paced, never dull, and packed with moments you'll quote later.

🎯 Bottom line: *Almost Cops* doesn't just entertain-it surprises. If you're in the mood for a carefree watch that leaves your face sore from smiling.

This film is nothing more than a PR stunt to make the Dutch BOA system look good. BOAs (Special Enforcement Officers) were never meant to assist police - they were created to replace them because they're cheaper and send fine money straight to local governments. They can't use force, can't make arrests, and mostly hand out petty fines for things like cycling in city centers or parking errors.

Almost Cops tries to paint BOAs as lovable underdogs, but it completely ignores the truth: BOAs are powerless, widely disrespected, and symbolize a broken system focused on revenue, not safety. Dressing that up in comedy doesn't fix the problem.

While I had indeed never heard about this 2025 Dutch action comedy titled "Bad Boa's" (aka "Almost Cops"), of course I opted to watch it. All movies deserve a fair chance in my opinion.

Writers Kenneth Asporaat, Michel Bonset, Murth Mossel, Joost Reijmers, Paul de Vrijer and Thomas van der Ree put together an okay enough script. I mean, it was a watchable enough movie with some good laughs here and there. But ultimately it just wasn't an outstanding or memorable action comedy.

Given my very, very limited exposure to Dutch cinema, then I wasn't familiar with a single actor or actress on the cast list, which was something that worked in favor of the movie. Yeah, I do enjoy watching new and unfamiliar talents and faces on the screen when I watch a movie.

"Bad Boa's" was a fair enough movie, but director Gonzalo Fernandez Carmona just didn't deliver anything outstanding.

My rating of "Bad Boa's" lands on a generic five out of ten stars.

I'm not exactly sure what made me enjoy this film, but it had a fun and easy vibe that just worked for me. The plot isn't very original or deep, but it moves along smoothly and keeps you watching. The comedy is light, not over-the-top, and the characters, while not super memorable, have decent chemistry. It's the kind of movie you watch when you don't feel like thinking too hard-just relax and enjoy. Nothing groundbreaking, but definitely entertaining enough for a casual night. I had a good time watching it, and even if I won't rewatch it soon, I don't regret it at all. It's simple, silly, and sometimes that's all you really need.

It has a few funny moments, I won't deny it. But if you're looking for a comedy that makes you laugh non-stop, you better look elsewhere. Almost Cops tries to be many things at once-action, drama, satire, social commentary-and ends up being none of them. The whole thing feels like a movie that doesn't know who it's for or what tone it wants to keep. One moment it's trying to critique police corruption, and the next it's making poop jokes. It doesn't add up.

The main duo works... sometimes. The chemistry between Ramón and Jack could've been much better if the script weren't filled with clichés and recycled twists. Most of the humor feels forced or straight-up childish. And worst of all: there are scenes that aim for seriousness, but neither the pacing nor the visual style supports it. The direction never finds the right tone, and the story lurches forward with choppy editing, flat dialogue, and ridiculous action scenes.

The Rotterdam setting is totally wasted. They could've leaned into the local context or real social dynamics, but instead, they chose to copy American formulas with zero personality. There's nothing here that makes it stand out or feel rooted in a specific place. This could've been shot anywhere and it wouldn't have made a difference.

What's really sad is that you can sense there was a message behind it all: some social critique, an attempt to show that the lowest-ranking officers are often the ones closest to the people. But it's so poorly executed that it doesn't move, doesn't hit, doesn't leave any mark. It's a missed opportunity-a sloppy mix of genres and references that steps all over itself.

In short: there are a couple of moments that might make you smile, but this is a messy, aimless, and boring film. One of those comedies that simply isn't funny, that promises thrills but delivers apathy. If Netflix is going to keep betting on international productions, they better back stronger ones. Because this one... this one's a mess.