The Unholy Trinity

Thoroughly enjoyed this film, set in stunning Montana in the 1880s. Well cast characters who bring their own backgrounds to the story and add to the authenticity of a young USA still developing. I especially appreciated that the actors and actresses used their own natural accents to emphasise that the USA back then was even more a land of immigrants than it is now, with no homogenised American accent, so Veronica Ferres spoke with her own German accent, Pierce Brosnan with his Irish brogue and Samuel L Jackson with his deep south accent.

The story line made sense with interesting twists and turns to keep the audience paying attention, with enough humour to lighten the load, and violence to keep people alert.

All in all a very good film.

This would have been a good ol' RSP back in my day of the early to mid 1990s (or uh 1970's? 1950s? That is before my time) - and for the layman in the back, that of course stands for a "Reliable Studio Programmer" - yet now a film like The Unholy Trinity stands as an independent production that squeek by with a theatrical release only/thanks to the still-apparent star power of Samuel L Jackson and to an extent Pierce Brosnan. It may be putting faint praise on this by saying that it really keeps ones attention because of Jackson most of all, and if nothing else one should look to this as a sign that we still underrate him as not only one of the last "Movie Stars" but as a damn good actor.

If this is not a Major Marquis Warren ala Hateful Eight level performance then it is of course due to this not having anywhere near those ambitions nor the artistic acumen or brutality of that Theatrical Epic. This is largely shot like it is meant for a TV show, and that is not meant as a knock but rather simply what it is, that this story of a young man who comes to a town to seek out some possible answers (or may-hap some buried gold) and comes upon some bad dudes and a murder or two or ten.

That said, when Jackson is talking with the Sheriff's wife and the tension is mounting as to what he may do next and what she is going to do, it is one of those examples of why we should at least give his latter-day vehicles a chance (after all, how many of these can he have left in him?)

It is absolutely adequate and thankfully goes by quick in 90 minutes, with a climax that brings the bullets if juat minimal/Mid-competent craftsmanship. Maybe it is that I cant help but wish this was actually a movie from 70 years ago starring Randolph Scott in the Brosnan role (formidable as he is) and directed by Budd Boetticher and written by Burt Kennedy. At the least it would have more scale in its B movie dimensions than what was shot here on some OK Digital Camera.

I enjoyed the movie. The cast is fantastic, featuring Brandon Lessard, Samuel L. Jackson, Pierce Brosnan, and Veronica Ferres. The plot follows a classic Western theme where a son seeks revenge for his father's hanging by a corrupt sheriff. However, it includes some intriguing twists and well-rounded characters. There's no clear-cut villain; everyone has their own justified motives. I particularly liked the character development of young Henry Broadway (Brandon Lessard), who is innocently drawn into the adventure and faces constant moral dilemmas. Samuel L. Jackson's portrayal of the dubious St. Christopher is also a standout.

The film's setting in Montana is stunning, with innovative camerawork in the fight scenes. It has some humorous moments and isn't overly violent. While the story has minor plot holes and some characters develop (too) quickly and make irrational choices, these don't detract significantly from the overall experience. Some critics mentioned the varied "dialects" due to the international cast, but the movie explains each character's background well enough. Considering the diverse immigrant population in the 1870s West, this aspect feels authentic and isn't a dealbreaker.

Director Richard Gray and company deliver the goods with "The Unholy Trinity". It's a solid western. Pierce Brosnan gives a terrific performance. He owns every scene he is in. In fact, the movie was kind of getting off on the wrong foot with me until Brosnan showed up (it was only a few minutes, actually). Once Brosnan shows up, the movie really takes off. He has a bunch of great lines and he nails every one of them. Samuel L. Jackson is also in fine form. The supporting cast is good but it's hard to compete with those two when they're on their game. Director Gray stages his action very well. It's a very exciting movie. I'm a big fan of westerns and I'm glad I got to see this one in the theater. (I saw "The Unholy Trinity" at AMC Raceway 10, Westbury, NY.)

Really loved The Unholy Trinity. The theme of generational revenge throughout the film is certainly apt for our times, and gives the audience plenty to think about on the journey home.

But for those who don't want to be challenged intellectually, there's a great surface-level storyline to just sit back and be entertained by, with fantastic performances from Sam Jackson, Pierce Brosnan, and Brandon Lessard - who portrays the coming-of-age protagonist perfectly.

Loved the Montana scenery and the beautiful period-correct firearms, though the expensive urn (for a prisoner?) and the sound mixing (a pump-action 'shick-shock' effect for a double-barrel break-action shotgun?) were minor distractions from an otherwise excellent gritty Western world.

Adding The Unholy Trinity to my list of films to enjoy when I can't think of what to watch - alongside A Few Good Men, Beverly Hills Cop, Tokyo Drift, and The Dark Knight, among others.