Juré n°2

This cast is doing their best, but the material is so incredibly dumb. The elevator pitch of the plot is intriguing, but it's got the silly execution of a CBS crime procedural.

I watched it for the cast, and for the moral dilemma and mystery of the premise, but the trailer had more actual plot clarity than the movie itself. Enjoying this movie requires gazing lovingly at Nicolas Hoult's beautiful face and letting Toni Collette's reliably strong performance distract you from the fact the writers assume no one understands how courts or trials work. And the ending leaves absolutely everything to be desired.

This was not to be expected, especially after the unspeakable 'Macho Man'. So to summarise, Clint Eastwood has once again created a significant work. A high-quality cast and, most importantly, a story that usually really shakes the viewer. From life, this can happen to anyone in a similar form, albeit without the heightened premise of trial involvement. Unconscious becomes cruel reality, everyday life becomes nightmare, ignorant becomes guilty. And suddenly you find yourself at a moral crossroads: be honest and cross the threshold of a legal abyss, including that of your own life model, or double your own guilt. In fact, the film draws the viewer into the imagined maelstrom of putting oneself in it and creates precisely the false relativisation provoked in our minds. Briefly reconsidered, it is only when we distance ourselves from the character again that the behaviour becomes intolerable. Clint Eastwood loves his America, but is always critical of its darker side. Especially the legal system, a well thought-out construct with the usual human flaw. Justice remains a stroke of luck.

While serving as a juror in a high-profile murder trial, a family man finds himself struggling with a serious moral dilemma, one he could use to sway the jury verdict and potentially convict or free the wrong killer. Prosecutor Faith Killebrew (Toni Colette) hopes to draw voters to her campaign for district attorney (DA) by highlighting her high-profile domestic violence conviction. A dissenting juror (Nicholas Hoult) in a murder trial slowly manages to convince the others that the case is not as obviously clear as it seemed in court presided by strict Judge Thelma Hollub (Amy Aquino) . As Juror #2 holds out with a verdict of not guilty, thus setting the stage for arguments and reasons why or why not the guy may be guilty . As he desperately seeks to convince his eleven peers (Leslie Bibb, Cedric Yarbrough, James Michael Sythe, Chikako Fukuyama, J. K. Simmons) to reconsider their conviction of a man (Gabriel Basso) framed of murdering . As 12 jurors are str uggling to decide the fate of a guy who allegedly killed his wife. Justice is blind !. Guilt sees everything !.

Middle-budget Clint Eastwood film about some jurors quick to condemn a man on trial for murdering his girlfiend before reviewing the evidence. Though the whole movie is mainly set in a courtroom and a jury room it never lacks for taut , suspense , intrigue and inspired direction . Eastwood, director of masterpieces such as Unforgiven, Mystic River or Million Dollar Baby, returns to his cinema of dark stories and ethical dilemmas in this closed-door courtroom thriller starring Nicholas Hoult (Skins), Toni Colette (The Sixth Sense, Hereditay) and J. K. Simmos (Whiplash). Here, Eastwood explores the differences between justice and truth, the complexity of ethics and impartiality.

The struggle behind closed doors is tense , charged and riveting. Jonathan Abrams's brilliant script was left virtually intact in its move to feature film. Courtroom drama too plenty of flaws, unlikely situations and unresolved ambiguities to be anywhere near the genre's best. However , being splendidly directed by Clint Eastwood with an extraordinary plethora of actors who give magnificent performances . The acting level of the cast during some of the intense discussions and debates almost bursts in the screen .

There's also a sensitive music by Mark Mancina. As well as as an evocative cinematography by Yves Bélanger, mainly shot in Savannah, where Eastwood previously filmed Midnight in the Garden of Good and Evil (1997) . Despite the small streaming ans TV release the film (releasing only in USA 50 theaters despite strong test results) is due in the US it is nonetheless getting a wide theatrical release in many other countries. The motion picture was well directed by Clint Eastwood and is expected to retire after this movie. This film along with the filmed in the 2000s as ¨Cry Macho¨, ¨The Mule¨, ¨American Sniper¨, ¨Invictus ¨ , ¨Gran Torino¨, " Changeling" , ¨ Million dollars baby¨ , ¨Mystic river ¨ make that the dramatic force of this great director turns outs to be impressive , despite being over ninety years old . Juror #2(2024). 6.5/10. A notable Eastwood film, which honors his alleged cinematic farewell.

"Juror #2" is a movie that teases greatness but ultimately falls short due to its flawed execution. The premise is undeniably strong, offering a fresh take on the courtroom drama genre that immediately grabs attention. The story revolves around a juror torn between his duty to deliver justice and the burden of a personal secret that could change the case's outcome. It's the kind of setup that promises tension, moral dilemmas, and edge-of-your-seat storytelling. However, the film struggles to make the most of this potential.

Despite a talented cast delivering commendable performances, the script fails to provide the depth and nuance necessary to elevate the story. The characters, while well-acted, often come across as trapped in a plot that feels more concerned with sensational twists than meaningful development. The narrative choices veer into contrived territory, undermining the gravity of the film's premise. Instead of a thought-provoking exploration of justice and morality, we are given a story that leans too heavily on clichés and illogical decisions.

What's most disappointing is how close "Juror #2" comes to being great. With a sharper focus on its central themes and more thoughtful storytelling, it could have been a standout in its genre. Instead, it feels like a missed opportunity, one that leaves you wondering what could have been. The strong performances and intriguing premise deserve acknowledgment, but they aren't enough to save the movie from its poor execution. In the end, it's a serviceable but forgettable watch-a film that could have soared but instead settles for mediocrity.

I doubt that this case would ever have gone to trial. The only "witness" supposedly saw the suspect during a dark night, through heavy rain, from a couple of hundred feet away, right? If this case did make it to the courtroom, any halfway decent defense attorney would've knocked down the supposed validity of that witness without much trouble. There's nothing else to go on. The suspect followed her? How far? No one knows, which means that's of no value at all. If she was hit by a car, any autopsy would have shown this to have been the case, i.e. She was hit hard by a very large object... in other words, a vehicle, rather than a hand-held object. In summary, the direction, the actors and the production are all fine, but the whole film is a house built on a foundation that has no strength.