L'étrange couleur des larmes de ton corps

One of the few films that made me nervous with it's chaotic plot that leads to nonsense. I can say that the beginning of the action was in place, the shots were unusual, but still unique and well illustrated.

Many parts of the film are accompanied by intense music, which in some parts may be superfluous, at least with the power with which it is expressed. The subjective impression is as if you took a narcotic and as if you were straight, twisted at the same time.

The film served as an inspiration to Marilyn Manson for two music videos and I can say that he made a great whole, and 4 obvious reasons - the videos were much shorter than the film.

From another point of view, we can call this film an extravagant masterpiece in which a lot of effort has been invested, but through the continuation of the film, that same effort falls into the water.

I love Giallo stuff and when there's a movie that pays tribute or respect to the genre, I'd give it a go. So with this one, seeing a really cool cover of the DVD and being French and all, hey off course :) I like the idea of a missing lover story and I really like the stylized detailed, closed up shots and sounds of many of the scenes. BUT I find it a bit much. I feel that with Giallo, being psychedelic doesn't mean,psychedelic shots of every scenes, this movie has an amazing / best art nouveau back drop that it self already gives a certain persona. I find my self looking the other way just every now and then to rest my eyes also press the ff button just because my brain is telling me " yes I got it, got the idea...next ". However I still recommend it to you, because it has a very good story and all this stuff I'm writing about is worth to look at. But for me.....a bit over done

Yet another exercise in all-style-no-substance film-studies-friendly/paying-audience-hostile giallo "homage" from Forzani and Cattet. Oh for Pete's sake - come on guys! Amer was one thing, quite interesting at the time, but the value of that film has somehow been retroactively diminished by the release of its identikit successor. Replicating the surface details of the giallo style is easy peasy - anyone can do it - it's the Spaghetti Bolognese of filmmaking. But the point of the original gialli classics was that they were proper functioning movies that would have worked as exciting thrillers even without the stylistic flash. Neither Amer, nor TSCOYBT, have proper plots, and for me, failure to provide an adequate narrative element is an abdication of the filmmaker's primary responsibility.

I hope, for Forzani and Cattet's sake, that they are not currently working on another EU-cash-lake-for-art-house-piffle funded giallo homage, because they will be risking losing their credibility forever after, which would be a shame, because I get the impression that they are extremely talented and visionary filmmakers.

At first I couldn't really explain why I didn't like this film. After all, the foyer and staircase in the building are the kind of atmospheric luxury one expects in a giallo or apartment horror, and the old lady upstairs reminded me a bit of The Sentinel, one of my favorite films ever.

I think it's the main guy. I don't like him. Not that I like every horror protagonist or "point of view" killer in giallo, but I couldn't empathize or feel horror, I just felt a kind of worldly distaste. The kind of distaste I feel for Wall Street moguls, tax accountants, and Republicans. Not the kind of supernatural fascination or psychological curiosity one might have in the horror/thriller genres.

In fact nothing about this felt haunted to me. There was no pang of nostalgia, no whisper of ghosts (real or imagined), no monstrous memories sparked, no sleeping dogs refused to lie. The Strange Color of Your Body's Tears is more of surreal modern nightmare centering about a rich white man. His dream felt incoherent in a bad way, it did not compel me to pay attention, I could barely get through this. But I have to give it 6 stars for the incredible beauty of particular scenes.

Being visually stunning this movie is great essentially for its amazing cinematography and the way the camera is used.

Detailed and wonderful plans, vivid colors, amazing sets inside Art Deco buildings; it all have an astonishing visual effect.

The plot is mysterious and complex.

It's all about a murderer that is killing people inside their houses, but without breaking anything or leave any clue. But who is this murder anyway?

It's one of those movies you can't figure out the entire plot at the first sight! At least I didn't!

But I was amazed with the strange colors of this film!