Dans une cabane, vit une créature à tentacules donnant du plaisir sexuel à qui vient à son contact. Après l'agression de son frère et la découverte de la liaison adultère de son mari avec ce... Tout lireDans une cabane, vit une créature à tentacules donnant du plaisir sexuel à qui vient à son contact. Après l'agression de son frère et la découverte de la liaison adultère de son mari avec ce dernier, Ale, désespérée, se livre à la bête.Dans une cabane, vit une créature à tentacules donnant du plaisir sexuel à qui vient à son contact. Après l'agression de son frère et la découverte de la liaison adultère de son mari avec ce dernier, Ale, désespérée, se livre à la bête.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 7 victoires et 20 nominations au total
Avis à la une
It's a sort-of sci-fi relationship drama that is single-minded in its approach to sexual dynamics with a handful of characters dedicated to instant gratification. I really liked this film. The story, acting, cinematography and setting were all compelling to me, but I can't say it's amazing.
It presents itself as a mystery, drip-feeding information to the viewer. But it really isn't a mystery. There is no 'whodunnit' element. It is always very clear who does what and why, so the audience is left with very little to ponder or think about as the story unfolds. There are plenty of intentional plot holes (the sci-fi elements are almost entirely unexplored) but they are ultimately irrelevant to the main story. That's the problem. There is no grand metaphor here. There are no conundrums to puzzle over and, after watching it, the questions you have won't be about the characters or the events or themes or what it all means. You know exactly what it all means. You may have simple questions, like who were the couple in the woods? Why didn't they do x,y or z? But your mind won't be whirring with heady concepts, which is what I demand from good sci-fi.
It's a simple film that could really benefit from a deeper subtext or some novelistic elements to give the story more 'meat'. However, as a streamlined drama that takes a prurient look at sexual frustration and secret desires, it's incredibly well presented and has mostly excellent performances. Overall, it's a bold and very unique story. Movies like this don't come around often and so I can strongly recommended it for fans of horror, sci-fi and mystery (even though it is none of those things!).
It presents itself as a mystery, drip-feeding information to the viewer. But it really isn't a mystery. There is no 'whodunnit' element. It is always very clear who does what and why, so the audience is left with very little to ponder or think about as the story unfolds. There are plenty of intentional plot holes (the sci-fi elements are almost entirely unexplored) but they are ultimately irrelevant to the main story. That's the problem. There is no grand metaphor here. There are no conundrums to puzzle over and, after watching it, the questions you have won't be about the characters or the events or themes or what it all means. You know exactly what it all means. You may have simple questions, like who were the couple in the woods? Why didn't they do x,y or z? But your mind won't be whirring with heady concepts, which is what I demand from good sci-fi.
It's a simple film that could really benefit from a deeper subtext or some novelistic elements to give the story more 'meat'. However, as a streamlined drama that takes a prurient look at sexual frustration and secret desires, it's incredibly well presented and has mostly excellent performances. Overall, it's a bold and very unique story. Movies like this don't come around often and so I can strongly recommended it for fans of horror, sci-fi and mystery (even though it is none of those things!).
This film is about finding pleasure. The five main characters are husband, wife, brother, girl and alien. There are lies, sex, orgasmic encounters and jealousy. Good setup for a strange sci-fi drama.
This isn't a bad film. It is slowly paced but my curiosity helped it hold my attention. I sometimes find it hard for me to gauge foreign actors but I thought the acting was ok. There's an ominous feel to this and I guess that also helped in holding my attention. It wasn't anything I would classify as horror going on. It felt much more like weirdness. My biggest issue is that you never really get an understanding of everything was going on. I wanted to know why people were hurt or dying and I never got an answer. Things just didn't completely add up by the end of the film so I had to take some points away for that. With such a slow pace there was a great building of suspense but it failed to satisfy. If you can handle the pace and the unanswered questions, this is an ok movie.
This isn't a bad film. It is slowly paced but my curiosity helped it hold my attention. I sometimes find it hard for me to gauge foreign actors but I thought the acting was ok. There's an ominous feel to this and I guess that also helped in holding my attention. It wasn't anything I would classify as horror going on. It felt much more like weirdness. My biggest issue is that you never really get an understanding of everything was going on. I wanted to know why people were hurt or dying and I never got an answer. Things just didn't completely add up by the end of the film so I had to take some points away for that. With such a slow pace there was a great building of suspense but it failed to satisfy. If you can handle the pace and the unanswered questions, this is an ok movie.
There is a nod to director, Zulawski in the closing credits of this film and no wonder. What is surprising is that I have never quite got round to seeing Possession, the evening for indulging in the spectacle of Isabelle Adjani engaged (in reality or not) with a many tentacled creature, has never quite come around, and then I fall into this. 'Disgusting', 'unnecessary', 'science-fi' 'entrancing', and 'disturbing yet beautiful', various parties have cried but only the last two can I possibly concur with. The difficult roles are well played, including two young children, and although the film is peppered with graphic sex and violence, it is that element of doom that worries the most. For such a vivid film, including much that is most alluring, there is clearly established the threat of something terrible in the woods and more specifically, the cabin in the woods. Appalling, amazing, affecting and surprisingly survives explicit revelations concerning the being when might have expected that less might be more.
The story primarily revolves around a toxic love triangle that would be right at home in a soap opera if it weren't for all the tentacle sex.
The melodrama is a slow burn, but nothing I would call art house. The tension between the characters is nicely expressed through effective performances and a moody atmosphere.
The monster element is alluded to quickly, but takes it's time to fully materialize, keeping things subtle enough for some low key creepiness, but certainly wouldn't wet the appetite of anyone expecting a full blown creature feature.
It's a rather original premise, albeit a popular hentai theme, I'm not sure it's ever been presented as this kind of serious metaphor. Though the allegory may be thin, there's still some depth to try piece together.
One thing I can't help but mention is that the first leg of the film seems needlessly confusing as the two lead actresses look somewhat similar and the movie doesn't go out of it's way to make it clear that they are different characters. Maybe it's on me for skim reading subtitles and glazing over names, but I can't help but be curious if I'm the only one who had to pause and go "wtf, why is she hitting on her brother?"
The melodrama is a slow burn, but nothing I would call art house. The tension between the characters is nicely expressed through effective performances and a moody atmosphere.
The monster element is alluded to quickly, but takes it's time to fully materialize, keeping things subtle enough for some low key creepiness, but certainly wouldn't wet the appetite of anyone expecting a full blown creature feature.
It's a rather original premise, albeit a popular hentai theme, I'm not sure it's ever been presented as this kind of serious metaphor. Though the allegory may be thin, there's still some depth to try piece together.
One thing I can't help but mention is that the first leg of the film seems needlessly confusing as the two lead actresses look somewhat similar and the movie doesn't go out of it's way to make it clear that they are different characters. Maybe it's on me for skim reading subtitles and glazing over names, but I can't help but be curious if I'm the only one who had to pause and go "wtf, why is she hitting on her brother?"
Be warned that this Mexican horror film has some graphic nudity and alien/human sexuality. This is not a giveaway as the opening scene makes quite clear where this is headed. A young woman, Veronica, is in a room in a moment of what seems to be self induced pleasure, when, something not of this earth exits her most private of parts. We are off to the races. Veronica is injured during the encounter and meets a nurse at the hospital who befriends her. His sister Alejandra is in an abusive marriage and has two kids. Veronica informs Ale of meeting someone(ha ha, E.T.) who has changed her life for the better. It seems that she has become a matchmaker for the slithering creature from outer space. What follows is some extremely unpleasant human/alien couplings not for those with weak stomachs. In the end I was entertained by this Mexican thriller.
Le saviez-vous
- AnecdotesThe film is dedicated to Polish director Andrzej Zulawski, whose cult film Possession (1981) inspired the concept.
- ConnexionsFeatured in Horror's Greatest: Hidden Gems (2025)
- Bandes originalesCamino de Guanajuato
Written and Performed by José Alfredo Jiménez
Bajo licencia de La Banda Yurirense y PHAM
Meilleurs choix
Connectez-vous pour évaluer et suivre la liste de favoris afin de recevoir des recommandations personnalisées
- How long is The Untamed?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langues
- Aussi connu sous le nom de
- La región salvaje
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Montant brut aux États-Unis et au Canada
- 27 593 $US
- Week-end de sortie aux États-Unis et au Canada
- 2 718 $US
- 23 juil. 2017
- Montant brut mondial
- 61 249 $US
- Durée1 heure 38 minutes
- Couleur
- Rapport de forme
- 1.66 : 1
Contribuer à cette page
Suggérer une modification ou ajouter du contenu manquant