La Convocation

The movie is a respectable effort in the art of Cinema although, even if it is filmed in color it is very nearly 'film noir' , muted colors and lighting throughout sometimes in the extreme; a scene in a classroom with the lights turned off ? The plot is too intricate and character's relationships to one another just seem a bit too cute to be plausible but there to tell the story and then you get more of their backstories as you get deeper into the movie. Look the acting is great and it explores an age old human dilemma where things are not what they seem and people act on their assumptions when when the facts are uncertain. I saw 'The Teacher's Room' which was outstanding this movie is similar in some respects but is not ' knitted ' together very well . I am glad I saw it but would be hard pressed to recommend it , if I had been streaming it at home I would not have finished watching it. The movie is just not straight forward in it's delivery and that is too bad; it had much more potential with drama and acting that def. Is present in the film.

A mother, played by Renate Reinsve, is called to the school because of an incident involving her son Armand and his best friend.

Written and directed by Halfdan Ullmann Tøndel, the film offers a good premise, one that manages to capture your attention as well as its beginning when we share Elisabeth's intrigue as to what happened with her son. Once in the school, she meets with the other boy's parents and the school personnel, and information is delivered, allowing us to grasp the extent of the dramatic event Armand is accused of.

The problem with the movie is that a theme like this rarely allows for a runtime close to two hours. Sure, as long as the story progresses, it is clear its aspirations go beyond its initial premise. But the execution, the way to tell what it wants, is very ineffective and will keep you anxiously waiting for this yawn-fest to end.

It is full of peculiarities that might strike as funny or strange: people hysterically laughing when the subject being talked about is of a serious matter, people dancing out of nowhere in the school corridors resembling bad performance art, etc.

Renate Reinsve delivers another good performance, as well as the rest of the cast, but besides that and the cinematography, Armand has little to offer other than a regret to go back in time and choose another movie to watch.

This had so much potential and got off to such a solid start. Which was why it was a disappointment when the storytelling went off the rails in the last hour or last third of the film. At about two hours long, the elements that were included in that final hour that made the film go haywire could have been completely removed and the end result would have been a fantastic movie. The first part of Armand was gripping, as the audience watches the main character go through a roller coaster of a day with school administrators after being called in due to an altercation at her son's school. She is alone in trying to advocate for her son as she faced his accusers, poking holes in the claims made against him. The acting was great, and the characters were realistic and interesting. The moments of tension and discomfort were captured in a way that I think most of us could identify with. Where this fell apart for me was when the movie took tangents by including some scenes that felt pretentious to the extreme, making no sense and turning a story and characters that had been believable into something cringe, nonsensical, and plodding. I found myself fast-forward/skipping through those moments, as they added nothing to the story and were too annoying to put up with. I was getting angry by that point. It's unfortunate because this could have been a four-star film for me, but because it veered so wildly off course in the end, it dragged the entire thing down. Huge miss. Video review on my YouTube channel.

Armand and the other boy, the centre of the story here, are absent. They are rendered psychologically dead by psychologically dead - or insane - parents.

What began as a gritty drama, turned out to be psychological horror. I suppose the Scandinavians are good at living the unconscious, manifesting the darkness. A bleeding nose in one of the characters signals early on that we are to spiral down, nauseated, into the madness of all the "adults". The feeling of vertigo is subtle and perhaps more terrifying than Hitchock in its normalised elusiveness. Empty corridors, staircases, and silent screams. A children's choir where children are voiceless. Two mothers who couldn't be more repulsive. Where does evil begin? "If you look at our image, you'll see only chaos. If you dig deeper, you'll find nothing else."

From the grandson of Ingmar German and Liv Ullman, Halfdan Ullmann Tøndel has a debut that shows good potential but despite it's ambitious concept and strong moments, it fails to fully hold it's narrative and goes through a limbo.

The psychological drama and themes explored of school system and the battle of wits between people is a good concept, especially not knowing much from the European standpoint. With good camerawork and sound designs, it helps to create the claustrophobic setting and tensions. The performances from the cast, especially Renate Reinsve was great and felt realistic. Unfortunately, what makes the movie not work is the way the narrative is written and how bumpy it feels.

Many of the writing components have good concepts but it's surrealist approach didn't work, which ends up feeling repetitive and muddled as it continues. Making things a bit difficult to really understand or connect with the characters or finding them believable at times. Stories like these are movies I like but I can't really engage with it because of the muddled writing and repetitive nature. The direction from Tøndel is good but at some moments, the direction felt a bit misplaced and lost. Being heavy dialogue, the dialogue is a mix of both good and some not so good.

At it's core, Tøndel has a lot of talent as this movie does show his talents and potential of being a good filmmaker in the future. But there's a lot of work still to be done.