[go: up one dir, main page]

    Calendrier de sortiesLes 250 meilleurs filmsLes films les plus populairesRechercher des films par genreMeilleur box officeHoraires et billetsActualités du cinémaPleins feux sur le cinéma indien
    Ce qui est diffusé à la télévision et en streamingLes 250 meilleures sériesÉmissions de télévision les plus populairesParcourir les séries TV par genreActualités télévisées
    Que regarderLes dernières bandes-annoncesProgrammes IMDb OriginalChoix d’IMDbCoup de projecteur sur IMDbGuide de divertissement pour la famillePodcasts IMDb
    OscarsEmmysSan Diego Comic-ConSummer Watch GuideToronto Int'l Film FestivalSTARmeter AwardsAwards CentralFestivalsTous les événements
    Né aujourd'huiLes célébrités les plus populairesActualités des célébrités
    Centre d'aideZone des contributeursSondages
Pour les professionnels de l'industrie
  • Langue
  • Entièrement prise en charge
  • English (United States)
    Partiellement prise en charge
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
Liste de favoris
Se connecter
  • Entièrement prise en charge
  • English (United States)
    Partiellement prise en charge
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
Utiliser l'appli
  • Distribution et équipe technique
  • Avis des utilisateurs
  • Anecdotes
  • FAQ
IMDbPro

Deux sœurs

Titre original : Hard Truths
  • 2024
  • R
  • 1h 37min
NOTE IMDb
7,2/10
7 k
MA NOTE
POPULARITÉ
4 133
347
Marianne Jean-Baptiste and Michele Austin in Deux sœurs (2024)
Ongoing exploration of the contemporary world with a tragicomic study of human strengths and weaknesses.
Lire trailer2:14
6 Videos
80 photos
ComédieDrameComédie noireDrame psychologique

Ajouter une intrigue dans votre langueOngoing exploration of the contemporary world with a tragicomic study of human strengths and weaknesses.Ongoing exploration of the contemporary world with a tragicomic study of human strengths and weaknesses.Ongoing exploration of the contemporary world with a tragicomic study of human strengths and weaknesses.

  • Réalisation
    • Mike Leigh
  • Scénario
    • Mike Leigh
  • Casting principal
    • Marianne Jean-Baptiste
    • Michele Austin
    • David Webber
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    7,2/10
    7 k
    MA NOTE
    POPULARITÉ
    4 133
    347
    • Réalisation
      • Mike Leigh
    • Scénario
      • Mike Leigh
    • Casting principal
      • Marianne Jean-Baptiste
      • Michele Austin
      • David Webber
    • 64avis d'utilisateurs
    • 114avis des critiques
    • 88Métascore
  • Voir les informations de production sur IMDbPro
    • Nomination aux 2 BAFTA Awards
      • 27 victoires et 55 nominations au total

    Vidéos6

    Official Trailer
    Trailer 2:14
    Official Trailer
    Hard Truths
    Trailer 2:15
    Hard Truths
    Hard Truths
    Trailer 2:15
    Hard Truths
    Hard Truths: Hairdresser (UK)
    Clip 1:30
    Hard Truths: Hairdresser (UK)
    Hard Truths: It's Ridiculous
    Clip 1:47
    Hard Truths: It's Ridiculous
    Hard Truths (Featurette)
    Featurette 1:35
    Hard Truths (Featurette)
    Hard Truths: Q&A From NYFF 2024
    Interview 20:05
    Hard Truths: Q&A From NYFF 2024

    Photos80

    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    + 73
    Voir l'affiche

    Rôles principaux28

    Modifier
    Marianne Jean-Baptiste
    Marianne Jean-Baptiste
    • Pansy
    Michele Austin
    Michele Austin
    • Chantelle
    David Webber
    David Webber
    • Curtley
    Tuwaine Barrett
    Tuwaine Barrett
    • Moses
    Ani Nelson
    • Kayla
    Sophia Brown
    Sophia Brown
    • Aleisha
    Jonathan Livingstone
    Jonathan Livingstone
    • Virgil
    Jo Martin
    Jo Martin
    • Nurse Salon Client
    Llewella Gideon
    • Smoking Salon Client
    Yvette Boakye
    • Salon Client
    Chinenye Ezeudu
    Chinenye Ezeudu
    • Salon Client
    Diana Yekinni
    Diana Yekinni
    • Hairdresser
    Elliot Edusah
    Elliot Edusah
    • Sofa Client
    Tiwa Lade
    Tiwa Lade
    • Sofa Client
    Alice Bailey Johnson
    • Furniture Assistant
    Gary Beadle
    Gary Beadle
    • Irate Motorist
    Diveen Henry
    Diveen Henry
    • Supermarket Customer
    Bryony Miller
    Bryony Miller
    • Supermarket Customer
    • Réalisation
      • Mike Leigh
    • Scénario
      • Mike Leigh
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs64

    7,27K
    1
    2
    3
    4
    5
    6
    7
    8
    9
    10

    Avis à la une

    6boblipton

    Portrait Of A Miserable Woman

    There's a crisis in the family. Marianne Jean-Baptiste is ripping into everyone: husband David Webber for his choice in business partners, son Tuwaine Barrett for being twenty-two and still eating peanut butter and jelly sandwiches, sister Michele Austin for wanting to know if she's going to be with her on Mother's Day when she goes to their mother's grave, sales clerks, doctors, dentists, the fox that's gotten in the back yard, birds. And she's scared and just wants to sleep.

    By the end of this movie, I was convinced she had brain cancer that was depressing her past all bearing. But this is Mike Leigh's first movie in half a dozen years. That means you know you are going to get great performances; and Miss Jean-Baptiste certainly gives one here, not caring if anyone likes her. Most of the rest of the cast is reduced to silence, but Miss Austin keeps sweetly not taking no for an answer until she gets some answers. And those answers are as unhappy as the rest of the performance.

    I can't recommend this movie to anyone who wants a story with a sense of closure one or another. But if you want to watch a human being in honest pain for an hour and a half, here's your chance.
    7lilianaoana

    Hard truths about family destroying your very soul

    Pansy is just like my mom for half the movie. Minus the wealthy house, the OCD and the crippling fear of anything nature, plus she only abuses immediate family, but is always super friendly outside the house. She toned it down in later years, but yeah, always unhappy with you, always criticizing and insulting you. Never a good word. Irritable at the drop of a hat. So this felt kind of familiar, but also very uncomfortable. Of course this woman's behaviour is extreme, and I don't blame anybody around her for "hating" her. I kept waiting for some big revelation, some deep-seated trauma, some tragic event in her past, severe abuse, something like that. She had a tough childhood, but nothing that would explain this. She might have some form of depression, but I haven't heard of this type of manifestation. Depression doesn't make you this mean, does it?

    Mike Leigh's movies end in some sort of revelation about the main character or we just naturally empathize with them, despite their flaws. This wasn't the case here at all, and I kept waiting for it. Nothing excuses Pansy's attitude in the end, and I could see parts of myself in Moses and Curtley. A person like this makes you act like that.

    Marianne Jean-Baptiste is undoubtably an immensely talented actress. But I do not get the point of this movie, unless it's meant to be a character study of a deeply unpleasant person and the hurt she causes everyone around her, in which case well done. The positives here are her sister Chantelle, an absolutely lovely woman and her two daughters. I wish the movie was about them really, but unfortunately it's not.
    7filmephile

    Facing life's hard truths

    This film incisively and truthfully illustrates the trials and tribulations of mental illness, in this case ostensibly depression, and how it affects the loved ones of those afflicted. It is heartfelt, at times hilarious, and thought-provoking.

    Marianne Jean-Baptiste as Pansy, a fitting name as she gives a vivid flowery performance, like the real-life eponymous flower, is excellent here at portraying a deeply troubled woman teetering on the brink of madness, hanging on by a thread. What could have easily fell into a caricature performance is the exact opposite: she feels so real, raw, and visceral, riding the line between sanity and insanity. She is at war with the world: the most normal petty inconveniences cause her to explode into hysterics, rage, and deep sadness; her reactions are sometimes so severe to the point she's at times unable to merely leave her bed. Michele Austin is great, playing Chantelle, the foil and sister to the lead. Where Pansy seems to be unhappy and unsuccessful, Chantelle is the opposite. Despite their differences, they support one another. And it's their sisterhood and camaraderie that functions as the film's anchor and centerpiece. The implication of their sisterhood is to drive home the point that family is key in life, a balm for the spirit. An interesting thing happens as the film furthers: the more time Pansy spends with her family, the more irritated she becomes, but it's also the more open she becomes about her feelings; it's as though her family simultaneously causes her to not only face her issues head-on, but face the reality that she does indeed have a good support network, but often fails to take advantage of it. This brings to the film an interesting dynamic. It's in these scenes with her family, particularly with her sister, that she finally lets down her tough, gruff exterior to betray a soft, mushy interior.

    The film, despite at its core being a darker and moving subject matter, has many moments of welcome levity and playfulness. The comedy and gravitas meld flawlessly to make for both touching and funny viewing. The only issue this film has is that the pacing unfortunately drags rather often. As there is no real, significant plot here, besides following a middle-aged woman struggling mentally and existentially, the film feels very slice-of-life; the scenes unfurl with almost no change between when we first start the film to when we finish it. This is compounded by the dense dialogue and the secondary stories not really adding up to much ultimately, albeit the supporting characters are all good. But that is likely the conceit here: it ought to be about illustrating a snapshot of this character. Despite recognizing her issues, Pansy very well may never get better and things likely will always look this way, unfortunately similar to how life itself is for many with mental illness.

    Overall, this is a great film. It's poignant, with a powerhouse central performance, unexpectedly and serendipitously humorous and diverting, and it provides a verisimilar portrait of dealing with mental illness.
    10lkc-97939

    Mike Leigh at his absolute best!

    Mike Leigh's Secrets and Lies was a brilliant film and his latest film Hard Truths is just as brilliant and stars the same actor Marianne Jean-Baptiste as the unforgettable, Pansy. Hard Truths is funny, heart-warming, sad, but most of all, very human. There's never a false note, the characters are so beautifully written and performed and I can't wait to see all the nominations Marianne is going to get for this role. It's definitely a film that will make you laugh out loud and cry, and you may not like Pansy but you will still enjoy every minute you're with her. See Hard Truths as soon as possible.
    9gradylandy

    Another great film from one of the best living directors in cinema.

    I was one of the few who felt that Leigh's films Mr. Turner and Peterloo represented the best in his career in cinema. He finally had a high budget and his artistic craft met them perfectly. Hard Truths is a step back from this scale back into the social dramas he used to make, although this feels totally new for him at the same time. If you have a dark sense of humor, you will find it extremely funny when she is nasty and yelling at everyone. They put her in one environment after another, almost like Mr Bean but she causes mayhem everywhere she goes. The furniture store, the doctor, the grocery store. I loved these scenes because the fouler she gets, the funnier the movie becomes. It is such a simple and ingenious idea. Yet outside of these comic vignettes, the film is extremely bitter. It is so well acted and well staged. The supporting characters around her bring the depth in their reaction against her forming a film where we are drawing our own meaning. It is another solid classic in his filmography that I will revisit.

    Vous aimerez aussi

    Nickel Boys
    6,9
    Nickel Boys
    Secrets et Mensonges
    8,0
    Secrets et Mensonges
    Les Graines du figuier sauvage
    7,6
    Les Graines du figuier sauvage
    All or Nothing
    7,5
    All or Nothing
    Bird
    7,0
    Bird
    All We Imagine as Light
    7,1
    All We Imagine as Light
    On Becoming a Guinea Fowl
    7,0
    On Becoming a Guinea Fowl
    The Last Showgirl
    6,5
    The Last Showgirl
    Je suis toujours là
    8,2
    Je suis toujours là
    Be Happy
    7,0
    Be Happy
    Deux filles d'aujourd'hui
    7,1
    Deux filles d'aujourd'hui
    Peterloo
    6,5
    Peterloo

    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      Cinematographer Dick Pope had to undergo a major heart surgery prior to filming, with director Mike Leigh amazed he was able to work on the film at all. Tragically, it would be their final collaboration as Dick Pope passed away on October 21, 2024 at the age of 77.
    • Gaffes
      When the doctor is about to auscultate Pansy, she is using her stethoscope backwards; the rubber ends are supposed to go towards the front, not the back, in order to go slightly inside the ear.
    • Citations

      [Pansy and Chantelle are visiting the grave of their mother, Pearl]

      Pansy: Your memory of Pearl is not the same as mine. You, you had it easy. You were the favourite. You two thick as thieves, ha-ha-ha-hee-hee-heeing. And where was Pansy?

      Chantelle: She treated us both same way.

      Pansy: No, she never. She didn't support me.

      Chantelle: Yes, she did.

      Pansy: No, she never. I was good at maths. I was good with numbers. She didn't push me. Even in death, she chose you. I was the one who had to go round there and find her lying stiff in the bed, her two dead eyes staring at me. Accusing. Disappointed. "Oh, Pansy, what's wrong with you? Why can't you go outside and play? Why can't you make friends? Why can't you enjoy life?"

      Chantelle: Why *can't* you enjoy life?

      Pansy: I don't know!

      [long pause]

      Pansy: Haunted. Haunted.

      [long pause]

      Pansy: It's not fair.

    Meilleurs choix

    Connectez-vous pour évaluer et suivre la liste de favoris afin de recevoir des recommandations personnalisées
    Se connecter

    FAQ18

    • How long is Hard Truths?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 2 avril 2025 (France)
    • Pays d’origine
      • Royaume-Uni
      • Espagne
    • Sites officiels
      • Bleecker Street Media (United States)
      • Official site (United Kingdom)
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • Mi única familia
    • Sociétés de production
      • Creativity Media
      • Film4
      • The MediaPro Studio
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Montant brut aux États-Unis et au Canada
      • 808 122 $US
    • Week-end de sortie aux États-Unis et au Canada
      • 171 840 $US
      • 12 janv. 2025
    • Montant brut mondial
      • 2 767 800 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      • 1h 37min(97 min)
    • Couleur
      • Color
    • Rapport de forme
      • 2.35 : 1

    Contribuer à cette page

    Suggérer une modification ou ajouter du contenu manquant
    • En savoir plus sur la contribution
    Modifier la page

    Découvrir

    Récemment consultés

    Activez les cookies du navigateur pour utiliser cette fonctionnalité. En savoir plus
    Obtenir l'application IMDb
    Identifiez-vous pour accéder à davantage de ressourcesIdentifiez-vous pour accéder à davantage de ressources
    Suivez IMDb sur les réseaux sociaux
    Obtenir l'application IMDb
    Pour Android et iOS
    Obtenir l'application IMDb
    • Aide
    • Index du site
    • IMDbPro
    • Box Office Mojo
    • Licence de données IMDb
    • Salle de presse
    • Annonces
    • Emplois
    • Conditions d'utilisation
    • Politique de confidentialité
    • Your Ads Privacy Choices
    IMDb, une société Amazon

    © 1990-2025 by IMDb.com, Inc.