NOTE IMDb
7,4/10
58 k
MA NOTE
Un garçon de 15 ans et une femme de 27 ans se retrouvent un jour de pluie dans le jardin national de Shinjuku Gyoen.Un garçon de 15 ans et une femme de 27 ans se retrouvent un jour de pluie dans le jardin national de Shinjuku Gyoen.Un garçon de 15 ans et une femme de 27 ans se retrouvent un jour de pluie dans le jardin national de Shinjuku Gyoen.
- Récompenses
- 2 victoires et 2 nominations au total
Miyu Irino
- Takao Akizuki
- (voix)
Gou Maeda
- Takao no ani
- (voix)
Suguru Inoue
- Matsumoto
- (voix)
Megumi Han
- Satou
- (voix)
Mikako Komatsu
- Aizawa
- (voix)
Yûki Hayashi
- Moriyama
- (voix)
- (as Yuki Hayashi)
Wataru Sekine
- Young Takao
- (voix)
Taishi Murata
- Student B
- (voix)
- …
Crash Buist
- Takao's Brother
- (English version)
- (voix)
Avis à la une
This movie is technically brilliant.
It's colour pallet suits it's mood. It is animated immaculately. It is a marvel to watch. It has this natural element to its shorts and it has inserts of random elements of nature that just looks insanely good. It is so impressive.
It also has a very pretty score that works well with its subdued mood.
The story is where I start to find issue with the movie. It is such a short film and I think there is so much packed into it that it gets lost somewhat.
I don't love the romance of the story I honestly think it would have been better being about friendship and two lonely people finding a friend in each other. I think that would have been much more poignant. The romance added this uncomfortableness to it which sort of flattened the story.
The other issue is that the story is very unclear in areas. I think if the film was stretched out a little and had its run time at an hour rather than 45mins, it would have benefited tremendously. It would have had a little more time to flesh out the storylines. They all seemed crammed in and I got a bit lost.
I think this is an incredible movie and with tiny changes it would have been amazing.
It's colour pallet suits it's mood. It is animated immaculately. It is a marvel to watch. It has this natural element to its shorts and it has inserts of random elements of nature that just looks insanely good. It is so impressive.
It also has a very pretty score that works well with its subdued mood.
The story is where I start to find issue with the movie. It is such a short film and I think there is so much packed into it that it gets lost somewhat.
I don't love the romance of the story I honestly think it would have been better being about friendship and two lonely people finding a friend in each other. I think that would have been much more poignant. The romance added this uncomfortableness to it which sort of flattened the story.
The other issue is that the story is very unclear in areas. I think if the film was stretched out a little and had its run time at an hour rather than 45mins, it would have benefited tremendously. It would have had a little more time to flesh out the storylines. They all seemed crammed in and I got a bit lost.
I think this is an incredible movie and with tiny changes it would have been amazing.
I have no words that can describe how in love I am with this movie. I stumbled upon it randomly, thought the art looked lovely, and decided to give it a view. I'm so glad I did. The artwork and animation is just breathtaking. The landscapes and city scenes are almost photo realistic, attention being given to the tiniest of details. I would consider it on par with Studio Ghibli at least. I consider myself very critical when it comes to animations, and it takes a lot to really wow me, but this took the cake. I came with no expectations, and left wondering why this movie isn't more widespread and the need to tell everyone I know to watch it. Though the film is only 46 minutes long, it feels like a feature length film. I was captivated for every second of it, and will be watching it many times in the future.
Too long, didn't read? Watch this movie.
Too long, didn't read? Watch this movie.
this movie has such a nice mellow story to it very true to life, it does motivate you and shows you how real life is , it is truly a beautiful film that i would love to see more of similar to 5 cm per second.
i think this shows that a story can be told in the right ways no matter how long it takes, this shows determination to reach a goal that we need to gain in this tough world.
I recommend this movie because the art is so beautiful and the soundtracks also, it truly is wonderful. This movie is a work of art. and this needs some awards.
i think this shows that a story can be told in the right ways no matter how long it takes, this shows determination to reach a goal that we need to gain in this tough world.
I recommend this movie because the art is so beautiful and the soundtracks also, it truly is wonderful. This movie is a work of art. and this needs some awards.
Although I don't make reviews of movies (only read and maybe comment with friends), Shinkai's movies just force me to. My first comment was of, in my opinion is this director's best work to this day, 5 cm per second, and so this is going to be my second comment.
With that long introduction said, I must say this movie surprised me, with a scenery a OST worthy of the highest regards (like Shinkai has us used to) and a character development spot on. Not the deepest analysis in each character (he couldn't do that in 45 min) but deep enough for the audience to understand them and know what they are going through which is the whole point of the movie. All this wrapped up with a spectacular climax. Although you feel the climax coming, you don't expect a climax like this, with that much energy, sentiment, and art, all in 2 min long.
To finish, a little opinion on Shinkai, I have seen all his movies and I sense that him, with this movie, just realized what are his strong points: not huge movies with 8 characters and lots of themes (a ground where Miyasaki flourishes) but little situations where few characters stand for being truly humane and how they confront problems that ,at that time, mean the world to them and shape them for the future. He's a director that likes to test new grounds (part coming from being a young) but he's also getting reaching his full potential. That's why "Voices from a distant star", "5 cm per second" and this movie are his best work to date and "Voices from deep below" and "place promised" being his not so good movies (although I liked them).
With that long introduction said, I must say this movie surprised me, with a scenery a OST worthy of the highest regards (like Shinkai has us used to) and a character development spot on. Not the deepest analysis in each character (he couldn't do that in 45 min) but deep enough for the audience to understand them and know what they are going through which is the whole point of the movie. All this wrapped up with a spectacular climax. Although you feel the climax coming, you don't expect a climax like this, with that much energy, sentiment, and art, all in 2 min long.
To finish, a little opinion on Shinkai, I have seen all his movies and I sense that him, with this movie, just realized what are his strong points: not huge movies with 8 characters and lots of themes (a ground where Miyasaki flourishes) but little situations where few characters stand for being truly humane and how they confront problems that ,at that time, mean the world to them and shape them for the future. He's a director that likes to test new grounds (part coming from being a young) but he's also getting reaching his full potential. That's why "Voices from a distant star", "5 cm per second" and this movie are his best work to date and "Voices from deep below" and "place promised" being his not so good movies (although I liked them).
Within the first few seconds, you know you're in for a treat for your eyes. The animation in this movie so well done and pleasing to watch. It's one of the better animations I've seen, at least when it comes to the environment (the people are animated pretty much just like most other anime movies). There are so many details and work put into this.
We meet the boy Takao quickly through his narration. It's both beautiful to listen to and at the same time kind of funny, since he is only 15 and he makes it sound like an angsty diary entry. He like the rain, and shoes. He skips school to go to the park when it rains, where he meets a woman. They seem to have the same idea of going to the park on rainy days. He finds out eventually that he wants to design shoes for her.
The movie is unintentionally funny in its fixation in shoes and feet. In one way, it almost framed in a fetishized way, on the other hand, its very sweet and beautiful to watch.
The movie is very short, so there is not much time for character development or to let the story unravel in a slow pace. I don't know myself why Shinkai didn't make it longer (time or money or both probably), but if he could've made it longer, he should have. It has lots of promise, and would be way more interesting if it could tackle their relationship more, especially based on the massive taboo on age difference in Japan. It misses out on some really good opportunities for telling a deeper story.
There's a climax where there is a lot of feelings and crying going on and it is, unfortunately, bombarded with really loud emotional music. The dialogue is intense and almost violent, and at the same time kind of silly in a strange way. The music almost drowns out the dialogue and there is anger and sadness and love and it all happens so fast and in an intense way it's hard to know what to feel.
I really wanted to like this movie more than I did. It has a lot of potential, the animation, again, is gorgeous, the story is cute, but with not much substance (of course it has some, it tackles some issues of the woman, Yukari, for example, but not deeply enough. Everything is told so fast you'll almost miss it). I do want to see more of Shinkai (this is the first one I see), because I have no doubt he has made things better than this, and I look forward to see it.
We meet the boy Takao quickly through his narration. It's both beautiful to listen to and at the same time kind of funny, since he is only 15 and he makes it sound like an angsty diary entry. He like the rain, and shoes. He skips school to go to the park when it rains, where he meets a woman. They seem to have the same idea of going to the park on rainy days. He finds out eventually that he wants to design shoes for her.
The movie is unintentionally funny in its fixation in shoes and feet. In one way, it almost framed in a fetishized way, on the other hand, its very sweet and beautiful to watch.
The movie is very short, so there is not much time for character development or to let the story unravel in a slow pace. I don't know myself why Shinkai didn't make it longer (time or money or both probably), but if he could've made it longer, he should have. It has lots of promise, and would be way more interesting if it could tackle their relationship more, especially based on the massive taboo on age difference in Japan. It misses out on some really good opportunities for telling a deeper story.
There's a climax where there is a lot of feelings and crying going on and it is, unfortunately, bombarded with really loud emotional music. The dialogue is intense and almost violent, and at the same time kind of silly in a strange way. The music almost drowns out the dialogue and there is anger and sadness and love and it all happens so fast and in an intense way it's hard to know what to feel.
I really wanted to like this movie more than I did. It has a lot of potential, the animation, again, is gorgeous, the story is cute, but with not much substance (of course it has some, it tackles some issues of the woman, Yukari, for example, but not deeply enough. Everything is told so fast you'll almost miss it). I do want to see more of Shinkai (this is the first one I see), because I have no doubt he has made things better than this, and I look forward to see it.
Le saviez-vous
- AnecdotesAccording to Makoto Shinkai, the film's central theme is loneliness. This was inspired by the Man'yoshu, Japan's oldest collection of poems; in that volume, love was represented by the word "koi", or "lonely sadness"; more accurately, a longing for someone in solitude. Shinkai described the film as a love story towards people who feel lonely or incomplete in their social relations, but who don't feel that they need to fix this loneliness.
- GaffesDuring the last scene after the credits, especially 45:35, there are no footprints from outside towards the sunshade.
- Citations
Takao Akizuki: A faint clap of thunder / Even if rain comes or not / I will stay here / Together with you.
- Crédits fousThere is a final scene after the credits.
- ConnexionsFeatured in MsMojo: Top 10 Most Beautiful Animated Movies (2022)
- Bandes originalesRain
Lyrics and Music by Senri Ôe
Performed by Motohiro Hata
Arrangement: Makoto Minagawa & Akifumi Tada
© 1988 by Sony Music Artists Inc.
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Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langues
- Aussi connu sous le nom de
- Khu Vườn Ngôn Từ
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Montant brut mondial
- 852 788 $US
- Durée
- 46min
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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