Suzume

This is one of those movies, which just makes it really tough on me to write about it. Because if I talk about the problems I had with the movie, it seems a bit unfair because it is in fact a good movie. But if I don't, that seems unfair too because I did have some problems with this movie. Here's a little background on my impression of the director (and the writer and the editor) - Makoto Shinkai. "Your Name" is one of the best movies I've ever seen (not just in anime). And I absolutely adore "5 Centimetres Per Second" and "Garden of Words". I sort of have a love-hate relationship with "Weathering With You". I can write a long paragraph about it, but long story short, I absolutely love the direction, animation and soundtrack of that movie, but I really don't like the script and the plot.

Ok now to Suzume. I do think this is a good movie. And I think people are going to have a great time with it, because of Shinkai's masterful direction and the RADWIMPS' breath-taking soundtrack. But I'm disappointed with the plot. Well, not exactly disappointed, but let me explain a bit more. I had a lot of fun with the first half of this movie. In fact, I loved the first 80% of this movie. And that's also because the movie continuously kept adding more and more unanswered questions, which made the plot more and more mysterious and it was great, until I started realising that the movie doesn't have enough time left to answer all those questions. And it didn't. When the end credits rolled, I was disappointed because so many answers felt missing. So much supernatural stuff happened in between that just wasn't explained. And now that I think about it, even Your Name didn't exactly explain its supernatural stuff. But it worked because of its characters. Because even though those plotlines didn't have a logical reason, they surely had an emotional one. This movie didn't seem to have both. Here, I can see that shinkai is trying to fit these themes like moving on and death but they didn't seem to fit into the movie.

You know, I can't help but feel that after the success of Your Name, Shinkai is trying to repeat some of the same formulas in his stories. Some similarities with Your Name in both Weathering With You and Suzume are very evident. Like a natural disaster looming over the characters, a romance that turns very dramatic in the second half. The romance in this movie actually felt a lot more natural than it did in Weathering with You. But the problem is that just like Your Name, Shinkai makes these romances take a very dramatic turn. And romance, being a delicate emotion, can't be forced so dramatically until a certain level of familiarity has been reached in the first half.

He did this flawlessly in Your Name and that's because that movie is built around its romance. Whereas in this movie, it feels that he's trying to add a dramatic romance to a plot that could've done without it. Look that's why it's tough on me, you might think I hated this movie. Not even close. I had a good time with this movie, because it is in fact a good movie. It's just that it could have been a lot more than it is, which is why I have to say the things I said above. But like I said this movie is directed MAJESTICALLY. I mean Shinkai's direction is just insane. He makes you feel emotions that aren't even there to feel xD.

And the animation is so, so gorgeous. As good as it was in his previous movies (maybe even better). And RADWIMPS is now 3 in 3 with this soundtrack. This soundtrack is just as good as Your Name and Weathering With You, and that's saying something. I mean there is a sequence, where a certain supernatural entity covers the city of Tokyo and it's like one of the most mesmerizing scenes I've ever seen. The way Shinkai shows that scene, with the breath-taking shots, brilliant animation and jaw-dropping soundtrack, I mean it brought tears to my eyes. Give this man an oscar xD.

This is also Shinkai's funniest movie. There are some very funny sequences here. 1 specific hilarious plot point that continues throughout the movie was just genius. The movie starts off very quickly and seeing these characters trying to catch on with what all is happening just made it even more entertaining and funny. There are also some very touching moments, mostly because of how brilliantly they were directed. Shinkai's direction and RADWIMPS' soundtrack is a combination that's capable of completely taking over it's viewers. But that 1 part of my brain which was thinking about the plot kept pulling me back.

Overall though I had a good time with this movie but I'd say Shinkai is capable of much more than this in terms of the plot. I certainly like it more than Weathering With You though.

I love movies like 5 Centimetres Per Second and Garden of Words. They were great movies in their own right, and they were nothing like Your Name. Those movies explored deep emotions like separation, alienation and growing up and did it brilliantly. So any movie can be great in its own right. I have a lot of faith in Shinkai as a filmmaker and I'd like to see a different movie from him.

(Btw you're going to get goosebumps when the title pops up at the beginning of the movie, trust me)

A love at first sight, seeking past, fifty thousand people used to live here now it's a ghost town, unlikely villain, phenomenon driven mystery, parkour, a race against time and chance, past meet future, today's sacrifice tomorrow's keep, great humor timing, strong voice acting, magical, captivating visual art animation & a music to fall in love, with nostalgia sure to hit a Makoto Shinkai's masterpiece ! When I left the theater I feel like wanting more I regretted for not having watch Kimi no Nawa and Weathering with you on cinema but not this time and I am so glad I captured this one. Ittekimasu Itterasshai.

Suzume is an uncommon film, for it represents complete technical mastery, and a daring, bold artistry in trying to imbue a fantasy film with deep meaning. While it succeeds on the technical front, Suzume might be biting off more than it can chew in the handling of its story

Suzume represents the pinnacle of perfection when it comes to animation. It is stunningly and strikingly animated. It is meticulously made- the detailing is impeccable, and the image lush and saturated. They are a unique visual spectacle- the closest comparison I can find is ratatouille. Indeed, The visuals have an almost photorealistic quality to them, but pulled back one dimension so an idealised quality can be embedded, making them pleasing and striking to look at. Only in Makoto Shinkai films would ancient ruins and potholes look beautiful.

When it comes to plot, The film can really be separated into two. The first half is an agreeable, albeit more traditional adventure/ road film, focusing on the endearing and charming human connections Suzume makes with other people along the way(the bar owner/ the high school student), and the "fun" and adventure factor in their journey. The second section of the film becomes considerably more sombre and sentimental, as the stakes are now heightened with Soutas life on the line. My first gripe of the film is in here- it's lethargic pacing in the second half. The film loses too much energy after the climax in the middle that audiences become disoriented. We have no clear goal exactly of what Suzume is supposed to do now, or why she is going to do what she's doing now. The plot also seems contrived in muddling up character motivations- why is suzume so motivated in saving souta? Does she really love this man who was a stranger to her into a few days ago? The film never offers anything close to answer to these questions.

But I think the significance of Suzume is that it is unusual, and even daring, for it represents an effort from Makoto Shinkai to make a film of heightened maturity and emotion. The writing, however, does not allow for this to be fully realised. It seems Our main character speaks almost exclusively in monologue and in banal dialogue. The writing also feels substandard. The film attempts to touch on several important issues of bereavement and sacrifice but it never fully fleshes or examines this problem fully. Consider the scene where the aunt has an outburst on how she sacrificed 10 years of her life to care for Suzume. In the hands of a superb writer, this scene could have been a dramatic tour de force. Here it is merely briefly acknowledged, not further explored, and never even mentioned again. Another issue to analyse is the main theme of bereavement in the film. The director has said the film was made for those who lost loved ones in the 2011 Japanese earthquake. The problem, however, with trying to explore these weighty emotional issues in a fantasy Children's film is that the bizzare plot of such a fantasy film does not allow for these themes to be punctuated fully. Indeed the film relies overly on metaphors to explore its theme. Suzume steps into the ever after to find her lost, younger self and help this younger self come to terms with their mothers death. But Shinkai offers no concrete ways for us to access our "lost selves"- the metaphorical meaning of the door to this ever after is nebulous at best.

Suzume is an absolutely captivating film because of the superlative visuals. But it is also simultaneously infuriating, for its relies too much on emotions and tugging on the heartstrings, rather than on a serious examination of its themes. Makoto Shinkai has definitely made a mature film here. But i would hesitate in labelling Suzume as thoughtful or insightful.

The premise was truly intriguing with several doors at abandoned places in need of getting closed in order to stop the gigantic worms from causing natural disasters. Ancient Gods are the keystones holding these worms back and there is a closer who has taken up this important job to keep these doors closed. Then there is Suzume, a girl raised by her aunt after she lost her mother during 2011 Tsunami. Suzume is gifted to see the ever after and her love at first sight Sota who is the closer, leads her to join him in the mission to close the doors as well as save the world.

The animation is what caught my eye and I am not that much into anime. The story remained captivating for the most part and the narrative style kept the intrigue intact. I was drawn into the world of Suzume even before the fantasy part began. Chasing Daijin while closing one door after another, relating it to a major natural disaster from the Japanese history was a nice touch. However, despite couple of jokes working, the sub plot involving Serizawa felt dragged and the introduction of Sadaijin lacked the desired impact. Overall, Suzume is still a worthy watch for it's unique premise.

Beautiful animation, brilliant even, with a lot of attention to details. It captures perfectly the nature with the shimmering of roads and the sparkling of the sea.

The story is interesting even if in some places it could have been better. The feeling of old places with memories from the past struck a cord.

Regarding the love story, I'm not sure how the infatuation "that guy looks beautiful" transformed into deep love to say "I am more afraid of a world without him".

The idea of what generates earthquakes is interesting.

As usual for japanese anime, the final "lessons" can easily bring you to tears but you are better if you remember that lesson because it's about life.