Nymphomaniac : Volume 2

Discomforting, perturbing, obnoxiously gross, I do not know how else to summarise my experience. It is way more blunt, unapologetic than Volume I, there is not a single major path pertaining to sexuality left behind to tread.

Previously it put emphasis on 'sensationalism', whereas this time around the focus is more on the "visual" side of it or rather the degree of depravity & cynicism that lurk beneath the surface!

I almost got startled when it momentarily switched to a 'medical exhibition', that whole scene (you'll know what I am referring to, if you have seen the movie) made me uncomfortable, mind you, I'm generally desensitised to distasteful stuff owning to dozens of repulsive features I have borne witness to. But that one sequence tested my tolerance! There are not many films out there I can give the same compliment to!

Lars von Trier's second film about the life story of a female nymphomaniac goes down increasingly dark alleyways compared to VOL. I, but at the same time I found it the lesser movie. This film just doesn't have the drive or vitality that made the first film so interesting, and there are some odd plot decisions - especially towards the climax - that don't ring true.

There are still some oddly gripping moments here, but they're more disturbing than ever. Jamie Bell is a real surprise, playing a completely different character to that than you'd expect and doing very well with it too. I'm surprised that I found Charlotte Gainsbourg less sympathetic than the actress playing the younger version of her character. By the time Willem Dafoe enters the frame, the movie seems to have lost its way and become a bizarre, slow-paced thriller instead. And don't get me started on the Mia Goth stuff.

As before, this is a beautifully shot movie with a lot of fragility and artiness contained within its shots. But Lars von Trier can only keep the audience's interest for so long, and by now his tale is beginning to drag, leaving a film that is only so-so rather than profound. And that 'twist' ending is ludicrous more than anything else.

Joe continues to tell to Seligman the story of her life. Joe lives with Jerôme (Shia LaBeouf) and their son Marcel and out of the blue, she loses sexual sensation in intercourse, feeling her vagina numb. Joe seeks kinky sex, perversions and sadomasochism expecting to retrieve her sex drive. Jerôme leaves home with Marcel and gives his son to a foster house for adoption.

Then Joe is sent to therapy by her gynecologist but she does not admit that she is addicted in sex. Meanwhile Seligman tells to Joe that he is virgin and helps her to understand her actions. Joe believes that Seligman is her friend, but is he?

"Nymphomaniac: Vol. II" is a darker sequel of the volume 1. Joe now is in an adult and her sexual experiences are more perverted and without humor. The conclusion is unexpected and without redemption. My vote is seven.

Title (Brazil): "Ninfomaníaca: Volume 2" ("Nymphomaniac: Volume 2")

Nymph()maniac, if I've to describe in a single sentence, is director Lars von Trier trying to sell his bland & banal softcore as a work of art. Divided into 2 volumes, Nymph()maniac is the final chapter in what is now being labeled as Depression Trilogy (preceded by Antichrist & Melancholia) and tells the story of a self-diagnosed nymphomaniac named Joe recounting her life's sexual experiences to Seligman; the man who found her badly-beaten up in some deserted alley plus who later tries to connect & analyze her stories with whatever he has read about.

Volume 2 picks the story right from where Volume 1 signed off and continues Joe's retelling of her erotic endeavors to Seligman & how she ended up in his care. And, if the previous half of Nymph()maniac had Joe engaging in one sex session after another down to the point that it became repetitive & boring, then this half shows her sexual ventures going a little extreme as director Lars von Trier throws in sadomasochism & pedophilia into the tale to amplify its shock value but it actually ends up even more repulsive than it already was.

The story goes downhill from the already ineffective narration that was present in the previous part, the pace is still sluggish, some sequences are disturbing to watch while others are present just to stir more controversies or irk as many viewers as possible. The performances still don't carry any complains unlike the rest of this film's aspects although the characters continue to remain uninteresting like before. Charlotte Gainsbourg takes over the role of Joe from Stacy Martin in her stories & even Skarsgård gets to do more as Seligman than just be a listener to Joe's endless stories.

On an overall scale, the 2nd & final volume of Nymph()maniac has nothing to offer except for few appalling moments & more philosophical bullshit. What's even more absurd or idiotic is the resolution of the Skarsgård character, Seligman, who so far was being reflected as a wise, caring friend only for the film to throw away all that notion of friendship out the window in its final moments. All in all, there is nothing artistic about this pretentious crap & if one tries to approach it as a porn feature, then the overall experience is even worse. Avant-garde of filmmaking, my ass.

Full review at: cinemaclown.wordpress.com

This film tells the story of a woman who turns into dark sexual behaviour after discovering that just sex is not enough to satisfy her nymphomaniac urges.

In "Nymphomaniac: Vol. II", there is a lot of graphic sex. The sadomasochism is quite shocking and raw. There are many occasions when I was very surprised by how far the actors and actresses would go. How she descends into a pitiful state is sad. The second half of the film takes a turn into exploring another side of Joe's sexuality. Actually, "Nymphomaniac: Vol. II" explores almost all common sexual minority behaviours - it is almost an eye opener - and in some cases eye closer.

"Nymphomaniac: Vol. II" is a bit too extreme for my taste.