Une femme en fuite de la mafia est acceptée à contrecoeur dans une petite ville du Colorado. En échange, elle accepte de travailler pour eux. En fouillant la ville, elle découvre que leur so... Tout lireUne femme en fuite de la mafia est acceptée à contrecoeur dans une petite ville du Colorado. En échange, elle accepte de travailler pour eux. En fouillant la ville, elle découvre que leur soutien a un prix. Pourtant, son dangereux secret n'est jamais bien loin.Une femme en fuite de la mafia est acceptée à contrecoeur dans une petite ville du Colorado. En échange, elle accepte de travailler pour eux. En fouillant la ville, elle découvre que leur soutien a un prix. Pourtant, son dangereux secret n'est jamais bien loin.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 21 victoires et 33 nominations au total
Avis à la une
10so4
When I started the movie and realized that it isn't really a movie, that it is more like a play and that there is really a lack of props and scenery I thought to myself, My God, what the heck did I buy???? I'm a huge fan of Nicole Kidman and she is the reason I bought it in the first place. The movie (or play), whatever u might wanna call it, drew me in and I couldn't stop watching. The end is so powerful, I was speechless. That's one of the best movies I have seen in a long, long, long, long time. I don't agree with the Anti-American comments I read here in some of the comments. Human emotions are all the same all over the world and this movie could have played in any country. Anyway, go watch this movie it's soooo worth it.
Dogville is long, and if you don't have the patience for a slow ramp-up of tension, it'll turn you right off. There are a couple story devices Von Trier uses that really bugged me, and I almost shut it off once. I'm glad I stuck with him, though, because he really took it somewhere and I came away really enjoying the experience..
Critics who hated Dogville talk about it's hamhanded anti-American slant (Lars von Trier refuses ever to set foot in that country). I knew nothing about this film or Von Trier before seeing it and I have to say I entirely missed the anti-America thing until the backcredits. Don't get me wrong, there are several scenes that make commentary about rampant nationalism, prejudice towards immigrants and small town xenophobia, but those comments could be made about the zealous in ANY region of ANY nation at ANY time.
If we are to criticize 21-st Century America, and there are plenty of reasons to criticize it, we must also criticize other peoples and governments who are screwing up royally. I think if Dogville has a point to make to America, its not that it is uniquely problematic, but that it is as problematic as any other nation. Where on this planet can you NOT find a group of people who think:
THE WORLD WOULD BE A BETTER PLACE IF EVERYONE WAS JUST LIKE US.
That statement is the kernel of failure for every major conqueror and every major religion in history and it portends the long, inevitable swirl down the toilet and the people who want you toppled have only to sit back and watch you do it to yourself.
America is a great nation, with a lot of culture, history and art to be proud of, and maybe that's why modern artists feel the need to make pieces like Dogville. To remind America that, as great as it is, it's still a nation of crying, barfing, excreting, whining, greedy, worried, scared mouths to feed, just like the rest of us -- no better or worse.
That's all I think Dogville does as an anti-American piece. If Von Trier meant to just poo on America, he missed his mark and ended up making a point about all of us. Regardless, he among many others wants America to change it's mind about itself, and it doesn't matter if he hates it or loves it. Much more interesting to me is the blatantly obvious point Dogville makes -- to what point do you forgive the transgressions upon you by others who may be less fortunate but are nonetheless doing wrong? It sure made me take a look at my own pacifism.
Nicole Kidman was brilliant, as was Paul Bettany and the simpler townsfolk who will play so skillfully with your emotions. It seems I've been flooded with Kidman movies regularly for a couple weeks now and this is my favourite of her performances.
Good film, Dogville.
Critics who hated Dogville talk about it's hamhanded anti-American slant (Lars von Trier refuses ever to set foot in that country). I knew nothing about this film or Von Trier before seeing it and I have to say I entirely missed the anti-America thing until the backcredits. Don't get me wrong, there are several scenes that make commentary about rampant nationalism, prejudice towards immigrants and small town xenophobia, but those comments could be made about the zealous in ANY region of ANY nation at ANY time.
If we are to criticize 21-st Century America, and there are plenty of reasons to criticize it, we must also criticize other peoples and governments who are screwing up royally. I think if Dogville has a point to make to America, its not that it is uniquely problematic, but that it is as problematic as any other nation. Where on this planet can you NOT find a group of people who think:
THE WORLD WOULD BE A BETTER PLACE IF EVERYONE WAS JUST LIKE US.
That statement is the kernel of failure for every major conqueror and every major religion in history and it portends the long, inevitable swirl down the toilet and the people who want you toppled have only to sit back and watch you do it to yourself.
America is a great nation, with a lot of culture, history and art to be proud of, and maybe that's why modern artists feel the need to make pieces like Dogville. To remind America that, as great as it is, it's still a nation of crying, barfing, excreting, whining, greedy, worried, scared mouths to feed, just like the rest of us -- no better or worse.
That's all I think Dogville does as an anti-American piece. If Von Trier meant to just poo on America, he missed his mark and ended up making a point about all of us. Regardless, he among many others wants America to change it's mind about itself, and it doesn't matter if he hates it or loves it. Much more interesting to me is the blatantly obvious point Dogville makes -- to what point do you forgive the transgressions upon you by others who may be less fortunate but are nonetheless doing wrong? It sure made me take a look at my own pacifism.
Nicole Kidman was brilliant, as was Paul Bettany and the simpler townsfolk who will play so skillfully with your emotions. It seems I've been flooded with Kidman movies regularly for a couple weeks now and this is my favourite of her performances.
Good film, Dogville.
Just awesome! First, the quasi-theatrical film adaptation with only one stage set... one is amazed at how well this works. In my opinion it is even more effective this way than with a conventional film adaptation.
The story itself is a brilliant lesson in human behavior.
The story itself is a brilliant lesson in human behavior.
This movie is not the best I've ever seen, and probably not as good as "Breaking the Waves". But I left the theatre astonished, shocked, sad, confused, and a bit angry with the director, for being so cruel (and true?) in portraying human behaviour with vulnerable people, for using no props, for forcing me to watch the characters in their eyes and facial expressions 'cause there was nothing to draw my attention away. But this movie deserves to be seen, because that's what an artist is supposed to do, to share a bit of his thoughts and views, without giving answers, but arousing emotions and questions: and it has probably more right to be than other blockbuster movies sold by studios with nothing but what people like to see in it.
I am no great fan of Lars von Trier's work but I like Melancholia and Dogville a lot. Dogville is a hard and deep look on human society and human behaviour, on moral and ethics.
Like the book Blindness by José Saramago, and the movie based on that book, it is not an easy watch, but a close, intense and realistic look on the shadow side of mankind.
On top, the method of stage acting like in a theatre adds some sense of advantgarde and extravaganza to Dogville, and makes this movie, with the theme, an exceptional piece of art.
On top, the method of stage acting like in a theatre adds some sense of advantgarde and extravaganza to Dogville, and makes this movie, with the theme, an exceptional piece of art.
Le saviez-vous
- AnecdotesPaul Bettany didn't want to play Tom Edison, because they were shooting it in Sweden. Then his friend Stellan Skarsgård told him that Lars von Trier's shoots were so funny, that "you'll miss something extraordinary if you turn the part down." After shooting half the movie, Bettany asked Skarsgård when the fun would start, to which Skarsgård replied: "I lied. I did it because he is amazing to work with, and you wouldn't be able to see that before you were actually here yourself. I wanted to give you a chance, and you wouldn't have shown up if I had been frank with you."
- GaffesJack refers to the steeple casting a shadow which touches the O of the store's open sign at exactly 5 PM each day. This would actually only occur on a few days each year, as the lengths and positions of shadows are constantly changing through the seasons.
- Crédits fousClosing credits play over photographs depicting crime and poverty in the United States.
- Versions alternativesTo fit the needs of some local distributors, in Italy among others, assistant director Anders Refn cut a version of Dogville which is about 45 minutes shorter than the original. The version was accepted and approved by director Lars von Trier.
- ConnexionsFeatured in Trier, Kidman og Cannes (2003)
- Bandes originalesYoung Americans
Written and Performed by David Bowie
Courtesy of RZO Music, Inc.
Published by Chrysalis Music Limited / EMI Music Publishing Limited / RZO Music Limited
[Played over end credits]
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- How long is Dogville?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langues
- Aussi connu sous le nom de
- The Film 'Dogville' as Told in Nine Chapters and a Prologue
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 10 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 1 535 286 $US
- Week-end de sortie aux États-Unis et au Canada
- 88 855 $US
- 28 mars 2004
- Montant brut mondial
- 16 690 617 $US
- Durée
- 2h 51min(171 min)
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1
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