White House Down
- 2013
- Tous publics
- 2h 11min
Alors qu'il visite la Maison Blanche avec sa jeune fille, un policier du Capitol entre en action pour sauver son enfant et protéger le président, d'un groupe lourdement armé d'intrus paramil... Tout lireAlors qu'il visite la Maison Blanche avec sa jeune fille, un policier du Capitol entre en action pour sauver son enfant et protéger le président, d'un groupe lourdement armé d'intrus paramilitaires.Alors qu'il visite la Maison Blanche avec sa jeune fille, un policier du Capitol entre en action pour sauver son enfant et protéger le président, d'un groupe lourdement armé d'intrus paramilitaires.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 3 victoires et 9 nominations au total
Avis à la une
WHITE HOUSE DOWN is a film with myriad problems. It's directed by Roland Emmerich for once, a guy known for his less than stellar effects films like 2012 and GODZILLA, although once in a while he makes something like INDEPENDENCE DAY to make up for the bad stuff. It has some terrible CGI effects of helicopters in particular. It's a 12 certificate movie, which means that although violent it's not realistically violent. It's overlong. Channing Tatum, despite being a hot property in Hollywood, is wooden beyond belief. And, as with many Hollywood blockbusters, the writers have to shoehorn one of those annoying teenage characters into the storyline.
Despite all these flaws, I have to say I enjoyed WHITE HOUSE DOWN. It's no masterpiece, and it's not as good as the more serious OLYMPUS HAS FALLEN which came out at the same time. But it keeps your attention on it throughout, and it never fails to entertain. The various DIE HARD homages come thick and fast, and Jamie Foxx has never been so much fun as the Obama-style President who gets in on the action. The bad guys are suitably bad, James Woods acts up the screen, and there's a ton of explosive action to enjoy. You may want more, but this didn't disappoint as a light popcorn flick.
Despite all these flaws, I have to say I enjoyed WHITE HOUSE DOWN. It's no masterpiece, and it's not as good as the more serious OLYMPUS HAS FALLEN which came out at the same time. But it keeps your attention on it throughout, and it never fails to entertain. The various DIE HARD homages come thick and fast, and Jamie Foxx has never been so much fun as the Obama-style President who gets in on the action. The bad guys are suitably bad, James Woods acts up the screen, and there's a ton of explosive action to enjoy. You may want more, but this didn't disappoint as a light popcorn flick.
Not since President Harrison Ford battled terrorists aboard "Air Force One" has a U.S. movie president faced the peril that challenges President Jamie Foxx in "White House Down." An unidentified group detonates a bomb in the U.S. Capitol Building, then takes hostages in the White House and shoots up the historic mansion, destroying priceless artifacts and paintings to the chagrin of a tour guide. Audiences know what they want from a Roland Emmerich movie, and "White House Down" delivers the goods; rapid cutting, action, explosions, gun battles, cheering onlookers, wise-ass heroes and bad-ass villains.
Clichés abound; from a troubled father-daughter relationship to an expository job interview that details the hero's past and a White House tour that fills in the history of the presidential mansion, the plot inches forward until the explosions literally begin. However, logic and plausibility also evaporate as the pace accelerates. While metal detectors screen visitors, the terrorists have an arsenal of automatic weapons already in the White House. While bullets fly and White House staff and visitors cower and flee, a young girl records everything on video for her on-line blog. Preposterous would come to mind, if the action allowed viewers to pause and think for a moment.
The cast of professionals is capable for this type of film. Headed by Channing Tatum, who sports a fetching sleeveless tunic to highlight his biceps, is the negligent father, caught in the dire White House situation with his blogger daughter. Jamie Foxx is fine as the President, while Maggie Gyllenhaal and Richard Jenkins both try to rise above the trite material, which was written by James Vanderbilt. Always fun to watch, James Woods manages to chew on the government-issue scenery in a showy role. The current resident of the White House, who claims ignorance of the 25th Amendment, should catch this film as that amendment is cited several times.
Audiences for a Roland Emmerich movie know what they want, and "White House Down" will deliver the goods for them. However, after two hours plus of mindless action, plot holes big enough to swallow a tank or a helicopter, and casual dialog between elected officials that propels the world towards Armageddon, some viewers may long for a slower paced film with a literate script and a plot based on logic. But then again, some may find Channing and his muscles more satisfying than either literacy or logic.
Clichés abound; from a troubled father-daughter relationship to an expository job interview that details the hero's past and a White House tour that fills in the history of the presidential mansion, the plot inches forward until the explosions literally begin. However, logic and plausibility also evaporate as the pace accelerates. While metal detectors screen visitors, the terrorists have an arsenal of automatic weapons already in the White House. While bullets fly and White House staff and visitors cower and flee, a young girl records everything on video for her on-line blog. Preposterous would come to mind, if the action allowed viewers to pause and think for a moment.
The cast of professionals is capable for this type of film. Headed by Channing Tatum, who sports a fetching sleeveless tunic to highlight his biceps, is the negligent father, caught in the dire White House situation with his blogger daughter. Jamie Foxx is fine as the President, while Maggie Gyllenhaal and Richard Jenkins both try to rise above the trite material, which was written by James Vanderbilt. Always fun to watch, James Woods manages to chew on the government-issue scenery in a showy role. The current resident of the White House, who claims ignorance of the 25th Amendment, should catch this film as that amendment is cited several times.
Audiences for a Roland Emmerich movie know what they want, and "White House Down" will deliver the goods for them. However, after two hours plus of mindless action, plot holes big enough to swallow a tank or a helicopter, and casual dialog between elected officials that propels the world towards Armageddon, some viewers may long for a slower paced film with a literate script and a plot based on logic. But then again, some may find Channing and his muscles more satisfying than either literacy or logic.
Dumb, cliched, and like most every Roland Emmerich film, wildly entertaining. Emmerich seems to specialize in making medium-budgeted films with mid-level stars that are blatant rip-offs of more popular blockbusters, such as INDEPENDENCE DAY or THE DAY AFTER TOMORROW or even his first English language film MAKING CONTACT. With WHITE HOUSE DOWN, Emmerich decided to make DIE HARD meets AIR FORCE ONE, with Channing Tatum playing a DC Police officer who happens to be touring the White House with his daughter the same day it's taken over by terrorists and then finds himself protecting the president, Jamie Foxx. With a solid supporting cast that includes Maggie Gyllenhaal, James Woods, the always great Richard Jenkins, Michael Murphy, Lance Reddick, Matt Craven, Jake Weber, and a young Joey King as Tatum's daughter, which was funny seeing her as an actual school girl compared to her school girl assassin she played in BULLET TRAIN. Characters are so underdeveloped and cliched that pretty much any actor could have played any of the roles, the only exceptions being James Woods as the villainous turncoat secret service agent, which is made extra fun when you know Woods' real-life extremist views and that he may be spouting crazy rhetoric he actually believes. Joey King is also surprisingly memorable for a child performer as Tatum's daughter who hopes to be a YouTuber and when she secretly records the terrorists becomes a viral sensation. Jenkins maybe makes the list too, though he doesn't get any good scenes until the very end. This would be a movie that would be super easy to tear down, but it's so fun and unpretentious (they even put Tatum in a John McClain white t-shirt at one point, acknowledging the copycat elephant in the room.) Overall, the plot unfolds strictly by the numbers and there are zero surprises, but I was consistently entertained and never bored. Go into this film expecting solid action, likable actors, and nothing original, and you will likely find yourself entertained.
A bunch of terrorists attack and (way too easily) occupy the White House. Cale (Channing Tatum) is there with his 11 year old daughter Emily (Joey King). Through circumstances Cale saves President Sawyer (Jamie Foxx) from being killed and they try to figure a way to beat the terrorists and save the White House.
This starts out badly. The first half hour deals with character development. Nothing wrong with that--but it's so DULL! Then the action starts up and it picks up. There's plenty of violence--LOTS of shootings but no blood (hence the PG-13 rating). Still it isn't that good. The action is strong and violent but not enough to carry the movie. Also it's far too long and gets stupider as it goes along. Seriously--by the end I was getting insulted as how moronic the film was getting. Also Emily (an 11 year old) is slapped around, threatened and (more than once) has a gun held to her head! That's going too far. Even worse is Tatum's acting. He was blank-faced throughout. On the plus side the special effects were great, Foxx was good as the president, and Maggie Gyllenhaal and James Woods were great in supporting roles. So it was loud and violent but too long and too stupid.
This starts out badly. The first half hour deals with character development. Nothing wrong with that--but it's so DULL! Then the action starts up and it picks up. There's plenty of violence--LOTS of shootings but no blood (hence the PG-13 rating). Still it isn't that good. The action is strong and violent but not enough to carry the movie. Also it's far too long and gets stupider as it goes along. Seriously--by the end I was getting insulted as how moronic the film was getting. Also Emily (an 11 year old) is slapped around, threatened and (more than once) has a gun held to her head! That's going too far. Even worse is Tatum's acting. He was blank-faced throughout. On the plus side the special effects were great, Foxx was good as the president, and Maggie Gyllenhaal and James Woods were great in supporting roles. So it was loud and violent but too long and too stupid.
White House Down offers very little that's new or interesting. It's a convoluted mess that's caught in no man's land. It takes itself far too seriously yet offers ridiculous action (ridiculous as in dumb, not as in wild or fun) and even more ridiculous characters. It wants to be taken seriously but functions in bizarre surroundings with a foolish plot. A calamity of underdeveloped ideas, half the film is flat out brain damaged and the other half is pure schlock. Do yourself a favor and avoid this dumb and actually boring farce.
This movie simply can't stand on its own as a film. Does often joyless, dark and dumb appeal to even the popcorn crowds? The rest of us want way more in our summer movies.
This movie simply can't stand on its own as a film. Does often joyless, dark and dumb appeal to even the popcorn crowds? The rest of us want way more in our summer movies.
Le saviez-vous
- AnecdotesApart from a couple of second unit shots of Washington DC and one scene shot in a park, all filming took place on sound stages in Montreal, Canada, with extensive blue screen techniques used to create the "world" around each set where required.
- GaffesIn the film, the president opens the passenger side window in his presidential limousine as to launch the missile launcher. In reality, the driver's window is the only one that can be opened partially. None of the windows in the passenger compartment can be opened for security and protection reasons.
- Citations
President Sawyer: Martin, as the President of the United States, this comes with the full weight, power and authority of my office. Fuck you.
- ConnexionsEdited from Abyss (1989)
- Bandes originalesSpanish Flea
Written by Julius Wechter and Cissy Wechter
Performed by Herb Alpert & The Tijuana Brass
Courtesy of Almo Properties, LLC
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Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langue
- Aussi connu sous le nom de
- La caída de la Casa Blanca
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 150 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 73 103 784 $US
- Week-end de sortie aux États-Unis et au Canada
- 24 852 258 $US
- 30 juin 2013
- Montant brut mondial
- 205 366 737 $US
- Durée2 heures 11 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1
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